Call for Proposals Now Open – ‘Cultural China’ Book Series

cultural china is a new open access book series edited by Professor Gerda Wielander, Director of the Contemporary China Centre at the University of Westminster. The series is now open for submissions for book projects of between 35-90,000 words.

Further details about the series and the call are provided below.

The series builds on the success of Cultural China 2020 and Cultural China 2021 which provided up to date, informed and accessible commentary about Chinese and Sinophone languages, cultural practices, politics and production, and their critical analysis. The new book series publishes in-depth, peer reviewed research with a focus on the cultural to fill a gap in the field dominated by geo-political and economic concerns. The series aims to diversify and complicate understandings of contemporary China. We also encourage the submission of contextualised translations of Chinese language authors and intellectuals.

cultural china will publish books that critically study Chinese language, cultural practice and production from geographical areas, societies, groups, and individuals not confined by the borders of a nation state. By adopting the use of the lower case in the series title we want to shift the emphasis from a country’s name to a field. We hope that the puzzling encounter of a lower-case ‘c’ will prompt reflections about the ways we often equate individual names and states with homogenous culture.

Thus, cultural china is concerned with all the countries, societies, communities, interest groups and individuals who identify with any of the elements making up China and the Sinophone world, often occupying multiple positions within them or rejecting any association with them altogether. The name for the series acknowledges Tu Weiming’s concept of three symbolic universes (political entities that are predominantly ethnically Chinese; the Chinese diaspora; those studying China), but cultural china is interested in the less attention grabbing, less hyperbolic, less overpowering yet no less important developments and considerations in the field of culture.

The series aims to provide a critique of conceptual approaches that focus on state power, national boundaries or fixed identities; it promotes interdisciplinary dialogues and debate about the social, cultural, political and historical dynamics conducted from a diverse range of positions like feminism, multiculturalism, communitarianism, religious pluralism and many more.

We are particularly interested in the following topics as well as being open to proposals from other areas too:

  • history, particularly cultural history of the 20th and 21st centuries
  • film/drama and TV
  • alternative, independent media
  • religion, faith and spirituality
  • psychology and mental health
  • social studies of illness/disease and medicine
  • heritage and memory
  • music and identity
  • Sinophone diaspora and culture
  • minority culture/indigineity
  • Fashion/clothes
  • language politics
  • visual art/aesthetics
  • rural culture and society
  • disability and the body/mind
  • gender, identities and sexualities
  • self, family and others
  • literature, including poetry
  • dance, drama and performance
  • translation

The Editorial Board for the series is comprised of international scholars as listed below. 

  • Dr Hongwei Bao, University of Nottingham, UK
  • Dr Carol Chan, Universidad Mayor Santiago, Chile
  • Professor Sarah Dauncey, University of Nottingham, UK
  • Professor Rossella Ferrari, University of Vienna, Austria
  • Dr Derek Hird, University of Lancaster, UK
  • Professor Michel Hockx, University of Notre Dame, USA
  • Dr Seagh Kehoe, University of Westminster, UK
  • Dr Paul Kendall, University of Westminster, UK
  • Professor Gregory Lee, University of St Andrews, UK
  • Dr Nicholas Loubere, University of Lund, Sweden
  • Dr How Wee Ng, University of Westminster, UK
  • Dr Anne Witchard, University of Westminster, UK
  • Dr Cangbai Wang, University of Westminster, UK
  • Professor Jie Yang, Simon Fraser University, Canada
  • Dr Yow Cheun Hoe, Nanyang Technological University of Singapore

CALL DETAILS

We welcome proposals that fit the remit of this series from scholars based at any research institution across the globe. All submissions must be between 35,000-90,000 words in length, with a preference for projects that can submit a full draft typescript within 6-12 months.  Single and co-authored works as well as edited collections are accepted. We do have a preference for monographs but will also consider suggestions for strong, editorially-led collected volumes. We also encourage the submission of contextualised translations of Chinese language authors and intellectuals.

The submission deadline is 30 April 2024, 23:59 GMT.

Submissions will be shortlisted by the series editor and successful proposals will then be sent for external peer review. All proposals are peer reviewed in accordance with the Association of University Presses guidelines on peer review, and the project will also be assessed by the UWP Editorial Board.  Final decisions will be made by mid-July 2024.

Submissions should include a proposal form, which can be downloaded on the UWP website here, author/editor CVs and one sample chapter. The proposal covers the following sections and information:

  • Book title and author/editor details
  • Project overview – a synopsis of up to 500 words; three main features of the book that make it distinct; keywords to describe the book
  • A table of contents and chapter abstracts
  • Short author/editor biographies featuring 3-5 recent publications
  • Details of your target audience – for whom do you write this book? Who will read it?
  • Competing titles – or titles that your project builds on/the debates to which your project contributes
  • Typescript Information – length, number of illustrations, special features etc
  • A draft timetable for writing and submission
  • Sample chapter details

Proposal submissions, and any queries regarding the process, should be made to Richard Baggaley, Press Manager at University of Westminster Press, at R.Baggaley@westminster.ac.uk.

PUBLISHING WITH UWP

UWP is a non-profit open access publisher of humanities and social science research, based in the UK, with a global reach. We support ‘diamond’ open access and most of our publications, including titles published in this series, are made available without fees to either authors or readers. We adhere to the highest standards both in terms of the academic quality of our publications and in our editorial and production work and strive to ensure a best-in-class experience for all our authors.

Books in the series are published open access online in ePUB, Mobi and PDF formats and simultaneously as affordable paperbacks.  They are published using a Creative Commons licence (we use CC-BY-NC-ND as our standard licence but can discuss other options), and copyright in the work is retained by the author/editor. Books are hosted on open access sites including JSTOR, OAPEN and the UWP website and indexed by the Directory of Open Access Books and Science Open. You can find out more about publishing with UWP here.

Funding for publications in this call is provided via the Jisc Open Access Community Framework (OACF). This allows us to publish without author-facing fees or book processing charges. We are grateful to libraries at Lancaster University, University of Bristol, University of Manchester, University of Sheffield and University of York for their support of this series.

Celebrating the University of Westminster Press

By Philippa Grand, UWP Press Manager

On Monday 4th December 2023, in the beautiful surroundings of Fyvie Hall, members of the University of Westminster came together to celebrate the achievements of University of Westminster Press – you can find out more by reading the booklet we produced to accompany the event.

UWP was founded in 2015. We acquired our first journal, Westminster Papers in Communication and Culture, in September 2015, and our first book Critical Theory of Communication, published in October 2016. We now publish six journals and our 55th book, the final title in our Law and the Senses series, published on the same day as the event. The Press operates under a ‘hybrid’ business model, meaning we fund our open access publishing activities in a variety of ways. Mainly, we are able to publish using the ‘diamond’ open access model – i.e., no fees to either authors or readers. Publishing in this way is seen as more equitable, inclusive and democratic than models that use book or article processing charges. Schemes such as Jisc’s Open Access Community Framework have helped us to extend this to even more of our authors and we are deeply grateful to libraries at Universities of Bristol, Cardiff, Lancaster, Nottingham, Manchester, Sheffield and York for their support of UWP.

The event showcased the achievements of UWP over the last 8 years. As a ‘new’ university press, UWP is part of a movement of open access publishers based within UK research institutions, alongside UCL Press, Goldsmiths Press, White Rose University Press, LSE Press and others. This is a fast-growing sector and UWP is currently holds the accolade of being the 3rd largest of these publishers in terms of number of publications. 2023 also saw us reach a major milestone as we hit – and quickly surpassed – 3 million views and downloads of our content.

After welcoming guests with an exclusive UWP tote bag and Press merchandise, the evening opened with speeches from our VC, Peter Bonfield, and Andrew Linn, Pro Vice-Chancellor and Head of the College of Liberal Arts and Sciences.  Peter thanked all those who have supported the Press over the years. Andrew talked about the value of Press to the University noting how it supports our open research agenda, our commitments to the Sustainable Development Goals and making a positive difference, helps to promote the Westminster brand globally, and allows us to amplify our research strengths and priorities through publishing activities. 

Professor Pippa Catterall, Chair of the UWP Editorial Board, hosted a panel on the topic of ‘Open Access, UWP and Publishing Futures’. Professor Gerda Wielander, co-editor of our Cultural China titles (see here and here), talked about the importance of open access for the humanities, how to attract more academics to the OA ‘cause’ and also noted that the debate about open access needs to go beyond discussions of ‘accessibility’ to highlight other benefits too. Professor Maria Michalis, who oversees publication of the CAMRI Policy Briefs and Reports series, talked about how open access publishing can support the impact of research and reach those outside the academy – vital for research that seeks to make a difference. Dr Doug Specht, author of the textbook The Media and Communications Study Skills Guide (as well as a forthcoming student text for UWP on the creative studio) spoke about the need for OA for teaching and learning, particularly noting his experience of seeing the positive impact free access to a wide range of learning resources has on school-age students who aren’t able to use university libraries. 

As UWP Press Manager, I spoke about the future of academic publishing concluding that, ‘having a Press at Westminster gives us our own publishing laboratory – it gives us a chance to experiment and to dream of new publishing futures together. Open access shouldn’t just be about opening up research but opening up publishing to new directions, new approaches and new ideas too’.

Attendees were asked to submit their thoughts on future directions for the Press and a clear theme emerged around the arts and practice research. These fields are often left out of the open access conversation and there’s a clear gap that UWP could address by engaging with researchers here – something we plan to do more of in 2024.

Thank you to all who attended and to our panellists on the night. I was particularly delighted that Andrew Lockett, our founding Press Manager, could attend. Without his dedicated work UWP simply wouldn’t be the success it is today.  Thank you too to our Editorial Board members for supporting the work of the Press and, most of all, thank you to all UWP authors and editors for entrusting us with their publishing projects. We look forward to what 2024 will bring!

