Category: Open Access

Critical Digital and Social Media Studies: New Call for Book Submissions

Critical Digital and Social Media Studies: New Call for Book Submissions

Critical Digital and Social Media Studies is an established book series edited by Professor Christian Fuchs on behalf of the Westminster Institute for Advanced Studies and published by the University of Westminster Press (UWP). We invite submissions of book proposals that fall within the scope of the series.

CALL DETAILS After the publication of twelve titles in the series (and several others commissioned for 2020) we invite submission of book proposals (adhering to the guidelines set out below) as one document with one full chapter for book titles in the range of 35,000-80,000 words. The books in the series are published online in an open access format available online without payment using a Creative Commons licence (CC-BY-NC-ND) and simultaneously as affordable paperbacks. We are able to publish a number of books in the call without any book processing charges for authors. Potential authors are welcome to contact the series editor outside of the initial time frame of this call for book proposals but should note that priority for funding support for suitable projects will be given to those proposals meeting the deadline. There is a preference for the submission of proposals for books whose writing can be finished and that can be submitted to UWP within the next 6-15 months. In the event of a surplus of strong proposals preference will be given to single-authored book proposals over edited volumes.

Outside these time frames authors are welcome to submit to the publisher a.lockett[at]westminster.ac.uk but will be notified if funding has already been allocated and the prospective date for the next call for publication. Authors who have access to open access fee-funding (e.g. covered by research project funding, universities or other institutions) that can cover the fees for layout and production are welcome to contact the publisher outside of the submission dates, but should note selection is based only on grounds of quality and suitability for the series notwithstanding that the series wishes to welcome as many suitable titles as possible. We welcome submissions to our submissions system with one (exactly one) uploaded sample chapter. We can only accept suggestions for books written in English. For further details see the Proposal Guidance below or if you have questions about the publishing process email a.lockett[at]westminster.ac.uk.

SUBMISSION DEADLINE Monday 20 January 2020 23:59 BST. Submissions should be made via UWP’s book proposal submission system at https://uwp.rua.re

Any prior queries may be sent by e-mail to Andrew Lockett (University of Westminster Press Manager), A.Lockett[at]westminster.ac.uk. Submissions will no longer be accepted by email. Regardless of other contact, all proposals for consideration have to be presented via https://uwp.rua.re.

CRITICAL DIGITAL AND SOCIAL MEDIA STUDIES: AIMS AND SCOPE
The book series “Critical Digital and Social Media Studies” publishes books that critically study the role of the Internet, digital and social media in society and make critical interventions. Its publications analyse how power structures, digital capitalism, ideology, domination, social struggles shape and are shaped by digital and social media. They use and develop critical theories, are profoundly theoretical, and discuss the political relevance and implications of the studied topics. The book series understands itself as a critical theory forum for Internet and social media research that makes critical interventions into contemporary political topics in the context of digital and social media. It is also interested in publishing works that based on critical theory foundations develop and apply critical social media research methods that challenge digital positivism. It furthermore is interested in digital media ethics that are grounded in critical social theories and critical philosophy. The book series’ understanding of critical theory and critique is grounded in approaches such as critical political economy and Frankfurt School critical theory.

TOPICS
Example topics that the book series is interested in include: the political economy of digital and social media; digital and informational capitalism; digital labour; ideology critique in the age of social media; new developments of critical theory in the age of digital and social media; critical studies of advertising and consumer culture online; critical social media research methods; critical digital and social media ethics; working class struggles in the age of social media; the relationship of class, gender and race in the context of digital and social media; the critical analysis of the implications of big data, cloud computing, digital positivism, the Internet of things, predictive online analytics, the sharing economy, location- based data and mobile media, etc.; the role of classical critical theories for studying digital and social media; alternative social media and Internet platforms; the public sphere in the age of digital media; the critical study of the Internet economy; critical perspectives on digital democracy; critical case studies of online prosumption; public service digital and social media; commons-based digital and social media; subjectivity, consciousness, affects, worldviews and moral values in the age of digital and social media; digital art and culture in the context of critical theory; environmental and ecological aspects of digital capitalism and digital consumer culture. Of particular interest is new work in the area of critical media/communication studies in the context of digital media and authoritarianism/populism, feminist political economy, critical perspectives on digital industries and digital labour, Marxism and AI, digital commons/digital public services/public service Internet.

