Category: Critical Digital and Social Media Studies series

Critical Digital and Social Media Studies: New Call for Book Submissions

Critical Digital and Social Media Studies: New Call for Book Submissions

Critical Digital and Social Media Studies is an established book series edited by Professor Christian Fuchs on behalf of the Westminster Institute for Advanced Studies and published by the University of Westminster Press (UWP). We invite submissions of book proposals that fall within the scope of the series.

CALL DETAILS After the publication of twelve titles in the series (and several others commissioned for 2020) we invite submission of book proposals (adhering to the guidelines set out below) as one document with one full chapter for book titles in the range of 35,000-80,000 words. The books in the series are published online in an open access format available online without payment using a Creative Commons licence (CC-BY-NC-ND) and simultaneously as affordable paperbacks. We are able to publish a number of books in the call without any book processing charges for authors. Potential authors are welcome to contact the series editor outside of the initial time frame of this call for book proposals but should note that priority for funding support for suitable projects will be given to those proposals meeting the deadline. There is a preference for the submission of proposals for books whose writing can be finished and that can be submitted to UWP within the next 6-15 months. In the event of a surplus of strong proposals preference will be given to single-authored book proposals over edited volumes.

Outside these time frames authors are welcome to submit to the publisher a.lockett[at]westminster.ac.uk but will be notified if funding has already been allocated and the prospective date for the next call for publication. Authors who have access to open access fee-funding (e.g. covered by research project funding, universities or other institutions) that can cover the fees for layout and production are welcome to contact the publisher outside of the submission dates, but should note selection is based only on grounds of quality and suitability for the series notwithstanding that the series wishes to welcome as many suitable titles as possible. We welcome submissions to our submissions system with one (exactly one) uploaded sample chapter. We can only accept suggestions for books written in English. For further details see the Proposal Guidance below or if you have questions about the publishing process email a.lockett[at]westminster.ac.uk.

SUBMISSION DEADLINE Monday 20 January 2020 23:59 BST. Submissions should be made via UWP’s book proposal submission system at https://uwp.rua.re

Any prior queries may be sent by e-mail to Andrew Lockett (University of Westminster Press Manager), A.Lockett[at]westminster.ac.uk. Submissions will no longer be accepted by email. Regardless of other contact, all proposals for consideration have to be presented via https://uwp.rua.re.

CRITICAL DIGITAL AND SOCIAL MEDIA STUDIES: AIMS AND SCOPE
The book series “Critical Digital and Social Media Studies” publishes books that critically study the role of the Internet, digital and social media in society and make critical interventions. Its publications analyse how power structures, digital capitalism, ideology, domination, social struggles shape and are shaped by digital and social media. They use and develop critical theories, are profoundly theoretical, and discuss the political relevance and implications of the studied topics. The book series understands itself as a critical theory forum for Internet and social media research that makes critical interventions into contemporary political topics in the context of digital and social media. It is also interested in publishing works that based on critical theory foundations develop and apply critical social media research methods that challenge digital positivism. It furthermore is interested in digital media ethics that are grounded in critical social theories and critical philosophy. The book series’ understanding of critical theory and critique is grounded in approaches such as critical political economy and Frankfurt School critical theory.

TOPICS
Example topics that the book series is interested in include: the political economy of digital and social media; digital and informational capitalism; digital labour; ideology critique in the age of social media; new developments of critical theory in the age of digital and social media; critical studies of advertising and consumer culture online; critical social media research methods; critical digital and social media ethics; working class struggles in the age of social media; the relationship of class, gender and race in the context of digital and social media; the critical analysis of the implications of big data, cloud computing, digital positivism, the Internet of things, predictive online analytics, the sharing economy, location- based data and mobile media, etc.; the role of classical critical theories for studying digital and social media; alternative social media and Internet platforms; the public sphere in the age of digital media; the critical study of the Internet economy; critical perspectives on digital democracy; critical case studies of online prosumption; public service digital and social media; commons-based digital and social media; subjectivity, consciousness, affects, worldviews and moral values in the age of digital and social media; digital art and culture in the context of critical theory; environmental and ecological aspects of digital capitalism and digital consumer culture. Of particular interest is new work in the area of critical media/communication studies in the context of digital media and authoritarianism/populism, feminist political economy, critical perspectives on digital industries and digital labour, Marxism and AI, digital commons/digital public services/public service Internet.