Add to the conversation on active travel

Issues of air pollution, climate breakdown, an inactivity epidemic, road injuries and deaths, and unequal access to transport are more urgent and relevant than ever. Does your research speak to these pressing policy problems? Active Travel Studies (ATS) welcomes submissions from those taking a critical approach to these themes.
Very nearly in its third year, the ATS Journal is a flourishing forum for high-quality and relevant research on all aspects of active travel. It forms part of the Active Travel Academy (ATA)’s mission to create a bridge between researchers and the practitioner and activist communities.
The ATA at the University of Westminster brings together a broad spectrum of expertise to lead research, teaching and knowledge exchange on walking, wheeling, cycling and other active modes, use of ‘micromobilities’ and reduction in car use.
The ATA believes all disciplines and expertise are needed to address the acute global problems that car-dominated transport systems have created and takes a critical approach to pressing policy problems, drawing on a wide range of tools and methods, from Big Data to (auto)ethnography.
It was important to founding editors Tom Cohen and Rachel Aldred that the journal was as accessible as possible, for both readers and contributors, which is why it is available open-access (all content is available to all at no cost) and there are no article processing charges.
The ATS Journal fills a gap in the academic market. “There are numerous transport journals, but none that addressed active travel specifically, despite it receiving growing attention as a topic,” says Tom. “We hope we are helping to cement the status of active travel as a major part of the transport discourse, amongst researchers, practitioners and activists.”
ATS is a good shop window for authors working on walking, wheeling, cycling and other forms of active travel. The fact that it’s open access means there are no barriers to those who want to read the material and, with no article processing fees, authors themselves are not out of pocket.
“We would like ATS to be well known and well respected as the primary source of recent research on all aspects of active travel,” says Tom.
To access all issues of the ATS Journal and to make submissions, in written and/or multimedia formats, please visit https://activetravelstudies.org/

Call for book proposals for the Critical Digital and Social Media Studies series now open

Call for book proposals for the Critical Digital and Social Media Studies series now open

Critical Digital and Social Media Studies is an established open access book series edited by Professor Christian Fuchs.

With funding from the Jisc Open Access Community Framework (OACF), which allows us to publish without author facing fees or book processing charges, we are now inviting submissions for book proposals that fall within the scope of the series and fit the criteria set out below. 

Books in the series are published open access online in ePUB, Mobi and PDF formats and simultaneously as affordable paperbacks. They are published using a Creative Commons licence and copyright in the work is retained by the author. Books are hosted on open access book platforms including the UWP website, JSTOR and OAPEN.

The series has published 24 books since its launch in 2016, and titles in the series have won and been shortlisted for major academic book prizes, published in foreign language editions, been widely reviewed in leading journals, and are amongst the most downloaded titles published by the Press. 

CALL DETAILS

Submissions must be for projects between 35,000-90,000 words in length, with a preference for projects that can submit a full draft typescript within the next 6-12 months.  We favour single or co-authored monograph proposals but will also consider suggestions for edited collections.

Submissions should include a proposal form, which can be downloaded here, author/editor CVs and one sample chapter.

The submission deadline for proposals is 15 March 2023, 23:59 GMT.

Submissions will be shortlisted by the series editor and successful proposals will then be sent for external peer review. Shortlisted proposals will be peer reviewed in accordance with the Association of University Presses guidelines on peer review, and will be assessed by the series editor, external referees and the UWP Editorial Board.  Final decisions will be made by 31 May 2023.

Submissions should be made via email to Philippa Grand, Press Manager at University of Westminster Press, at p.grand@westminster.ac.uk. Please use this email address for any queries about the submission process or the Call in general.

PROPOSAL DETAILS

The proposal should include the following sections and information:
1) Book title and author/editor detais
2) Project overview (a synopsis of up to 500 words; three main features of the book that make it distinct; five keywords)
3) Table of Contents
4) Chapter abstracts
5) Author/editor biographies
6) Target audience
5) The five most important publications thus far by each author (in the case of collected volumes only refer to the editor(s))
6) Audience (For whom do you write this book? Who will read it?)
7) Competing publications
8) Typescript information
9) Timetable for the project
10) Sample chapter details

SERIES AIMS AND SCOPE

The Critical Digital and Social Media Studies series publishes books that critically study the role of the internet, digital and social media in society and make critical interventions. Books in the series analyse how power structures, digital capitalism, ideology, domination and social struggles shape and are shaped by digital and social media. They use and develop critical theories, are profoundly theoretical and discuss the political relevance and implications of the topics under scrutiny.

The series is a critical theory forum for internet and social media research that makes critical interventions into contemporary political topics in the context of digital and social media.  It is interested in publishing work that, based on critical theory foundations, develops and applies critical social media research methods that challenge digital positivism, as well as digital media ethics that are grounded in critical social theories and critical philosophy. The series’ understanding of critical theory and critique is grounded in approaches such as critical political economy and Frankfurt School critical theory.

TOPICS

Topics that we are interested in receiving proposals on include but are not limited to:

  • Digital capitalism
  • Digital labour
  • The political economy of digital and social media
  • Digital and informational capitalism
  • Ideology critique in the age of social media
  • The political economy of fake news and post-truth on the internet
  • Digital fascism
  • Digital authoritarianism
  • Digital warfare
  • Digital socialism
  • Marxist theory in the digital age
  • The public service internet
  • The digital public sphere and digital democracy
  • New developments of critical theory in the age of digital and social media
  • Critical studies of advertising and consumer culture online
  • Critical social media research methods
  • Critical digital and social media ethics
  • Working class struggles in the age of social media
  • The relationship of class, gender and race in the context of digital and social media
  • Critical analysis of the implications of Big Data
  • Cloud computing
  • Digital positivism
  • The Internet of Things
  • Predictive online analytics
  • The Sharing Economy
  • Location based data and mobile media
  • The role of classical critical theories for studying digital and social media
  • Platform co-operatives
  • The Digital Commons
  • Critical studies of the internet economy
  • Online prosumption
  • Subjectivity, consciousness, affects, worldviews and moral values in the age of digital and social media
  • Digital art and culture in the context of critical theory
  • Environmental and ecological aspects of digital capitalism and digital consumer culture
  • Algorithmic discrimination
  • Critical studies of digital surveillance
  • State power in the digital age
  • Activism in the digital age
  • Digital (in)justice

PUBLISHED TITLES

Christian Fuchs, Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet

Mariano Zukerfeld, Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive Materialism WINNER OF THE AMILCAR HERRARA PRIZE 2018

Trevor Garrison Smith, Politicizing Digital Space: Theory, the Internet, and Renewing Democracy

Scott Timcke, Capital, State, Empire: The New American Way of Digital Warfare

Marco Briziarelli and Emiliana Armano (eds) The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism

Annika Richterich, The Big Data Agenda: Data Ethics and Critical Data Studies

Kane X. Faucher, Social Capital Online: Alienation and Accumulation

Joan Pedro-Carañana, Daniel Broudy and Jeffery Klaehn (eds), The Propaganda Model Today: Filtering Perception and Awareness

Jeremiah Morelock (ed), Critical Theory and Authoritarian Populism

Michel Bauwens, Vasilis Kostakis and Alex Pazaitis, Peer to Peer: The Commons Manifesto

Micky Lee, Bubbles and Machines: Gender, Information and Financial Crises

Vincent Rouzé (ed), Cultural Crowdfunding: Platform Capitalism, Labour and Globalization

Robert Hassan, The Condition of Digitality: A Post-Modern ­Marxism for the Practice of Digital Life

Benjamin J. Birkinbine, Incorporating the Digital Commons: Corporate Involvement in Free and Open Source Software

Paolo Bory, The Internet Myth: From the Internet Imaginary to Network Ideologies

Christian Fuchs, Communication and Capitalism: A Critical Theory

Mike Healy, Marx and Digital Machines: Alienation, Technology, Capitalism

Vangelis Papadimitropoulos, The Commons: Economic Alternatives in the Digital Age

Antonios Broumas, Intellectual Commons and the Law: A Normative Theory for Commons-Based Peer Production

Jamie Woodcock, The Fight Against Platform Capitalism: An Inquiry into the Global Struggles of the Gig Economy

Pieter Verdegem (ed), AI for Everyone? Critical Perspectives SHORTLISTED IN THE MeCCSA OUTSTANDING ACHIEVEMENT AWARDS 2022

Jeremiah Morelock and Felipe Ziotti Narita, The Society of the Selfie: Social Media and the Crisis of Liberal Democracy

Adi Kuntsman and Esperanza Miyake, Paradoxes of Digital Disengagement: In Search of the Opt-Out Button

Emiliana Armano, Marco Briziarelli and Elisabetta Risi (eds), Digital Platforms and Algorithmic Subjectivities

EDITORIAL BOARD
Dr Thomas Allmer, Paderborn University, Germany
Prof Dr Mark Andrejevic, Pomona College, USA
Dr Miriyam Aouragh, University of Westminster, UK
Dr Charles Brown, University of Westminster, UK
Prof Melanie Dulong De Rosnay, CNRS, France
Dr Eran Fisher, The Open University of Israel
Prof Christian Fuchs, Paderborn University, Germany (Series Editor)
Dr Peter Goodwin, University of Westminster, UK
Prof Jonathan Hardy, University of the Arts London, UK
Prof Kylie Jarrett, Maynooth University, Ireland
Dr Anastasia Kavada, University of Westminster, UK
Dr Arwid Lund, Södertörn University, Sweden
Prof Maria Michalis, University of Westminster, UK
Prof Stefania Milan, University of Amsterdam, The Netherlands
Prof Vincent Mosco, Queens University, Canada
Prof Safiya Noble, UCLA, USA
Prof Jack L Qiu, Nanyang Technological University, Singapore
Dr Jernej Amon Prodnik, University of Ljubljana, Slovenia
Prof Sarah Roberts, UCLA, USA
Dr Marisol Sandoval, City University of London, UK
Dr Sebastian Sevignani, Friedrich-Schiller-University of Jena, Germany
Dr Pieter Verdegem, University of Westminster, UK
Dr Bingqing Xia, East China Normal University, China
Dr Mariano Zukerfeld, CONICET, Argentina

Call for Book Proposals for the Critical Digital and Social Media Studies Series Now Open

Call for Book Proposals for the Critical Digital and Social Media Studies Series Now Open

Critical Digital and Social Media Studies is an established open access book series edited by Professor Christian Fuchs.

