Just out from UWP is Benjamin Birkinbine’s compelling book account (Incorporating the Digital Commons) of how corporate actors first tried to close down then started to work with the community of open source software producers. As interest and debate in the knowledge commons grows the book is a timely reminder of the history of the internet and tech sector and the need for a political economy analysis of such developments.
Category: Big Data
Critical Digital and Social Media Studies is an established book series edited by Professor Christian Fuchs on behalf of the Westminster Institute for Advanced Studies and published by the University of Westminster Press (UWP). We invite submissions of book proposals that fall within the scope of the series.
CALL DETAILS After the publication of twelve titles in the series (and several others commissioned for 2020) we invite submission of book proposals (adhering to the guidelines set out below) as one document with one full chapter for book titles in the range of 35,000-80,000 words. The books in the series are published online in an open access format available online without payment using a Creative Commons licence (CC-BY-NC-ND) and simultaneously as affordable paperbacks. We are able to publish a number of books in the call without any book processing charges for authors. Potential authors are welcome to contact the series editor outside of the initial time frame of this call for book proposals but should note that priority for funding support for suitable projects will be given to those proposals meeting the deadline. There is a preference for the submission of proposals for books whose writing can be finished and that can be submitted to UWP within the next 6-15 months. In the event of a surplus of strong proposals preference will be given to single-authored book proposals over edited volumes.
Outside these time frames authors are welcome to submit to the publisher a.lockett[at]westminster.ac.uk but will be notified if funding has already been allocated and the prospective date for the next call for publication. Authors who have access to open access fee-funding (e.g. covered by research project funding, universities or other institutions) that can cover the fees for layout and production are welcome to contact the publisher outside of the submission dates, but should note selection is based only on grounds of quality and suitability for the series notwithstanding that the series wishes to welcome as many suitable titles as possible. We welcome submissions to our submissions system with one (exactly one) uploaded sample chapter. We can only accept suggestions for books written in English. For further details see the Proposal Guidance below or if you have questions about the publishing process email a.lockett[at]westminster.ac.uk.
SUBMISSION DEADLINE Monday 20 January 2020 23:59 BST. Submissions should be made via UWP’s book proposal submission system at https://uwp.rua.re
Any prior queries may be sent by e-mail to Andrew Lockett (University of Westminster Press Manager), A.Lockett[at]westminster.ac.uk. Submissions will no longer be accepted by email. Regardless of other contact, all proposals for consideration have to be presented via https://uwp.rua.re.
CRITICAL DIGITAL AND SOCIAL MEDIA STUDIES: AIMS AND SCOPE
The book series “Critical Digital and Social Media Studies” publishes books that critically study the role of the Internet, digital and social media in society and make critical interventions. Its publications analyse how power structures, digital capitalism, ideology, domination, social struggles shape and are shaped by digital and social media. They use and develop critical theories, are profoundly theoretical, and discuss the political relevance and implications of the studied topics. The book series understands itself as a critical theory forum for Internet and social media research that makes critical interventions into contemporary political topics in the context of digital and social media. It is also interested in publishing works that based on critical theory foundations develop and apply critical social media research methods that challenge digital positivism. It furthermore is interested in digital media ethics that are grounded in critical social theories and critical philosophy. The book series’ understanding of critical theory and critique is grounded in approaches such as critical political economy and Frankfurt School critical theory.
Example topics that the book series is interested in include: the political economy of digital and social media; digital and informational capitalism; digital labour; ideology critique in the age of social media; new developments of critical theory in the age of digital and social media; critical studies of advertising and consumer culture online; critical social media research methods; critical digital and social media ethics; working class struggles in the age of social media; the relationship of class, gender and race in the context of digital and social media; the critical analysis of the implications of big data, cloud computing, digital positivism, the Internet of things, predictive online analytics, the sharing economy, location- based data and mobile media, etc.; the role of classical critical theories for studying digital and social media; alternative social media and Internet platforms; the public sphere in the age of digital media; the critical study of the Internet economy; critical perspectives on digital democracy; critical case studies of online prosumption; public service digital and social media; commons-based digital and social media; subjectivity, consciousness, affects, worldviews and moral values in the age of digital and social media; digital art and culture in the context of critical theory; environmental and ecological aspects of digital capitalism and digital consumer culture. Of particular interest is new work in the area of critical media/communication studies in the context of digital media and authoritarianism/populism, feminist political economy, critical perspectives on digital industries and digital labour, Marxism and AI, digital commons/digital public services/public service Internet.
If you would like to know if UWP is interested in a proposal you will receive the swiftest answer if you submit via the RUA system (https://uwp.rua.re). Authors/editors need to register and complete a questionnaire. Authors submitting to this call for the CDSMS series must upload one sample chapter to their submission. The following indicates in general terms what will be requested:
UWP proposals are to be presented in response to a questionnaire
Preview of UWP Book Proposal Questionnaire
Title and subtitle of book
Email of submitting author or editor only
Institution/affiliation of submitting author or editor only
Full author and editor details and short biography (120 words maximum)
Anticipated Completion Date
Sample material is always useful to receive. Please attach to/upload with contents and chapter plan
Case for the book
Relation to wider academic fields and disciplines; this may also include author/editor’s detailing relevant previous publications and history of research underlying the book.