PROPOSAL GUIDANCE
If you would like to know if UWP is interested in a proposal you will receive the swiftest answer if you submit via the RUA system (https://uwp.rua.re). Authors/editors need to register and complete a questionnaire. Authors submitting to this call for the CDSMS series must upload one sample chapter to their submission. The following indicates in general terms what will be requested:

UWP proposals are to be presented in response to a questionnaire

Preview of UWP Book Proposal Questionnaire

Book Title     

Subtitle          

Submitting Author/Editor              

Title and subtitle of book   

Contact email          

Email of submitting author or editor only         

Institution/affiliation of submitting author or editor only

Full author and editor details and short biography (120 words maximum) 

Anticipated Completion Date       

Total wordlength    

Sample chapter        

Sample material is always useful to receive. Please attach to/upload with contents and chapter plan

Case for the book
Relation to wider academic fields and disciplines; this may also include author/editor’s detailing relevant previous publications and history of research underlying the book.

Longer summary
Overview of the book’s aims, maximum 500 words.

Contents and chapter plan
For each chapter please include the title, and a paragraph of description (at least half of the full the length of a journal abstract) about its content and coverage. If an edited volume please provide contributor affiliations and up to three sentences biography including their most significant and relevant publications. The chapter plan should include a proposed length for each chapter as well as total length inclusive of notes and apparatus and details of any appendices.

Readership and how to reach it
Please detail core readership and subject areas the book would appeal to and cover, and details of any tertiary audiences either in terms of general interest or other academic fields. Please indicate how readers in your field are best reached. What factors do you think are most relevant in terms of ensuring the book makes an impact? Where in particular in terms might specialist reviews or coverage be sought? Lastly identify any other important aspects relating to marketing coverage including conferences, proposed events that might be organised or email or social media channels that could be utilised.

Competing and related books
Offer an account of competing titles and books closest resembling that in your proposal. Where competition is not relevant indicate any books serving as role models (or anti role models) or what in the absence of a competing title is available to read in the field.

Additional requirements
If relevant please indicate any presentation preferences for typesetting or any production requirements for the book including use of illustration, data, specialist typography or colour printing. Any thoughts on presentation/book format that are important and specific to the project including use of copyright material of any kind including imagery or supplementary files.

Series proposals are peer-reviewed in accordance with standard university press practice via the series editor, editorial board members and additional external referees where appropriate.

PUBLISHED and FORTHCOMING IN THE SERIES (to early 2020)
Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet Christian Fuchs

Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive ­Materialism Mariano Zukerfeld

Politicizing Digital Space: Theory, the Internet, and Renewing Democracy Trevor Garrison Smith

Capital, State, Empire: The New American Way of Digital Warfare Scott Timcke

The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano

The Big Data Agenda: Data Ethics and Critical Data Studies Annika Richterich

Social Capital Online: Alienation and Accumulation Kane X. Faucher

The Propaganda Model Today: Filtering Perception and Awareness Edited by Joan Pedro-Carañana, Daniel Broudy and Jeffery Klaehn

Critical Theory and Authoritarian Populism Edited by Jeremiah Morelock

Peer to Peer: The Commons Manifesto Michel Bauwens, Vasilis Kostakis, and Alex Pazaitis

Bubbles and Machines: Gender, Information and Financial Crises Micky Lee

Cultural Crowdfunding: Platform Capitalism, Labour and Globalization Edited by Vincent Rouzé

Forthcoming

The Condition of Digitality: A Post-Modern ­Marxism for the Practice of Digital Life ( Robert Hassan

Incorporating the Digital Commons: Corporate Involvement in Free and Open Source Software Benjamin J. Birkinbine

Communication and Capitalism: A Critical Theory Christian Fuchs

EDITORIAL BOARD:
Dr Thomas Allmer, University of Innsbruck, Austria.
Prof Mark Andrejevic, Pomona College, USA
Dr Miriyam Aouragh, University of Westminster, UK
Charles Brown, University of Westminster, UK
Dr Eran Fisher, Open University of Israel
Dr Peter Goodwin, University of Westminster, UK
Prof Jonathan Hardy, University of East London, UK
Dr Kylie Jarrett, Maynooth University, Ireland
Dr Anastasia Kavada, University of Westminster, UK
Dr Maria Michalis, University of Westminster, UK
Dr Stefania Milan, University of Amsterdam, the Netherlands
Dr Vincent Mosco, Queens University, Canada
Prof Jack L Qiu, Chinese University of Hong Kong
Dr Jernej Amon Prodnik, University of Ljubljana, Slovenia
Dr Marisol Sandoval, City University London, UK
Dr Sebastian Sevignani, Friedrich-Schiller-University of Jena, Germany
Dr Pieter Verdegem, University of Westminster

Critical Digital and Social Media Studies
www.uwestminsterpress.co.uk

Crowdfunding for culture: Origins of a new system or no alternative at all?