With funding from the Jisc Open Access Community Framework (OACF), which allows us to publish without author facing fees or book processing charges, we are now inviting submissions for book proposals that fall within the scope of the series and fit the criteria set out below. 

Books in the series are published open access online in ePUB, Mobi and PDF formats and simultaneously as affordable paperbacks. They are published using a Creative Commons licence and copyright in the work is retained by the author. Books are hosted on open access book platforms including the UWP website, JSTOR and OAPEN.

The series has published 24 books since its launch in 2016, and titles in the series have won and been shortlisted for major academic book prizes, published in foreign language editions, been widely reviewed in leading journals, and are amongst the most downloaded titles published by the Press. 

CALL DETAILS

Submissions must be for projects between 35,000-90,000 words in length, with a preference for projects that can submit a full draft typescript within the next 6-12 months.  We favour single or co-authored monograph proposals but will also consider suggestions for edited collections.

Submissions should include a proposal form, which can be downloaded here, author/editor CVs and one sample chapter.

The submission deadline for proposals is 15 March 2023, 23:59 GMT.

Submissions will be shortlisted by the series editor and successful proposals will then be sent for external peer review. Shortlisted proposals will be peer reviewed in accordance with the Association of University Presses guidelines on peer review, and will be assessed by the series editor, external referees and the UWP Editorial Board.  Final decisions will be made by 31 May 2023.

Submissions should be made via email to Philippa Grand, Press Manager at University of Westminster Press, at p.grand@westminster.ac.uk. Please use this email address for any queries about the submission process or the Call in general.

PROPOSAL DETAILS

The proposal should include the following sections and information:
1) Book title and author/editor detais
2) Project overview (a synopsis of up to 500 words; three main features of the book that make it distinct; five keywords)
3) Table of Contents
4) Chapter abstracts
5) Author/editor biographies
6) Target audience
5) The five most important publications thus far by each author (in the case of collected volumes only refer to the editor(s))
6) Audience (For whom do you write this book? Who will read it?)
7) Competing publications
8) Typescript information
9) Timetable for the project
10) Sample chapter details

SERIES AIMS AND SCOPE

The Critical Digital and Social Media Studies series publishes books that critically study the role of the internet, digital and social media in society and make critical interventions. Books in the series analyse how power structures, digital capitalism, ideology, domination and social struggles shape and are shaped by digital and social media. They use and develop critical theories, are profoundly theoretical and discuss the political relevance and implications of the topics under scrutiny.

The series is a critical theory forum for internet and social media research that makes critical interventions into contemporary political topics in the context of digital and social media.  It is interested in publishing work that, based on critical theory foundations, develops and applies critical social media research methods that challenge digital positivism, as well as digital media ethics that are grounded in critical social theories and critical philosophy. The series’ understanding of critical theory and critique is grounded in approaches such as critical political economy and Frankfurt School critical theory.

TOPICS

Topics that we are interested in receiving proposals on include but are not limited to:

  • Digital capitalism
  • Digital labour
  • The political economy of digital and social media
  • Digital and informational capitalism
  • Ideology critique in the age of social media
  • The political economy of fake news and post-truth on the internet
  • Digital fascism
  • Digital authoritarianism
  • Digital warfare
  • Digital socialism
  • Marxist theory in the digital age
  • The public service internet
  • The digital public sphere and digital democracy
  • New developments of critical theory in the age of digital and social media
  • Critical studies of advertising and consumer culture online
  • Critical social media research methods
  • Critical digital and social media ethics
  • Working class struggles in the age of social media
  • The relationship of class, gender and race in the context of digital and social media
  • Critical analysis of the implications of Big Data
  • Cloud computing
  • Digital positivism
  • The Internet of Things
  • Predictive online analytics
  • The Sharing Economy
  • Location based data and mobile media
  • The role of classical critical theories for studying digital and social media
  • Platform co-operatives
  • The Digital Commons
  • Critical studies of the internet economy
  • Online prosumption
  • Subjectivity, consciousness, affects, worldviews and moral values in the age of digital and social media
  • Digital art and culture in the context of critical theory
  • Environmental and ecological aspects of digital capitalism and digital consumer culture
  • Algorithmic discrimination
  • Critical studies of digital surveillance
  • State power in the digital age
  • Activism in the digital age
  • Digital (in)justice

PUBLISHED TITLES

Christian Fuchs, Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet

Mariano Zukerfeld, Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive Materialism WINNER OF THE AMILCAR HERRARA PRIZE 2018

Trevor Garrison Smith, Politicizing Digital Space: Theory, the Internet, and Renewing Democracy

Scott Timcke, Capital, State, Empire: The New American Way of Digital Warfare

Marco Briziarelli and Emiliana Armano (eds) The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism

Annika Richterich, The Big Data Agenda: Data Ethics and Critical Data Studies

Kane X. Faucher, Social Capital Online: Alienation and Accumulation

Joan Pedro-Carañana, Daniel Broudy and Jeffery Klaehn (eds), The Propaganda Model Today: Filtering Perception and Awareness

Jeremiah Morelock (ed), Critical Theory and Authoritarian Populism

Michel Bauwens, Vasilis Kostakis and Alex Pazaitis, Peer to Peer: The Commons Manifesto

Micky Lee, Bubbles and Machines: Gender, Information and Financial Crises

Vincent Rouzé (ed), Cultural Crowdfunding: Platform Capitalism, Labour and Globalization

Robert Hassan, The Condition of Digitality: A Post-Modern ­Marxism for the Practice of Digital Life

Benjamin J. Birkinbine, Incorporating the Digital Commons: Corporate Involvement in Free and Open Source Software

Paolo Bory, The Internet Myth: From the Internet Imaginary to Network Ideologies

Christian Fuchs, Communication and Capitalism: A Critical Theory

Mike Healy, Marx and Digital Machines: Alienation, Technology, Capitalism

Vangelis Papadimitropoulos, The Commons: Economic Alternatives in the Digital Age

Antonios Broumas, Intellectual Commons and the Law: A Normative Theory for Commons-Based Peer Production

Jamie Woodcock, The Fight Against Platform Capitalism: An Inquiry into the Global Struggles of the Gig Economy

Pieter Verdegem (ed), AI for Everyone? Critical Perspectives SHORTLISTED IN THE MeCCSA OUTSTANDING ACHIEVEMENT AWARDS 2022

Jeremiah Morelock and Felipe Ziotti Narita, The Society of the Selfie: Social Media and the Crisis of Liberal Democracy

Adi Kuntsman and Esperanza Miyake, Paradoxes of Digital Disengagement: In Search of the Opt-Out Button

Emiliana Armano, Marco Briziarelli and Elisabetta Risi (eds), Digital Platforms and Algorithmic Subjectivities

EDITORIAL BOARD
Dr Thomas Allmer, Paderborn University, Germany
Prof Dr Mark Andrejevic, Pomona College, USA
Dr Miriyam Aouragh, University of Westminster, UK
Dr Charles Brown, University of Westminster, UK
Prof Melanie Dulong De Rosnay, CNRS, France
Dr Eran Fisher, The Open University of Israel
Prof Christian Fuchs, Paderborn University, Germany (Series Editor)
Dr Peter Goodwin, University of Westminster, UK
Prof Jonathan Hardy, University of the Arts London, UK
Prof Kylie Jarrett, Maynooth University, Ireland
Dr Anastasia Kavada, University of Westminster, UK
Dr Arwid Lund, Södertörn University, Sweden
Prof Maria Michalis, University of Westminster, UK
Prof Stefania Milan, University of Amsterdam, The Netherlands
Prof Vincent Mosco, Queens University, Canada
Prof Safiya Noble, UCLA, USA
Prof Jack L Qiu, Nanyang Technological University, Singapore
Dr Jernej Amon Prodnik, University of Ljubljana, Slovenia
Prof Sarah Roberts, UCLA, USA
Dr Marisol Sandoval, City University of London, UK
Dr Sebastian Sevignani, Friedrich-Schiller-University of Jena, Germany
Dr Pieter Verdegem, University of Westminster, UK
Dr Bingqing Xia, East China Normal University, China
Dr Mariano Zukerfeld, CONICET, Argentina

New Collection on ‘Deliberation Amid Deep Conflict’ from the Journal of Deliberative Democracy now available

New Collection on ‘Deliberation Amid Deep Conflict’ from the Journal of Deliberative Democracy now available

The Journal of Deliberative Democracy has published a new thematic collection on the theme of ‘deliberation amid deep conflict’. Societies marked by deep divisions post challenges for deliberation. They may have entrenched interests, power inequities and a history of ill-will and misconceptions – yet deliberation also potentially transforms intergroup conflict and promotes reconciliation, mutual respect and cooperation.

Drawing on articles from the last ten years, this collection spotlights the functions, practices and limitations of democratic deliberation during conflict, exploring how deliberation can cultivate recognition and understanding of opposing views within the political system, how it can promote peace, stability and integration in deeply divided societies, the importance of adapting deliberative democracy to local contexts, and the need for empirical investigation by researchers in order to contextualise assumptions about deliberation’s impacts. 

You can access the collection here.

New Joint Editor-in-Chief for Anthropocenes – Human, Inhuman, Posthuman Announced

Angela Last, Lecturer at the School of Geography, Geology and the Environment at the University of Leicester, has joined David Chandler and Andreas Philippopoulos-Mihalopoulos as joint Editor-in-Chief of the University of Westminster Press journal, Anthropocenes – Human, Inhuman, Posthuman.