Overview of the book’s aims, maximum 500 words.
Contents and chapter plan
For each chapter please include the title, and a paragraph of description (at least half of the full the length of a journal abstract) about its content and coverage. If an edited volume please provide contributor affiliations and up to three sentences biography including their most significant and relevant publications. The chapter plan should include a proposed length for each chapter as well as total length inclusive of notes and apparatus and details of any appendices.
Readership and how to reach it
Please detail core readership and subject areas the book would appeal to and cover, and details of any tertiary audiences either in terms of general interest or other academic fields. Please indicate how readers in your field are best reached. What factors do you think are most relevant in terms of ensuring the book makes an impact? Where in particular in terms might specialist reviews or coverage be sought? Lastly identify any other important aspects relating to marketing coverage including conferences, proposed events that might be organised or email or social media channels that could be utilised.
Competing and related books
Offer an account of competing titles and books closest resembling that in your proposal. Where competition is not relevant indicate any books serving as role models (or anti role models) or what in the absence of a competing title is available to read in the field.
If relevant please indicate any presentation preferences for typesetting or any production requirements for the book including use of illustration, data, specialist typography or colour printing. Any thoughts on presentation/book format that are important and specific to the project including use of copyright material of any kind including imagery or supplementary files.
Series proposals are peer-reviewed in accordance with standard university press practice via the series editor, editorial board members and additional external referees where appropriate.
PUBLISHED and FORTHCOMING IN THE SERIES (to early 2020)
Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet Christian Fuchs
Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive Materialism Mariano Zukerfeld
Politicizing Digital Space: Theory, the Internet, and Renewing Democracy Trevor Garrison Smith
Capital, State, Empire: The New American Way of Digital Warfare Scott Timcke
The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano
The Big Data Agenda: Data Ethics and Critical Data Studies Annika Richterich
Social Capital Online: Alienation and Accumulation Kane X. Faucher
The Propaganda Model Today: Filtering Perception and Awareness Edited by Joan Pedro-Carañana, Daniel Broudy and Jeffery Klaehn
Critical Theory and Authoritarian Populism Edited by Jeremiah Morelock
Peer to Peer: The Commons Manifesto Michel Bauwens, Vasilis Kostakis, and Alex Pazaitis
Bubbles and Machines: Gender, Information and Financial Crises Micky Lee
Cultural Crowdfunding: Platform Capitalism, Labour and Globalization Edited by Vincent Rouzé
The Condition of Digitality: A Post-Modern Marxism for the Practice of Digital Life ( Robert Hassan
Incorporating the Digital Commons: Corporate Involvement in Free and Open Source Software Benjamin J. Birkinbine
Communication and Capitalism: A Critical Theory Christian Fuchs
Dr Thomas Allmer, University of Innsbruck, Austria.
Prof Mark Andrejevic, Pomona College, USA
Dr Miriyam Aouragh, University of Westminster, UK
Charles Brown, University of Westminster, UK
Dr Eran Fisher, Open University of Israel
Dr Peter Goodwin, University of Westminster, UK
Prof Jonathan Hardy, University of East London, UK
Dr Kylie Jarrett, Maynooth University, Ireland
Dr Anastasia Kavada, University of Westminster, UK
Dr Maria Michalis, University of Westminster, UK
Dr Stefania Milan, University of Amsterdam, the Netherlands
Dr Vincent Mosco, Queens University, Canada
Prof Jack L Qiu, Chinese University of Hong Kong
Dr Jernej Amon Prodnik, University of Ljubljana, Slovenia
Dr Marisol Sandoval, City University London, UK
Dr Sebastian Sevignani, Friedrich-Schiller-University of Jena, Germany
Dr Pieter Verdegem, University of Westminster
UWP launched a brand new journal today, now open for submissions.
‘Anthropocenes – Human, Inhuman, Posthuman’ seeks to explore the implications of the Anthropocene from the perspectives of the social and life sciences, arts and humanities. We see the Anthropocene as an invitation to think differently about ways of being in the world and how we operate within, across and beyond our disciplinary framings. We take inspiration from Val Plumwood’s view that the Anthropocene poses the question: ‘Is it to be a posture of openness, of welcoming, of invitation, toward earth others, or is it to be a stance of prejudged superiority, of deafness, of closure?’ At present we feel that there is too little invitation: work on the Anthropocene often seems divided between climate scientists working along technical and managerial lines and, what can come across as, fairly aloof and abstract philosophical approaches. We seek to work to expand the area of Anthropocene work which can often be obscured by this divide; working out from the middle as it were.
For us, the Anthropocene poses questions that go far beyond narrow technical or governmental concerns of how to address issues such as climate change and global warming. While some contributors may, no doubt, be concerned with preventing, slowing or opposing the Anthropocene as a future to come, we hope that others will provide a critical, constructive and exploratory focus upon what it means to live within the Anthropocene as a time in which the certainties of the modernist world are becoming undone. Our desire is that this journal will pursue the open-ended and future-oriented invitations of the Anthropocene through building new cross-disciplinary research communities, facilitated through publishing in an open access format available to all.