Crowdfunding for culture: Origins of a new system or no alternative at all?

What follows from decisions to outsource modes of creation and funding to consumers? This is the question posed by a new open access book –CULTURAL CROWDFUNDING: Platform Capitalism, Labour and Globalization that considers how platforms are used to organize cultural labour following a logic of suggestion rather than overt injunction.

Four key areas are considered: the history of crowdfunding as a system; whose interests crowdfunding may serve; the implications for digital labour and lastly crowdfunding’s interface with globalization and contemporary capitalism. The book concludes with an assessment of claims that crowdfunding can democratize culture.

CONTENTS
1. Introduction Vincent Rouzé 2. Crowdsourcing and Crowdfunding: The Origins of a New System? Vincent Rouzé 3. Far from an Alternative: New Cultural Intermediaries Vincent Rouzé 4. Participatory Cultural Platforms and Labour Jacob Matthews and Vincent Rouzé 5. Globalization and the Logics of Capitalism Jacob Matthews, Stéphane Costantini and Alix Bénistant 6. General Conclusion  Vincent Rouzé   Index

EDITOR
Vincent Rouzé is Associate Professor of Information and Communication Sciences at the University of Paris 8 and a member of the Centre for Media, Technology and Internationalization Studies (Cemti). Contributors: Jacob Matthews, Stéphane Costantini, Alix Bénistant.

Published open access by the University of Westminster Press. Published 29 November 2019

This book is published in the Critical Digital and Social Media Studies Series

FORMAT
128 pages paperback 229 x 152mm
978-1-912656-38-7    £19.99

OPEN ACCESS 
PDF, EPub and kindle versions available Free From uwestminsterpress.co.uk/site books: PDF 978-1-912656-39-4; ePub 978-1-912656-40-0 Kindle 978-1-912656-41-7: DOI:10.16997/book34

CDSMS series reaches 100,000 views/downloads.

CDSMS series reaches 100,000 views/downloads.

The University of Westminster Press‘s flagship Critical Digital and Social Media Studies open access series just recently achieved a new land landmark: 100,000 views and downloads. These include both book chapters and full book downloads (impossible currently to wholly disaggregate) across its 11 titles published since October 2016.

We’d like to ascribe this to a particular date but the rise in figures is coming at us so thick and fast from different directions (many reporting only monthly, one six-monthly) the only certainty is that the actual number is higher, maybe even significantly so.

UWP would like to congratulate all its authors, editors, the editorial board its platform provider Ubiquity Press and especially series editor-in-chief Christian Fuchs of our own parent institution, the University of Westminster for a wonderful effort in helping us reach global audiences. We look forward to further landmarks in 2020 and onwards.

Call for Papers — AI for Everyone? Critical Perspectives

Call for Papers — AI for Everyone? Critical Perspectives

Call for Papers for AI for Everyone? Critical Perspectives (Open access peer-review edited book volume)

Publisher: University of Westminster Press Series: Critical, Digital and Social Media Studies

Editor: Pieter Verdegem (University of Westminster)

INTRODUCTION AND GENERAL DESCRIPTION

This collection of contributions brings together critical debates about Artificial Intelligence (AI) to interrogate how we should understand what constitutes AI, its impact and challenges. If we want to make sure that AI-powered applications and solutions will benefit society at large and mitigate AI’s potential negative consequences, we need to overcome the widespread dichotomic (utopian/dystopian) thinking about AI. By offering different perspectives and engaging in critical conversations on the potential and impact of AI, this collection aims to invite all stakeholders involved to contribute to a more nuanced vision of how to make sure AI will deliver benefits for everyone, if at all possible (and what is needed to facilitate change).