Dr Last is an interdisciplinary scholar who started off in Fashion, where she became interested in environmental and social justice issues in relation to design.  After working outside academia for several years, she subsequently completed a PhD in Geography at the Open University, UK. Her research focuses on human-environment relations, and specifically the politicisation of these relations. This research necessitates continued interdisciplinary work, whether in teaching, research or outreach, and she will bring this experience to her work for Anthropocenes. For example, Angela has been working on environmental sound art events, fashion workshops, and taught on the MA in Art & Science at Central Saint Martins, University of the Arts, London.

Her main aim in joining the journal is to forward the idea of ‘anthropocenes’ as a multiplicity of relations that humans have with their environment, kin, cosmos, or however they frame their relation, and not simply as ‘Anthropocene’ according to the current (still relatively ambiguous) geological interpretation. She notes, ‘the current planetary emergency requires many of our relations to change, which needs urgent discussion, and for this to be as geographically wide as possible.’ While traditional academic journals have some obvious limitations in terms of reach and economics, Dr Last envisages that Anthropocenes can make creative contributions to the debate by staging interdisciplinary conversations and publishing these in a variety of formats.

Anthropocenes is a fully open access journal, with no fees to authors or readers.  It launched in 2020 and has readers in over 130 countries. Articles publish as they are ready to avoid delays in making work publicly available, and the journal actively encourages multimedia and non-traditional submissions including creative writing, audio and visual work.  The journal is currently open for submissions – find out more at anthropocenes.net.  You can follow Angela Last’s work on her blog Mutable Matter.

Call for Editors – Journal of Deliberative Democracy

The Journal of Deliberative Democracy is pleased to invite expressions of interest for the editorship of the journal. The new editorial team is expected to serve from April 2023 to April 2026. Multi-institutional and multi-country bids are encouraged but not required.

Established in 2005 (originally as the Journal of Public Deliberation) the journal is a forum for the latest thinking, emerging debates, alternative perspectives and critical views on deliberation. It publishes on all theoretical and methodological traditions and aims to broker knowledge between scholars and practitioners of citizen engagement.  Supported by the NewDemocracy Foundation, the International Association for Public Participation and the University of Westminster, the journal is fully open access, with no fees for authors or readers.  Articles are made available as soon as they are ready to publish in order to prevent delays in making content publicly available, and the journal also publishes themed Collections. 

The journal also publishes The Deliberative Democracy Digest blog.

Published by the University of Westminster Press, the journal is listed in the Directory of Open Access Journals, EBSCO and the Norwegian Register for Scientific Journals, and is included in Science Open.  It has a global audience across 190 countries and achieves average usage figures of over 16,000 per month.  This is an opportunity to oversee the next stage of development of this established and respected journal on a topic of increasing importance internationally.

General responsibilities of the Editor include:

  • Assisting in the peer review of scholarly submissions via the Janeway manuscript submission system
  • Overseeing new Collections
  • Being the focus of editorial activity in their speciality, working to enhance the journal’s visibility and reputation in the field
  • Actively recruiting authors to contribute to the journal
  • Assisting in the framing of journal editorial policy and development of the journal
  • Assisting in the appointment of other editorial team members, ensuring members reflect the diversity of the field and the range of perspectives within the community
  • Attending Editorial Board Meetings
  • Representing the journal and promoting it wherever possible

EOIs should not be more than 500 words and should cover the following topics:

  • Names and institutional affiliations of the proposed editorial team
  • Reasons for editing JDD
  • Priorities for the JDD in the next three years
  • Plans for the Deliberative Democracy Digest
  • Institutional resources available to support the journal (JDD is funded by the newDemocracy Foundation, IAP2 and the University of Westminster Press but identify possible support from your institution/s like teaching relief, financial and other in-kind resources).

The journal invites EOIs to be submitted on/by 30 October 2022. 

Shortlisted candidates will be interviewed in November.  

All enquiries and EOIs should be directed via email in the first instance to:

Philippa Grand

Press Manager

p.grand@westminster.ac.uk

<strong>‘ORIGINAL AND TIMELY’ UWP TITLE SHORTLISTED FOR MAJOR ACADEMIC BOOK PRIZE</strong>

‘ORIGINAL AND TIMELY’ UWP TITLE SHORTLISTED FOR MAJOR ACADEMIC BOOK PRIZE

University of Westminster scholar Pieter Verdegem’s edited book AI for Everyone? Critical Perspectives has been shortlisted in the Media, Communication and Cultural Studies Association’s annual Outstanding Achievement Awards in the Edited Collection of the Year category. Judges noted that the book is ‘an original and timely collection that, in analysing discourses surrounding AI challenges notions of technological determinism and highlights the enduring importance of concepts of power within mass communication’. 

The book, published by University of Westminster Press, as part of the Critical, Digital and Social Media Studies  book series, edited by Christian Fuchs, is an open access publication with an international line-up of scholars from a range of disciplinary backgrounds, setting out the need for critical perspectives on artificial intelligence in an era where AI is assumed to be inevitable and is seemingly ubiquitous.  Debate, the book argues, is urgently needed, especially regarding fundamental questions related to power.  Divided into three Parts, the book addresses critical perspectives on human-machine dualism, asks what makes for ‘desirable’ AI and what conditions makes this possible, and concludes by examining power and inequalities to explore how the implementation of AI creates important challenges that urgently need to be addressed. 

In short, the book offers a vital intervention on one of the most hyped concepts of our time. 

Available to download in digital versions here, here and here, it is also available to purchase in print here and at other online bookshops. 

The Awards will be announced during the MeCCSA annual conference held in Aberdeen from 7-9th September. 

Lessons for democracy from Covid-19

Lessons for democracy from Covid-19

‘Another, more democratic world can be realised in the face of a crisis.’

Open access title DEMOCRACY IN A PANDEMIC: Participation in Response to Crisis recently published by UWP makes the case for enhanced engagement during and beyond emergency contexts. The book features numerous contributions from those involved directly in coordinating the response on the ground and is edited by Graham Smith of the Centre for the Study of Democracy, University of Westminster and Tim Hughes outgoing Director of Involve.

Is there a blueprint to follow that can help embed participation in the body politic? The many contributors separately make the case. Fuller details available here but the book can be downloaded or viewed online or purchased in print.

Migration, mobility and aircraft, sea serpents, deep time, Covid, poetry and Notre Dame de Paris ‘entangled’ – Anthropocenes Journal 2021 contents

Migration, mobility and aircraft, sea serpents, deep time, Covid, poetry and Notre Dame de Paris ‘entangled’ – Anthropocenes Journal 2021 contents

Seven new research articles/contributions have been published in UWP’s journal Anthropocenes – Human, Inhuman, Posthuman. Journal authors continue to rethink in the words of the editors (about the journal) ‘abstraction, art, architecture, design, governance, ecology, law, politics and discourses of science in the context of human, inhuman and posthuman frameworks’. And this is showcased in an eclectic and uniquely interdisciplinary mix of material published in Vol 2 issue 1 which covers January 2021 to the end of July so far.

See here for the new issue contents for this year and here for 2020.

Readers have enthusiastically responded to the journal’s mix of material that mirrors and interprets the Anthropocene; that have reflected on the significance of eels, ‘sea serpents’, polar bears, invasive insects and human bodies; considered urban, mixed-use, dune, river and post-industrial landscapes; presented material as poetry, audio essays, visual essays, book reviews and creative writing on science. And of course reflected broadly on the key issues of climate change disasters, deep time, culture and the uses of architecture, data aesthetics, frontier technology, hyperobjects, Covid-19 and how to move beyond anthropocentricism.

Active Travel Studies journal, under way

Active Travel Studies journal, under way

Active Travel Studies a new UWP journal has published its first article. Kirsty Wild and colleagues offer an analysis of the impact of e-Bikes on access to cycling for women based on research undertaken in Auckland. Could e-Bikes offer encouragement for more physical activity and overcome inhibiters especially for mothers?

A reminder of the journal’s scope and aims below. And here the lead editors Tom Cohen and Rachel Aldred discuss their plans and ambitions for a timely new journal. The journal is based at the University of Westminster‘s Active Travel Academy

We live in times of climate crisis, with illegal levels of air pollution in many cities worldwide, and what has been called an epidemic of physical inactivity. Technological change alone will not solve such problems: we also need major growth in active travel (primarily walking and cycling, but also other active and semi-active types of travel, such as scooters) to replace many shorter car trips. Active modes could even (e.g. through electric assist trikes) help make urban freight much more sustainable.

Journals within many fields cover active travel, but literature remains highly segmented and (despite high levels of policy interest) difficult for practitioners to find. Established, mainstream journals are not open access, another barrier to policy transfer and knowledge exchange. Thus, while many towns, cities, and countries seek to increase active travel, the knowledge base suffers from a lack of high-quality academic evidence that is easy to find and obtain. This reinforces practitioner reliance on often lower-quality grey literature, and a culture of relying on ad hoc case studies in policy and practice.

This journal provides a bridge between academia and practice, based on high academic standards and accessibility to practitioners. Its remit is to share knowledge from any academic discipline/s (from bioscience to anthropology) that can help build knowledge to support active travel and help remove barriers to it, such as car dependency. Within this normative orientation, it is rigorously academic and critical, for instance not shying away from analysing examples where interventions do not lead to more active travel. It goes beyond immediate policy imperatives to share knowledge that while not immediately change-oriented can contribute to a deeper understanding of, for instance, why people drive rather than walk. 