PROPOSAL GUIDANCE
If you would like to know if UWP is interested in a proposal you will receive the swiftest answer if you submit via the RUA system (https://uwp.rua.re). Authors/editors need to register and complete a questionnaire. Authors submitting to this call for the CDSMS series must upload one sample chapter to their submission. The following indicates in general terms what will be requested:

UWP proposals are to be presented in response to a questionnaire

Preview of UWP Book Proposal Questionnaire

Book Title     

Subtitle          

Submitting Author/Editor              

Title and subtitle of book   

Contact email          

Email of submitting author or editor only         

Institution/affiliation of submitting author or editor only

Full author and editor details and short biography (120 words maximum) 

Anticipated Completion Date       

Total wordlength    

Sample chapter        

Sample material is always useful to receive. Please attach to/upload with contents and chapter plan

Case for the book
Relation to wider academic fields and disciplines; this may also include author/editor’s detailing relevant previous publications and history of research underlying the book.

Longer summary
Overview of the book’s aims, maximum 500 words.

Contents and chapter plan
For each chapter please include the title, and a paragraph of description (at least half of the full the length of a journal abstract) about its content and coverage. If an edited volume please provide contributor affiliations and up to three sentences biography including their most significant and relevant publications. The chapter plan should include a proposed length for each chapter as well as total length inclusive of notes and apparatus and details of any appendices.

Readership and how to reach it
Please detail core readership and subject areas the book would appeal to and cover, and details of any tertiary audiences either in terms of general interest or other academic fields. Please indicate how readers in your field are best reached. What factors do you think are most relevant in terms of ensuring the book makes an impact? Where in particular in terms might specialist reviews or coverage be sought? Lastly identify any other important aspects relating to marketing coverage including conferences, proposed events that might be organised or email or social media channels that could be utilised.

Competing and related books
Offer an account of competing titles and books closest resembling that in your proposal. Where competition is not relevant indicate any books serving as role models (or anti role models) or what in the absence of a competing title is available to read in the field.

Additional requirements
If relevant please indicate any presentation preferences for typesetting or any production requirements for the book including use of illustration, data, specialist typography or colour printing. Any thoughts on presentation/book format that are important and specific to the project including use of copyright material of any kind including imagery or supplementary files.

Series proposals are peer-reviewed in accordance with standard university press practice via the series editor, editorial board members and additional external referees where appropriate.

PUBLISHED and FORTHCOMING IN THE SERIES (to early 2020)
Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet Christian Fuchs

Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive ­Materialism Mariano Zukerfeld

Politicizing Digital Space: Theory, the Internet, and Renewing Democracy Trevor Garrison Smith

Capital, State, Empire: The New American Way of Digital Warfare Scott Timcke

The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano

The Big Data Agenda: Data Ethics and Critical Data Studies Annika Richterich

Social Capital Online: Alienation and Accumulation Kane X. Faucher

The Propaganda Model Today: Filtering Perception and Awareness Edited by Joan Pedro-Carañana, Daniel Broudy and Jeffery Klaehn

Critical Theory and Authoritarian Populism Edited by Jeremiah Morelock

Peer to Peer: The Commons Manifesto Michel Bauwens, Vasilis Kostakis, and Alex Pazaitis

Bubbles and Machines: Gender, Information and Financial Crises Micky Lee

Cultural Crowdfunding: Platform Capitalism, Labour and Globalization Edited by Vincent Rouzé

Forthcoming

The Condition of Digitality: A Post-Modern ­Marxism for the Practice of Digital Life ( Robert Hassan

Incorporating the Digital Commons: Corporate Involvement in Free and Open Source Software Benjamin J. Birkinbine