What makes this collection timely and necessary:

  • Urgency – technologies are changing so quickly and becoming embedded with little public scrutiny
  • Public debate is polarised – critical perspectives must offer a necessary nuance to address then answer fundamental questions about power
  • Critical – we are facing a new era of technological determinism and governments and business actors are seeking technological solutions without interrogating the consequences. The assumption is that AI is inevitable, everywhere. We have not even started asking the right questions
  • Interdisciplinary – approach
  • Debate – interaction between different stakeholders (scholars, government, industry, civil society and activists)

QUESTIONS, TOPICS AND FORMAT

This collection asks fundamental and critical questions, such as:

  • What is AI, and what is it not?
  • What is good AI and for whom?
  • How is AI developed, by whom and on what data has it been trained?
  • Who owns the AI infrastructure, algorithms and datasets?
  • Who has the power to classify and who is involved?
  • Who benefits from AI? Who does not?
  • Who is excluded and what are the consequences?
  • How should we decide where AI can be beneficial, and where harmful?

Contributions include but are not limited to topics, such as:

  • Conceptualising AI: AI and bullshit
  • Power, Inequality and the Political Economy of AI
  • AI, Work and Automation
  • Resistance and Activism
  • Ethical frameworks for AI
  • What AI should not do

Format: This edited volume will be a combination of invited contributions and chapters from this open call for contributions.

TIMETABLE

October 10, 2019:      Deadline for abstracts (max. 500 words) October 30, 2019:    Editor’s response to abstracts

March 31, 2020:         Deadline for full chapters (6,000-8,000 words)

July 10, 2020:            Deadline for revised chapters

March, 2021:              Publication of the edited volume (open access)

All material and the book itself will be published open access in print and digital versions subject to peer review with no author fees.

MORE INFORMATION & CONTACT

Please send abstracts of no longer than 500 words to Pieter Verdegem (p.verdegem@westminster.ac.uk) by 10 October 2019.

ABOUT THE CRITICAL, DIGITAL AND SOCIAL MEDIA STUDIES SERIES

Series Editor: Christian Fuchs

The open access peer-reviewed book series edited by Christian Fuchs publishes books that critically study the role of the internet and digital and social media in society. Titles analyse how power structures, digital capitalism, ideology and social struggles shape and are shaped by digital and social media. They use and develop critical theory discussing the political relevance and implications of studied topics. The series is a theoretical forum for internet and social media research for books using methods and theories that challenge digital positivism; it also seeks to explore digital media ethics grounded in critical social theories and philosophy.

Editorial Board: Thomas Allmer, Mark Andrejevic, Miriyam Aouragh, Charles Brown, Eran Fisher, Peter Goodwin, Jonathan Hardy, Kylie Jarrett, Anastasia Kavada, Maria Michalis, Stefania Milan, Vincent Mosco, Jack Qiu, Jernej Amon Prodnik, Marisol Sandoval, Sebastian Sevignani, Pieter Verdegem

https://www.uwestminsterpress.co.uk/site/books/series/critical-digital-and-social-media- studies/

Digital and Social Media Studies Series reaches 10 titles with Bubbles and Machines.

Digital and Social Media Studies Series reaches 10 titles with Bubbles and Machines.

UWP’s Critical Digital and Social Media Studies series edited by Christian Fuchs is proud to record the publication of its tenth title since its first in October 2016 with Bubbles and Machines: Gender, Information and Financial Crises by Micky Lee.

The author asks ‘Are financial crises embedded in IT? Can gender studies offer insights into financial reporting? Working with case histories of tulipmania, microcredit, Wall Street reporting and the role of ‘screens’, Bubbles and Machines argues that rather than calling financial crises human-made or inevitable they should be recognized as technological. The author asks ‘Are financial crises embedded in IT? Can gender studies offer insights into financial reporting? 

All titles in the CDSMS series are published open access and are free to read in digital form, available to purchase in print online.

UWP 2019 catalogue out

UWP 2019 catalogue out

Delighted to announce the arrival of UWP 2019 catalogue. Forty-six pages of books and journals. All UWP published titles are open access.

Following our first book title published in October 2016 Critical Theory of Communication by Christian Fuchs, we are now listing 44 with over 13 titles published or firmly scheduled in our flagship Critical and Digital Media Studies series.

There are books in Media Studies, Politics/Theory, our Law and the Senses series, Geography, History and Education. And some details of our published two journals Westminster Papers in Communication and Culture and Entertainment and Sports Law Journal.

You can download, then view the catalogue here.

uwestminsterpress.co.uk