As well as publishing relevant new research, the journal commissions both commentary pieces on such research, and critical reviews of the existing literature. Reflecting the diversity of its audience, its content is varied, including written work of different lengths as well as audio-visual material

Momentum at a New University Press: Revisiting the UWP Story

Momentum at a New University Press: Revisiting the UWP Story

Reflecting on the merits of consistent publishing activity and its multiplier effects – some reflections on UWP’s growth on the Ubiquity Press blog from the University of Westminster Press: ‘Thanks a Million: Momentum at a New University Press

Interesting to compare with the view in September 2015 ‘Setting up a University Press in the Digital Age’ and again as recently as May 2019, ‘Setting up a University Press in the Digital Age Revisited‘ when a fuller UWP timeline was presented.

Still unconfirmed but possible we will be able to announce in July 1.25 million views and downloads to end June but we have to wait for the data which may or may not confirm that!

Andrew Lockett, Press Manager

Covid-19 and the Value of Participation

Covid-19 and the Value of Participation

Now published 12 July 2021 a new open access title DEMOCRACY IN A PANDEMIC: Participation in Response to Crisis that makes the case for enhanced engagement during and beyond emergency contexts.

Covid-19 has highlighted limitations in our democratic politics – but also lessons for how to deepen our democracy and more effectively respond to future crises. In the face of an emergency, the working assumption all too often is that only a centralised, top-down response is possible. This book exposes the weakness of this assumption, making the case for deeper participation and deliberation in times of crises. During the pandemic, mutual aid and self-help groups have realised unmet needs. And forward-thinking organisations have shown that listening to and working with diverse social groups leads to more inclusive outcomes. 

Participation and deliberation are not just possible in an emergency. They are valuable, perhaps even indispensable. 

This book draws together a diverse range of voices of activists, practitioners, policy makers, researchers and writers. Together they make visible the critical role played by participation and deliberation during the pandemic and make the case for enhanced engagement during and beyond emergency contexts.

Another, more democratic world can be realised in the face of a crisis. The contributors to this book offer us meaningful insights into what this could look like.

The Editors:

GRAHAM SMITH is Professor of Politics and Director of the Centre for the Study of Democracy at the University of Westminster and Chair of the Foundation for Democracy and Sustainable Development.

TIM HUGHES is the outgoing Director of Involve and a leading specialist in the field of participatory and deliberative democracy.

LIZZIE ADAMS is Project and Governance Lead at Involve, the UK’s leading public participation charity.

CHARLOTTE OBIJIAKU is Project Administrator at Involve and a member of the 2020/21 Charityworks graduate scheme.

CONTENTS: Short listing

Introduction
Part One: VOICES FROM THE PANDEMIC 
Part Two: LESSONS FOR DEMOCRACY
Conclusion: A Manifesto for Democracy in a Crisis

FORMAT
E-book, PDF free on publication from www.uwestminsterpress.co.uk/site/books/57. PDF 978-1-914386-18-3 ePub 978-1-914386-19-0 Kindle 978-1-914386-20-6  DOI: 10.16997/book57

Paperback 978-1-914386-17-6 203 x 103mm 160 pages
UK £14.99 US $20 EUR €18 CAN $25 AUS $28

Democracy Studies|Policy Studies| Social Affairs

FULL CONTENTS

Acknowledgements
Introduction, Graham Smith, Tim Hughes, Lizzie Adams and Charlotte Obijiaku
PART ONE: VOICES FROM THE PANDEMIC
Some Things Are So Urgent That We Can’t Afford to Do Them Quickly Martin Johnstone
The Perfect Storm? Emerging from the Crisis Stronger, Through Sharing What We Have  Jez Hall
Building More Vibrant and Inclusive Democracies: How to Meet the challenges of Covid-19
Sanjay PradhanDoes Democracy Need a Time Rebellion? Roman Krznaric
Building Back Inclusively Dayo Eseonu
Ordinary and Extraordinary Stories: Including People with Learning Disabilities in Policy Development and Research Rhiann McLean and Angela Henderson
Organising to Humanise the Gig Economy Alex Marshall
Let’s Talk About Covid-19 Ethics Dave Archard
Democracy – A Dish Well Done Frances Foley
Learning How to Listen in a Pandemic Laura Seebohm
No Justice Without Us: Respecting Lived Experience of the Criminal Justice System Paula Harriott
Participation on Whose Terms? Javier Sanchez-Rogriguez
The Queer House Party: Solidarity and LGBTQI+ Community-Making in Pandemic Times Francesca Romana Ammaturo and Olimpia Burchiellaro
Student Democracy in the Face of Covid-19 Isobel Walter
Experts by Experience: Enabling the Voice of Survivors to Transform the Response to Domestic Abuse in the UK Martha Tomlinson
The Best Time to Start Involving the Public in Covid Decision-Making was a Year Ago The Next Best Time Is Now Jon Alexander
PART TWO: LESSONS FOR DEMOCRACY
Hearing Diverse Voices in a Pandemic: Towards Authentic Inclusion Ruth Ibegbuna
Mutual Aid and Self-Organisation: What We Can Learn from the Rise of DIY Responses to the Pandemic Matt Leach
How the Pandemic Has Accelerated the Shift Towards Participatory Public Authorities Donna Hall,
Simon Kaye and Charlotte Morgan

Citizen Voice in the Pandemic Response: Democratic Innovations from Around the World Antonin
Lacelle-Webster, Julien Landry and Ann Marie D. Smith

Is Democracy Too Much Trouble in a Pandemic? Archon Fung
Conclusion: A Manifesto for Democracy in a Crisis Tim Hughes and Graham Smith

13 July 2021

AI for Everyone? Critical Perspectives

UWP is pleased to announce that it will soon be publishing a new book exploring the role of contemporary AI and issues that need to be addressed concerning it. The volume will be edited by Pieter Verdegem of the University of Westminster. And it will be published open access in the series, Critical Digital and Social Media Studies edited by Christian Fuchs.

Description
We are entering a new era of technological determinism and solutionism in which governments and business actors are seeking data-driven change, assuming that AI is now inevitable and ubiquitous. But we have not even started asking the right questions, let alone developed an understanding of the consequences. Urgently needed is debate that asks and answers fundamental questions about power. This book brings together critical interrogations of what constitutes AI, its impact and its inequalities in order to offer an analysis of what it means for AI to deliver benefits for everyone.

The book is structured in three parts: Part 1, AI: Humans vs. Machines, presents critical perspectives on human-machine dualism. Part 2, Discourses and Myths about AI, excavates metaphors and policies to ask normative questions about what is ‘desirable’ AI and what conditions make this possible. Part 3, AI Power and Inequalities, discusses how the implementation of AI creates important challenges that urgently need to be addressed.

Bringing together scholars from diverse disciplinary backgrounds and regional contexts, this book offers a vital intervention on one of the most hyped concepts of our times.

Contents

  1. 1. Introduction: Why We Need Critical Perspectives on AI
    Pieter Verdegem

Part 1: AI – Humans vs. Machines

2.Artificial Intelligence (AI): When Humans and Machines Might Have to Coexist 
Andreas Kaplan

3. Digital Humanism: Epistemological, Ontological and Praxiological Foundations 
Wolfgang Hofkirchner

4. An Alternative Rationalization of Creative AI by De-Familiarizing Creativity: Towards an Intelligibility of Its Own Terms 
Jenna Ng

5. Post-Humanism, Mutual Aid
Dan McQuillan

Part 2: Discourses and Myths About AI

6. The Language Labyrinth: Constructive Critique on the Terminology Used in the AI Discourse
Rainer Rehak

7. AI Ethics Needs Good Data
Angela Daly, S. Kate Devitt and Monique Mann

8. The Social Reconfiguration of Artificial Intelligence: Utility and Feasibility
James Steinhoff 

9. Creating the Technological Saviour: Discourses on AI in Europe and the Legitimation of Super Capitalism
Benedetta Brevini

10. AI Bugs and Failures: How and Why to Render AI-Algorithms More Human?  Alkim Almila Akdag Salah

Part 3: AI Power and Inequalities 

11. Primed Prediction: A Critical Examination of the Consequences of Exclusion of the Ontological Now in AI Protocol
Carrie O’Connell and Chad Van De Wiele

12. Algorithmic Logic in Digital Capitalism
Jernej A. Prodnik

13. Not Ready for Prime Time: Biometrics and Biopolitics in the (Un)Making of California’s Facial Recognition Ban
Asvatha Babu and Saif Shahin

14. Beyond Mechanical Turk: The Work of Brazilians on Global AI Platforms  Rafael Grohmann and Willian Fernandes Araújo

15. Towards Data Justice Unionism? A Labour Perspective on AI Governance  Lina Dencik

The Authors

Index 

(Paperback): 978-1-914386-16-9 (PDF): 978-1-914386-13-8 (EPUB): 978-1-914386-14-5

ISBN (Kindle): 978-914386-15-2

DOI: 10.16997/book55

New Scholarly Publications Manager Sought at UWP

New Scholarly Publications Manager Sought at UWP

After over six years (part-time and full time) Andrew Lockett is to step down as Press Manager of the University of Westminster Press during August 2021. Andrew has achieved amazing things, working closely with UWP authors, editors and other contributors since UWP began, to enable us to reach a point where we soon will have published 36 books and 7 policy briefs, operating 6 journals. While we are sorry to see Andrew leave and we will miss his knowledge and expertise – we will soon be advertising an exciting opportunity to join UWP and influence its future directions in collaboration with colleagues at the University of Westminster. Look out for the announcement of the replacement post especially those interested working across publishing functions at a digital-first new university press, publishing across a range of interdisciplinary, humanities and social sciences disciplines including media and communication studies.

Jenny Evans, Research Environment and Scholarly Communications Lead

UPDATE

Details of the post now advertised here.

A Cool Million: UWP Reach Readership Landmark

A Cool Million: UWP Reach Readership Landmark

Over 1 million views and downloads have now been achieved by the University of Westminster Press since publishing its first journal issue in September 2015. (Figures end April 2021). The graphic presenting the following (and more) can be downloaded from our website.

Total Readership: 1,089,280

Books: 560,573

Journal Articles: 528,707

Readership by Nationality (estimate, where recorded) from 197 countries and territories.