We feel that the time is right to establish a world-leading interdisciplinary journal placing the University of Westminster at the centre of contemporary conceptual debates and practices. Drawing upon our unique strengths across diverse fields from the arts and media to the human sciences, via law, architecture and politics, Anthropocenes will engage and work with leading and upcoming international academics and practitioners looking for an interdisciplinary outlet and keen to develop and initiate debate through traditional and non-traditional forms of publication including visual and audio links.’
The University of Westminster Press‘s flagship Critical Digital and Social Media Studies open access series just recently achieved a new land landmark: 100,000 views and downloads. These include both book chapters and full book downloads (impossible currently to wholly disaggregate) across its 11 titles published since October 2016.
We’d like to ascribe this to a particular date but the rise in figures is coming at us so thick and fast from different directions (many reporting only monthly, one six-monthly) the only certainty is that the actual number is higher, maybe even significantly so.
UWP would like to congratulate all its authors, editors, the editorial board its platform provider Ubiquity Press and especially series editor-in-chief Christian Fuchs of our own parent institution, the University of Westminster for a wonderful effort in helping us reach global audiences. We look forward to further landmarks in 2020 and onwards.
as new reports emerge concerning male bias in AI … etc’
(from WPCC editorial).
As a new WPCC issue on Media Activism is published editors, Anastasia Denisova and Michaela O’Brien highlight the key issues for the issue in their editorial ‘From High Visibility to High Vulnerability: Feminist, Postcolonial and Anti-Gentrification Activism at Risk‘. What follows is an extract.
In times when hijacking of terms and stories happens on a daily basis, activism also means constant narrative recreation and damage control. Some scholars call the internet a patriarchal structure (Megarry, 2018) and there are voices that demand gender equality of the online space. The rallying cry of ‘We should all be feminists’ (Chimamanda Ngozi Adichie) is turning into ‘We should all be activists’ as new reports emerge concerning male bias in AI (Crawford, 2016; Adam, 2006; Leavy, 2018), sexist coding of digital voice assistants (West, Kraut and Ei Chew, 2019), the inherent inequality of AI-assisted recruitment processes (Dastin, 2018), and inequality of activism too. Female protesters and activists of colour face more challenges than others – due to the outbursts of toxic masculinity, racial abuse, cowardly anonymous online attacks and imbalance of visibility when it comes to hierarchy of influence. These issues are as virtual as they are real – and they need to be addressed to maintain liveable societies. As editors, we wanted to explore the possibilities for progressive activists around the world to use the media to resist the current rise of the extreme right along with disturbing and growing evidence of the techniques of fascism: populism, propaganda and fake news, hate speech and rise of hate crimes. We define ‘activism’ as ‘the widest range of attempts to effect [progressive] social or cultural change’ (Meikle, 2018: iii), while ‘the media’ includes a broad range of communication platforms, from traditional journalism to digital networks.
Adam, A. (2006). Artificial Knowing: Gender and the Thinking Machine. London: Routledge.
Crawford, K. (2016). Artificial intelligence’s white guy problem. The New York Times, 25 June.
Dastin, J. (2018). Amazon scraps secret AI recruiting tool that showed bias against women. Reuters.com, 10 October. Available at: https://www.reuters.com/article/us-amazon-com-jobs-automation-insight/amazon-scraps-secret-ai-recruiting-tool-that-showed-bias-against-women-idUSKCN1MK08G (last accessed July 2019).
Megarry, J. (2018). Under the watchful eyes of men: Theorising the implications of male surveillance practices for feminist activism on social media. Feminist Media Studies, 18(6), 1070–1085. DOI: https://doi.org/10.1080/14680777.2017.1387584
Meikle, G. (Ed.) (2018). The Routledge Companion to Media and Activism. Abingdon: Routledge. DOI: https://doi.org/10.4324/9781315475059
Leavy, S. (2018, May). Gender bias in artificial intelligence: The need for diversity and gender theory in machine learning. In Proceedings of the 1st International Workshop on Gender Equality in Software Engineering (pp. 14–16). New York: Association for Computing Machinery. DOI: https://doi.org/10.1145/3195570.3195580.
West, M., Kraut, R., & Ei Chew, H. (2019). I’d blush if I could: Closing gender divides in digital skills through education. Paris: Equals Global Partnership/UNESCO.
UWP’s latest title Digital Objects, Digital Subjects is now available to read digitally, download or to purchase as a paperback.
Toni Negri, Jodi Dean, Kylie Jarrett, Phoebe Moore, Paolo Gerbaudo,and Jack Linchuan Qiu are just some of the contributors debating Big Data, Labour, Politics, Capitalism, posthumanism, the anthropocence, the quantified self and current directions in political workplace organisation shaped by Big Data.
Professors David Chandler and Christian Fuchs from the University of Westminster edited the collection which includes debate in its structure via responses to keynote chapters. It is the University of Westminster Press’s 18th new published book since it launched its first in October 2016, Critical Theory of Communication by Christian Fuchs.