Communication and Capitalism: A Critical Theory Christian Fuchs

EDITORIAL BOARD:
Dr Thomas Allmer, University of Innsbruck, Austria.
Prof Mark Andrejevic, Pomona College, USA
Dr Miriyam Aouragh, University of Westminster, UK
Charles Brown, University of Westminster, UK
Dr Eran Fisher, Open University of Israel
Dr Peter Goodwin, University of Westminster, UK
Prof Jonathan Hardy, University of East London, UK
Dr Kylie Jarrett, Maynooth University, Ireland
Dr Anastasia Kavada, University of Westminster, UK
Dr Maria Michalis, University of Westminster, UK
Dr Stefania Milan, University of Amsterdam, the Netherlands
Dr Vincent Mosco, Queens University, Canada
Prof Jack L Qiu, Chinese University of Hong Kong
Dr Jernej Amon Prodnik, University of Ljubljana, Slovenia
Dr Marisol Sandoval, City University London, UK
Dr Sebastian Sevignani, Friedrich-Schiller-University of Jena, Germany
Dr Pieter Verdegem, University of Westminster

Critical Digital and Social Media Studies
www.uwestminsterpress.co.uk

Media and Communications Study Skills – new title

Media and Communications Study Skills – new title

The University of Westminster Press launched its first title for MA students on study skills in media and communications courses. Author Doug Specht, Director of Teaching and Learning School of Media and Communications at the University of Westminster explained the origins of The Media and Communications Study Skills Guide at a-well attended event at Westminster’s Harrow Campus. The book highlights all sorts of study advice from listening to referencing, seminars to writing essays and to conjuring up a research question for the dreaded MA dissertation.

It includes numerous hacks and tips, graphics, tasks, planners, tasks and guides to such matters as notetaking.

Here – to get a sense of a sense of the flavour of the book – is the author’s advice on where to work:

Think about where you are working; try not to work in bed, so you have a separate space to rest. Consider whether you prefer working in the library, the kitchen table, your desk or in a café. Once you know your best working space (this might be different for different types of work), stick to this – I like to do emails and admin work in public spaces, but I need music to write and silence to edit, so I ensure I move around when working on different parts of a project. Also, think about the light and temperature in the room you are working in. Consider spending a little money on a good lamp – Michel Foucault, the French philosopher and social theorist, used to take his own to libraries and lectures. You should also break tasks down into smaller chunks or sub-tasks – there are some pages to help you do this at the end of this book. You can also use technology to help you with this, there are loads of task management apps available, although trying them all out can become a form of productive procrastination, so be careful!” 

Read the book, purchase in print or download from the University of Westminster Press.

200 authors contribute to UWP books and journals

200 authors contribute to UWP books and journals

Another landmark reached.

Over 200 unique authors or editors have contributed to UWP books and journals from over 30 countries.

The top 10 countries in order of author numbers are: UK, USA, France, Italy, Canada, Spain, Australia, Brazil, Germany with China, China (Hong Kong), Ireland, Netherlands and Russia in joint 10th place.

From the University of Westminster 21 authors or editors have contributed to our publications more than once, with 16 authors from other universities or locations also contributing multiply.

Our travel-loving Press Manager has visited all but 7 of the countries but would like to have to add more to his bucket list which UWP has reached that currently includes Argentina, Trinidad and Tobago, Japan and South Africa.

Does this top 10 geographical profile match our open access audiences? Not quite but not far off either. We’d have more authors from Turkey and a few more from Greece, Mexico, Indonesia and South Korea perhaps but overall it would be hard not to say that there was a strong correspondence.

From our main website we can see readers have popped up (though not too frequently) in Yemen, South Sudan, Niger, San Marino and in the US commonwealth of the Northern Mariana Islands in the Northern Pacific. With our WPCC journal ( a separate site) this week there have been strong showings from Zimbabwe, Australia, Singapore and Nigeria.

Open access offers quite a lot of insights to distract the publisher but demonstrates the ability of a small publisher to extend a reach and have a greater ability than a purely print publisher to understand a little more of where there readership is hailing from.

CDSMS series reaches 100,000 views/downloads.

CDSMS series reaches 100,000 views/downloads.

The University of Westminster Press‘s flagship Critical Digital and Social Media Studies open access series just recently achieved a new land landmark: 100,000 views and downloads. These include both book chapters and full book downloads (impossible currently to wholly disaggregate) across its 11 titles published since October 2016.