1. UK 2. USA 3. Canada 4. Germany 5. Brazil 6. China 7. Australia 8. India 9. Italy 10. Spain 

Authors of New Publications: 276 unique authors from 38 countries, recorded by institution or current domicile.

Publications total:

35 books and 7 policy briefs

192 new journal articles from 2 new titles launched and 3 existing journals new to UWP

719 archive journal articles and 5 books distributed

Most Popular Book Titles: (1) Critical Theory and Authoritarian Populism (ed. J. Morelock) 68,260 views/downloads (2) The Propaganda Model Today (ed. J. Pedro-Carañana et al.) 63,353 (3) Critical Theory of Communication (C. Fuchs) 37,350.

Top Journal Titles: Westminster Papers in Communication and Culture (290,505 since 15/9/2015), Entertainment and Sports Law Journal (165,847 since 26/06/2016) and Journal of Deliberative Democracy 55,787 (since 28/08/2020).

UWP Series: Critical Digital and Social Media Studies‘, 20 titles: 353,317; ‘CAMRI Policy Briefs‘, 7 titles, 44,413; ‘Law and the Senses‘ 24,102 (3 titles).

Context: UWP was established by a University steering group in 2014, hired its first part-time employee in February 2015 and published its journal issue in September 2015 and first book in October 2016. Its website went fully live on 12 May 2015. UWP has worked with platform providers Ubiquity Press and more recently for journals since 5 January 2021 Michigan Publishing/Janeway. It has functioned as a mixed model diamond open access publisher supported by income from book sales, central university and departmental contributions, one-off external university and grant-holder donations and library membership collective funding notably Knowledge Unlatched’s ‘Select’ programmes for individual titles. Many of its publications are in the area of media and communications but it has published book titles in history, philosophy, geography, education and politics. Its activities are overseen by a single UWP Editorial Board and it works within Research and Scholarly Communications, of the Research and Knowledge Exchange Office, Student and Academic Services, University of Westminster.

UWP is considered to be a ‘New University Press‘, digital-first with open access as a key principle. Its logo is a ‘W’ consisting of an open laptop and an open book.

Thanks to our editors, authors, peer reviewers, UWP editorial board members past and present, series board members and our partners Ubiquity Press (books and website) and Michigan Publishing Services and Janeway (journals) and all our colleagues at the University of Westminster for helping UWP reach this landmark.

New Jisc University Press Toolkit: Introduction – Webinar Event

We are advised by Jisc that there are still a few places remaining for this webinar event on new university presses at which UWP will be represented by their Press Manager. See here for the Toolkit.

When? Tuesday 8 June 2021, 14:00-15:30 (BST).

What follows is information from Jisc verbatim.

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In March 2021, Jisc launched a toolkit to support new and existing university
and library open access publishing ventures. The toolkit was developed with the
input from an international editorial advisory board consisting of University
Presses and other experts in the field.

This webinar will discuss the aims and objectives of the toolkit,
including a short walkthrough, followed by a panel session featuring members of
the Editorial Advisory Board.

Andrew Lockett, Press Manager, University of Westminster Press, Kate Petherbridge,
White Rose Libraries Executive Manager, White Rose University Press Lara
Speicher, Head of Publishing, UCL Press Graham Stone, Subject matter expert (OA
monographs), Jisc Alison Welsby, Editorial Director & Senior Commissioning
Editor, Liverpool University Press Sofie Wennstrom, Managing Editor, Stockholm
University Press.

The session will be Chaired by Eelco Ferwerda, Consultant, formerly of
OAPEN/DOAB.

This event will be of interest to university press staff in existing
presses, as well as library, academic and senior university staff who are
considering setting up their own press. We also hope that the toolkit is
transferable to the wider community, e.g., those wishing to set up academic-led
publishing and presses that are considering the transition to a fully open
access model.

Please visit the URL below to book for this free online event.

Misinformation in Africa – literacy and regulation

Misinformation in Africa – literacy and regulation

Amongst the startling conclusions of a new report published yesterday Misinformation Policy in Sub-Saharan Africa: From Laws and Regulations to Media Literacy are:

Misinformation literacy requires specific knowledge and skills

Media literacy is barely taught in seven of the eleven countries studies in Sub-Saharan Africa

Anti- false news laws nearly doubled in the 11 countries studied 2016-2020

Laws and regulations missed the declared target, hit media freedom

The volume, published in the CAMRI Policy Briefs and Reports series consists of two separate policy reports:

The State of Media Literacy in Sub-Saharan Africa 2020 and a Theory of Misinformation Literacy

Bad Law – Legal and Regulatory Responses to Misinformation in Sub-Saharan Africa 2016–2020

AUTHORS
Peter Cunliffe-Jones, Assane Diagne, Alan Finlay, Sahite Gaye, Wallace Gichunge, Chido Onumah, Cornia Pretorius, Anya Schiffrin

Description

Misinformation Policy in Sub-Saharan Africa is a single volume containing two research reports by eight authors examining policy towards misinformation in Sub-Saharan Africa.

The volume first examines the teaching of ‘media literacy’ in state-run schools in seven Sub-Saharan African countries as of mid-2020, as relates to misinformation. It explains the limited elements of media and information literacy (MIL) that are included in the curricula in the seven countries studied and the elements of media literacy related to misinformation taught in schools in one province of South Africa since January 2020. The authors propose six fields of knowledge and skills specific to misinformation that are required in order to reduce students’ susceptibility to false and misleading claims. Identifying obstacles to the introduction and effective teaching of misinformation literacy, the authors make five recommendations for the promotion of misinformation literacy in schools, to reduce the harm misinformation causes.

The second report in the volume examines changes made to laws and regulations related to ‘false information’ in eleven countries across Sub-Saharan Africa 2016-2020 from Ethiopia to South Africa. By examining the terms of such laws against what is known of misinformation types, drivers and effects, it assesses the likely effects of punitive policies and those of more positive approaches that provide accountability in political debate by promoting access to accurate information and corrective speech. In contrast to the effects described for most recent regulations relating to misinformation, the report identifies ways in which legal and regulatory frameworks can be used to promote a healthier information environment.

Format: e-Book, PDF free from www.uwestminsterpress.co.uk/site/books

PDF 978-1-914386-05-3
ePub 978-1-914386-06-0
Kindle 978-1-914386-07-7

www.uwestminsterpress.co.uk

CULTURE WARS: STATUES, FLAGS, STREETS AND SQUARES

CULTURE WARS: STATUES, FLAGS, STREETS AND SQUARES

CALL FOR PAPERS/ABSTRACTS: WESTMINSTER PAPERS IN COMMUNICATION AND CULTURE
Issue Editor: Anthony McNicholas

Flags, emblems, monuments, street names, statues are some of the means by which nations and states promote themselves, both to their own citizens and to the world at large; the public face of our imagined communities. But as they seek to unify, such symbols have often been the occasion for contestation, disagreement, violence even. Empires, systems, regimes rise and fall. Societies change, and with such change comes a reassessment of societies’ symbolic life, as yesterday’s heroes become today’s villains, past triumphs a present embarrassment. The past is continually raked over, re-examined and reinterpreted, with each re-examination argued over. Examples abound from across the globe: the toppling of Rhodes’ statue in Cape Town in 2015; in Budapest, Soviet era leaders are gathered together in Memento Park. While Ukraine had by 2017 decreed the removal of all 1,320 statues of Lenin. And in Germany there are no monuments commemorating the military in the war years. In the USA, statues of Confederate leaders are being taken down; thwarted by a statute forbidding such removals, the mayor of Birmingham Alabama had one offending figure covered in plastic. Outside Delhi statues of military and British royalty languish, a ‘shambles’ in a ‘veritable dust bowl’ (Times of India) awaiting a revamp that never seems to arrive, the neglect telling its own story. In the UK the national flag and the statues of slavers are being fought over by the government and sections of the population deploying memes, hashtags and video footage whilst also appearing in official and commercial films, TV, documentary, news footage. 

Submissions are welcome covering the role of the media in all forms (from public service broadcasting to social media, feature films to advertising) exploring contested representations of such symbols and their remediation. WPCC publishes research articles, commentaries and book reviews. For guidelines see https://www.westminsterpapers.org/site/author-guidelines

Deadline for abstracts:
Please submit a 150-250 word abstract with keywords to WPCC’s submission system with 6 keywords by Monday 28 June 2021 by registering at here uploading the abstract in addition to filling in the submission details. You will receive feedback regarding encouragement to submit a full paper (a resubmission on the system) or feedback from the issue editor(s)/WPCC within 7-10 days later.

Deadline for full papers:
Full papers are expected by Monday 30 August 2021, 23:59 submitted to the WPCC system. All papers will go through double peer-review. 

Publication date: from 1 November 2021
WPCC is an open access journal and there are no fees for contributors. Published by the University of Westminster Press in conjunction with CAMRI. All content in this issue and in its archive is available free to read. 
www.westminsterpapers.org

Slave to the Algorithm? Changing the Tune

Slave to the Algorithm? Changing the Tune

UWP are pleased to announce a forthcoming title DIGITAL PLATFORMS AND ALGORITHMIC SUBJECTIVITIES* exploring the changing nature of subjectivities produced in an era of changing boundaries between the social and personal and the economic and technological for its Critical Digital and Social Media Studies series edited by Christian Fuchs. The title is edited by Emiliana Armano, Marco Briziarelli and Elisabetta Risi (State University of Milan, University of New Mexico and IULM University of Milan respectively and will be published open access thanks to the support of Knowledge Unlatched.

*Amended 27 July 2021

DESCRIPTION

Algorithms are a form of productive power – so how may we conceptualise the newly merged terrains of social life, economy and self in a world of digital platforms? How do multiple self-quantifying practices interact with questions of class, race and gender? This book considers algorithms at work – for what purposes encoded data about behaviour, attitudes, dispositions, relationships and preferences are deployed – and black box control, platform society theory and the formation of subjectivities. It details technological structures and lived experience of algorithms and the operation of platforms in areas such as crypto-finance, production, surveillance, welfare, activism in pandemic times. Finally, it asks if platform cooperativism, collaborative design and neomutualism offer new visions. Even as problems with labour and in society mount, subjectivities and counter subjectivities here produced appear as conscious participants of change and not so much the servants of algorithmic control and dominant platforms.

CONTENTS

Introduction. Platforms, Algorithms and Subjectivities.– Emiliana Armano, Marco Briziarelli, Joseph Flores, Elisabetta Risi

Part I: Conceptualizing an algorithmic society

  1. The Californian Ideology Revisited – Lawrence Quill & Hasmet Uluorta
  2. Platform Politics and a World Beyond Catastrophe – Ned Rossiter & Soenke Zehle
  3. Platforms in Time of Pandemic– Niccolò Cuppini, Mattia Frapporti & Maurilio Pirone
  4. Domus Capitalismi. Domesticated Subjectivities in Times of Covid-19 – Marco Briziarelli & Emiliana Armano  
  5. Black Box Power Zones of Uncertainty in Algorithmic Management – Heiner Heiland 
  6. Algorithmic Management in Food Delivery Platforms, between Digital Neo-Taylorism and Enhanced Subjectivity – Emiliana Armano, Daniela Leonardi & Annalisa Murgia
  7. Extracting Free Labour– Patrick Cingolani  
  8. On Value And Labor In The Age Of Platforms– Andrea Miconi

Part II: Phenomenology and experiences. 

9. The Digital Traces of Crypto-Finance– Alberto Cossu  
10. The Social Costs of the Gig Economy and Institutional Responses. Forms of Institutional Bricolage in Italy, France, and the Netherland – Maurizio Franzini & Silvia Lucciarini
11. Plat-Firming Welfare. Examining Digital Transformation in Local Care Services – Davide Arcidiacono, Ivana Pais & Flaviano Zandonai
12.Algorithmic Prosumers – Elisabetta Risi & Riccardo Pronzato
13. Performed Subjectivities in Ranking and Recommendation Systems – Tatiana Mazali & Nicoletta Gay
14. Labour Control and Commodification Strategies Within A Food Delivery Platform in Belgium – Milena  Franke  & Valeria Pulignano
15. Emerging Forms of Sociotechnical Organisation the Case of the Fediverse – Jacopo Anderlini & Carlo Milani
16. A Workers’ Inquiry into Canvas and Zoom Disrupting the Algorithmic University – Robert Ovetz

ABOUT THE EDITORS

Emiliana Armano, PhD in Labour Studies at the Department of Social and Political Sciences at the State University of Milan. She collaborates in research into informational capitalism, knowledge work, flexibility and precariousness, with a social inquiry and coresearch methodological approach.

Marco Briziarelli is professor of Department of Communication and Journalism of the University of New Mexico. He studies critical approaches to media and communication theory, especially as these fields intersect with broader issues in political and social theory, intellectual and cultural history. Dr. Briziarelli is also interested in media and social movements and critical conceptualization of digital labor. His work has appeared in triple C: Communication, Capitalism & Critique, CommunIcation and Critical/Cultural Studies and many other journals.

Elisabetta Risi, PhD in Information Society, is Research Fellow of the Department of Communication, Arts and Media of IULM University (Milan). She teaches disciplines related to digital methods and her research interests include critical study of society and media, platform society the relationship between communication practices, identity and social change.

RELATED PUBLISHING

UWP has previously published The Spectacle 2.0 by two of the book’s editors Marco Briziarelli and Emiliana Armano in the CDSMS series, the CAMRI Policy Brief Artificial Intelligence and the Internet of Things with AI FOR EVERYONE edited by Pieter Verdegem of the University of Westminster also scheduled for 2021.

A Taste of Power? Making Sense of Workers’ Struggle at Deliveroo

A Taste of Power? Making Sense of Workers’ Struggle at Deliveroo

Author Jamie Woodcock (The Fight Against Platform Capitalism, UWP 2021) guest blogs offering his view of recent developments in workers’ struggle in the food delivery sector in the wake of Deliveroo’s IPO last month.

On the 7th of April, Deliveroo riders took strike action across the UK as part of the Independent Workers’ Union of Great Britain (IWGB). In London, riders in green and silver jackets assembled outside Shoreditch High Street station, a local hub of restaurants. Workers, mopeds, bicycles, a mobile sound system, and press quickly filled the street. Then, as fits with their working day, the strikers set off for a ride around the city, ending with a protest outside Deliveroo’s headquarters in Cannon Street.

It has been almost five years since the first strike of Deliveroo workers in the summer of 2016. When I visited the picket line on the first day of the strike, we were not sure what to expect. The IWGB had come to support the strike, but it had been organised my workers on WhatsApp. What we found was a connected workforce of riders who were organising for basic rights and fair pay. As Callum Cant has demonstrated, the strike in London triggered a wave of worker resistance in European food platforms.

Much has changed with Deliveroo since 2016. It has grown rapidly, both across the UK and in an increasing number of countries. There are now an estimated 50,000 Deliveroo riders in the UK. However, at the start of the Covid-19 pandemic, Deliveroo warned it faced an imminent financial crash. Although it has previously blocked the move, Competition and Markets Authority gave Amazon the greenlight to invest in Deliveroo, spurring investment in so-called “Dark Kitchens.” As the lockdown shut restaurants, these separate facilities for churning out takeaway food helped to create massive growth for the platform.

Throughout the pandemic, essential workers like those at Deliveroo have continued to work. For many isolating, takeaway food – and increasingly other offerings like groceries – have allowed those working from home to shield from the risks of the virus. Due to the bogus self-employment status used by Deliveroo, many riders fell between either furlough or the self-employed support scheme. The IWGB launched the #ClappedAndScrapped campaign to highlight how little support workers have received during the lockdown.

Buoyed by the surge in business during the lockdown, Deliveroo went from almost failing to an Initial Public Offering (IPO) in March of 2021. The coordination of the strike of riders makes this a good moment to stake stock of what has changed since the first open sign of workers struggle on the platform. The strikes in 2016 were against a change in payment scheme from an hourly rate with payment to drop, to only being paid for deliveries made. During the strike, a manager from Deliveroo came out to address the crowd – although he was quickly ushered away after strikers rejected his argument that the they “need to understand how the payment scheme was better for them.”

In my recent book, I have argued that there are three dynamics we can see unfolding with platform work – and each of these can be seen with Deliveroo. First, there is an increasing connection between platform workers, both on WhatsApp and social media, as well as in the streets. Second, despite that early attempt at interaction from a Deliveroo manager, there is a lack of communication from platforms, which leads to escalating worker action. Third, due to the growth of these platforms internationally, there is a new basis for transnational solidarity emerging.

Fast forward to 2021 and pay for deliveries is now the standard model, with hourly rates a distant memory. As part of a worker-led study of their own invoice data, The Bureau of Investigative Journalism found that some riders today are paid as little as £2 per hour. Workers have formed networks and joined unions, with WhatsApp chats remaining a key organising tool. Deliveroo refuse to recognise or negotiate with unions.

Over the past five years, Deliveroo has now achieved status as the most protested platform in the world. The recent IWGB strike was over familiar issues: fair pay, safety protections, and basic worker rights. It received support from unions internationally, including in Australia, France, the Netherlands, Ireland, and Spain. In the UK, the action around the IPO led to 12 institutional investors pulling out, with over £3 billion wiped off Deliveroo’s valuation. The Financial Times called it the ‘worst IPO in London’s history.’

With the recent Uber case in London, as well as the recent workers’ rights claim at the delivery company Stuart, the use of self-employment to deny rights is starting to crumble. There is still a lot that Deliveroo workers are fighting to change, but the recent strike felt like a taste of what workers power could look like with food platform deliveries.

JAMIE WOODCOCK is a senior lecturer at the Open University and a researcher based in London. He is the author of The Gig Economy (2019), Marx at the Arcade (2019) and Working the Phones (2017), also serving on the editorial boards of Notes from Below and Historical Materialism.

The Fight Against Platform Capitalism: An Inquiry in the Global Struggles of the Gig Economy (2021) is published in the Critical Digital and Social Media Studies series edited by Christian Fuchs. The book is available open access from the University of Westminster Press.

Anthropocene Islands – forthcoming title

Anthropocene Islands – forthcoming title

UWP are pleased to announce they are to publish a new book exploring the ‘Entangled Worlds’ of Anthropocene Islands by Jonathan Pugh and David Chandler. UWP is the publisher of the journal, Anthropocenes – Human, Inhuman, Posthuman.

ANTHROPOCENE ISLANDS: ENTANGLED WORLDS
The island has become a key figure of the Anthropocene – an epoch in which human entanglements with nature come increasingly to the fore. For a long time islands were romanticised or marginalised, seen as lacking modernity’s capacities for progress, vulnerable to the effects of catastrophic climate change and the afterlives of empire and coloniality. Today, however, the island is increasingly important for both policy-oriented and critical imaginaries that seek, more positively, to draw upon the island’s liminal and disruptive capacities, especially the relational entanglements and sensitivities its peoples and modes of life are said to exhibit. 

Anthropocene Islands: Entangled Worlds explores the significant and widespread shift to working with islands for the generation of new or alternative approaches to knowledge, critique and policy practices. It explains how contemporary Anthropocene thinking takes a particular interest in islands as ‘entangled worlds’, which break down the human/nature divide of modernity and enable the generation of new or alternative approaches to ways of being (ontology) and knowing (epistemology). The book draws out core analytics which have risen to prominence (Resilience, Patchworks, Correlation and Storiation) as contemporary policy makers, scholars, critical theorists, artists, poets and activists work with islands to move beyond the constraints of modern approaches. In doing so, it argues that with engaging islands has become increasingly important for the generation of some of the core frameworks of contemporary thinking and concludes with a new critical agenda for the Anthropocene.