We’d like to ascribe this to a particular date but the rise in figures is coming at us so thick and fast from different directions (many reporting only monthly, one six-monthly) the only certainty is that the actual number is higher, maybe even significantly so.

UWP would like to congratulate all its authors, editors, the editorial board its platform provider Ubiquity Press and especially series editor-in-chief Christian Fuchs of our own parent institution, the University of Westminster for a wonderful effort in helping us reach global audiences. We look forward to further landmarks in 2020 and onwards.

Digital and Social Media Studies Series reaches 10 titles with Bubbles and Machines.

Digital and Social Media Studies Series reaches 10 titles with Bubbles and Machines.

UWP’s Critical Digital and Social Media Studies series edited by Christian Fuchs is proud to record the publication of its tenth title since its first in October 2016 with Bubbles and Machines: Gender, Information and Financial Crises by Micky Lee.

The author asks ‘Are financial crises embedded in IT? Can gender studies offer insights into financial reporting? Working with case histories of tulipmania, microcredit, Wall Street reporting and the role of ‘screens’, Bubbles and Machines argues that rather than calling financial crises human-made or inevitable they should be recognized as technological. The author asks ‘Are financial crises embedded in IT? Can gender studies offer insights into financial reporting? 

All titles in the CDSMS series are published open access and are free to read in digital form, available to purchase in print online.

Setting up a University Press in the Digital Age Revisited

Setting up a University Press in the Digital Age Revisited

One of the questions we have been asked about establishing a new university press is ‘how long does it take’? So we have recently reviewed on our history and experience detailing the University of Westminster Press timeline below. Here was the view in September 2015, four months after UWP’s website launch about what might be involved, which seems a lifetime away now that our second and rather substantial 2019 catalogue has recently been released in April 2019.

Some tentative conclusions to the question are presented below – based also on anecdotal evidence from our peers – as well as UWP’s experience. They suggest some pointers for others considering setting up a comparable operation and one overall conclusion: early stages take a long time (and the wheels can grind a bit here) but then momentum grows.

  1. The early stages of a new UP tend to take a long time. We’d hazard a guess that 18-21 months+ would not be unusual.
  2. Governance and internal procedures may need to be reconsidered at an early stage and then clarified again in the light of actual experience.
  3. There should be alignment between budgets and academics’/stakeholder expectations and that relevant linkages between the two (ideally) should be clearly made at operational and strategic levels, not just one of those.
  4. It is useful to have publisher and librarian experience to tap into but harder to ensure in practice that both are available in one person or across a team.
  5. Universities (like all operations) frequently restructure and this can affect (2) or be really crucial in moving things forward (in our case) or holding them back.
  6. Once out of first gear where considerable push may be needed, progress can be rapid.
  7. Never underestimate the importance of tangible products (aka books) in manifesting a presence that colleagues and external parties see. Not even a gleaming and functional website can do this.
  8. Plans need to be revised on a regular basis. And even six months is currently proving to be a long time in the world of scholarly communications and digital-first open access publishing.

7 May 2014. University agrees basic arrangements to establish a new open access digital press.

10 September 2014 A University Steering Group approves the governance structure and principles for operation of the University of Westminster Press including peer review protocols and the composition and remit of its Editorial Board. UWP is founded as a department within the University.

23 February 2015 UWP’s first and only employee starts.

12 May 2015 UWP’s website goes live for the first time.

15 September 2015 First journal issue from UWP published, Vol 10.1 of Westminster Papers in Communication.

10 October 2016 UWP publishes first book title: Critical Theory of Communication

14 November 2016 UWP becomes part of a new Research and Scholarly Communications team; on 1 August 2018 this with UWP becomes part of Library and Archive Services, within the Student and Academic Services directorate in the university’s new structure.

17 November 2017 UWP issues first catalogue. 

14 December 2017 Revised terms of reference for the UWP board and governance of UWP are tabled and shortly after formally approved.

8 October 2018: 250,000 views and downloads of books, chapters and journal articles reached.

8 April 2019 UWP issues 2019 catalogue with 19 books and 11 journal issues published and with 15 new titles forthcoming previously unannounced . By this time over 350,000 views and downloads had been achieved.