CONTENTS
Preface 
1: There Are Only Islands After the End of the World 
2: Resilience: The Power of Interactive Life 
3: Patchworks: The Ontology of the World 
4: Correlation: Registers of Change
5: Storiation: Holding the World 
6: Conclusion: A Critical Agenda for the Anthropocene 
References |Index | 196 pp

JONATHAN PUGH is Reader in Island Studies, University of Newcastle, UK. He is the author of over 70 publications developing relational thinking with islands and, more recently, the figure of the island in the Anthropocene. He leads the ‘Anthropocene Islands’ initiative Anthropocene Islands: https://www.anthropoceneislands.online.

DAVID CHANDLER is Professor of International Relations, University of Westminster. He edits the journal Anthropocenes – Human, Inhuman, PosthumanHis recent books include Becoming Indigenous: Governing Imaginaries in the Anthropocene (2019) and Ontopolitics in the Anthropocene: An Introduction to Mapping, Sensing and Hacking (2018). 

Island Studies| Anthropocene Studies | Human Geography | Environmental Philosophy

FORTHCOMING 9 JUNE 2021
Format paperback 978-1-914386-00-8 229 x 152mm UK  £17.99. US  $22.95. EUR €20
Format ebook E-book, PDF free from http://www.uwestminsterpress.co.uk/site/books PDF 978-1-914386-01-5 ePub 978-1-914386-02-2 Kindle 978-1-914386-03-9
DOI: 10.16997/book52 (active on publication)


WPCC – Open Issue – Final call for papers and extension

WPCC – Open Issue – Final call for papers and extension

A reminder of the open call for papers for next WPCC issue for which deadline has been extended for one week.

DEADLINE FOR FULL PAPERS
Full papers are expected by 15 March 2021 (now extended to 23.59 on 22 March) submitted to the WPCC  submission system. All research and commentary articles will go through double peer-review. 

The open call especially welcomes contributions relating to North African, South Asia and Middle Eastern and East Asian Media, or on such topics as (but not limited to) AI, Big Data, media management, or topics relating to CAMRI’s research and teaching programme. However authors should not be deterred from submitting in areas outside these topic fields in the broad field of communication, cultural and media studies and on emerging topics. In addition to research articles (6,000-8,000 words), commentary (3,000 to 6,000 words), interviews (1500-3000 words) and book reviews (1500-3000 words) will also be considered and audio and short video submissions, all with abstracts and keywords as standard.. 

Submissions from authors new to WPCC are required to register in WPCC ‘s journal system. Those already registered will need to log-in with a new password following a change in the journal’s platform. (There should be a link from which to reset your password [‘Forgotten your password ] that will guide you through the simple process).

Publication dates: end May-July 2021.

WPCC is an open access journal and there are no fees for contributors. Published by the University of Westminster Press in conjunction with CAMRI. All content in this issue and in its archive is available free to read including special collections on ‘Television Studies‘, ‘Journalism and the Digital Challenge‘ and ‘Censorship and Propaganda‘. 

www.westminsterpapers.org

University of Westminster Press to partner with Michigan Publishing Services and Janeway Systems for Open Access Journals

University of Westminster Press to partner with Michigan Publishing Services and Janeway Systems for Open Access Journals

London, UK and Ann Arbor, MI, USA – 10 December 2020

The University of Westminster Press and Michigan Publishing Services working with Janeway Systems digital journals publishing platform have reached an agreement whereby they will partner to publish UWP’s six scholarly journals from January 2021.

Andrew Lockett, Press Manager (University of Westminster Press) warmly welcomed the new arrangement: ‘Michigan are at the forefront globally of the innovation and development of academic library publishing services and together with Janeway represent an exciting opportunity for UWP’s activities to be part of the development of sustainable public open source scholarly communication infrastructure. We are excited at the prospect at learning from and working with two innovative teams that share our values and to further enhancing the impact, reach and quality of our new and established journals’.

Jason Colman, Director of Publishing Services (Michigan Publishing) said: “We’re delighted to form this new partnership with the University of Westminster Press and Janeway, who share our commitment to an open and community-owned future for scholarly publishing. We look forward to seeing UWP journals made available to readers on Janeway very soon.”

“We’re very excited to be working with the University of Westminster Press” added Andy Byers, Senior Publishing Technology Developer at Birkbeck, University of London, “and look forward to expanding our existing relationship with Michigan Publishing.”

Additional Information
As one of the UK’s first fully open access university presses, the University of Westminster Press has been publishing open access journals since 2015 and open access books since 2016 achieving 850,000 views and downloads thus far for its publications in the process across its books and journals. It has published 170 new journal articles with an archive of 719 articles publishing 33 new books and 6 policy briefs launching the new journals Silk Road – A Journal of Eurasian Development, Anthropocenes – Human, Inhuman, Posthuman and (forthcoming in 2021), Active Travel Studies. Its 2020 catalogue recently released was its third and its book publishing and general website continues in its current form with Ubiquity Press.

Michigan Publishing Services is a team of librarians and publishing professionals offering a suite of publishing services to the University of Michigan community and several other partners in the UK, US and worldwide. Its Fulcrum platform offers infrastructure and services that enables the full richness of author’s research output to be published in discoverable, durable, accessible and flexible form. From 2021 Michigan Publishing Services will migrate its own, more than 40 mostly open access journals, to the Janeway Digital Platform.

Janeway is a digital platform designed for publishing scholarly research material. Launched in 2017, the platform provides a workflow for the submission, processing and presentation of scholarly materials. It was developed by Professor Martin Eve, Mauro Sanchez and Andy Byers at the Centre for Technology and Publishing, Birkbeck, University of London, and the Open Library of Humanities, UK. Janeway is currently used by many publishers and libraries including Michigan Publishing Services, UCL Press, the Open Library of Humanities, Huddersfield University Press, Iowa State Digital Press, the University of Essex, the University of West London and California Digital Library to host its recently launched Preprint service Eartharxiv.

New Law for Intellectual Commons Needed – Broumas

New Law for Intellectual Commons Needed – Broumas

Released this week the latest title in the CDSMS series edited by Christian Fuchs by lawyer and activist Antonios Broumas makes the case for a new body of law to harness the potential and social value of the intellectual commons. Using case studies of cultural commons initiatives it clearly articulates why the commons have intrinsic value deserving of legal protection. At the heart of these new proposals is a recognition and expansion of the public domain and the need for greater personal and social rights and freedoms for individuals to properly participate in the realms of culture and science.

Extracts from the book titled Intellectual Commons and the Law: A Normative Theory for Commons-Based Peer Production follow:

[T]he intellectual commons are suppressed by the dominant value system of commodity markets and its universal equivalent of value in the form of money upon the intellectual commons. Such pressure, which may even lead to the extinction of intellectual commons communities, comes into contradiction with the overall conclusion regarding their social value and potential. Even though such communities may as a rule not be as productive as corporations in terms of money circulation, profits, jobs and taxes, this does not make them unproductive in terms of social value. On the contrary, the communities of the intellectual commons contain and emanate a wealth of social values, which ought to be protected through legal means.

***

Rather than proposing reforms within the property-oriented framework of contemporary expansive intellectual property laws, the current book advances a normative line of argumentation in favour of an independent body of law for the regulation of the intellectual commons, i.e. both the open access commons of the public domain and any other type of regime oriented towards the shared use of intellectual works. The appropriate protection and promotion of these two sectors of our intellectual commonwealth aspires to construct a vibrant non-commercial zone of creativity and innovation in parallel to intellectual property-enabled commodity markets of intellectual works.

***

Following the above, it is held that states are morally committed to respecting, protecting and fulfilling the freedom to contribute to the intellectual commons, thereby abstaining from its restriction through intellectual property laws, which are not compatible with international human rights treaties. In addition, the critical normative theory of the intellectual commons holds that the freedom to contribute to the intellectual commons ought to acquire statutory content substantive enough to give commoners the ability for its meaningful practice.

UWP has published several book titles all available open access including Peer to Peer (Bauwens et al), Incorporating the Digital Commons by Benjamin Birkinbine, The Commons: Economic Alternatives in the Digital Age (Vangelis Papadimitropoulos). Communication and Capitalism: A Critical Theory also discusses the ‘Communication Society as a Society of the Commons’.

Intellectual Commons and the Law was published on the 25 November 2020.

Democracy without Shortcuts Debated

Democracy without Shortcuts Debated

A new special issue of the Journal of Deliberative Democracy is out now. A star line up of scholars considers the arguments of Christina Lafont’s new book Democracy without Shortcuts: A Participatory Conception of Deliberative Democracy discussing topics such as minipublics, assemblies, blind deference, everyday publics and several others in the fields of public participation and deliberative democracy. Christina Lafont responds. Contents follow.

CONTENTS

Democracy without Shortcuts: Introduction to the Special Issue
Nicole Curato,  Julien Vrydagh,  André Bächtiger, University of Canberra,Vrije Universiteit Brussels, University of Stuttgart

Commentary on, Cristina Lafont, Democracy Without Shortcuts
Jürgen Habermas, University of Frankfurt

A Citizen-Centered Theory
Jane Mansbridge, Harvard University

Between Full Endorsement and Blind Deference
Robert E. Goodin, Australian National University

Towards a More Robust, but Limited and Contingent Defence of the Political Uses of Deliberative Minipublics
André Bächtiger,  Saskia Goldberg University of Stuttgart

It’s Not Just the Taking Part that Counts: ‘Like Me’ Perceptions Connect the Wider Public to Minipublics
James Pow,  Lisa van Dijk,  Sofie Marien, Queens University Belfast, KU Leuven, KU Leuven

The Derailed Promise of a Participatory Minipublic: The Citizens’ Assembly Bill in Flanders
Ronald Van Crombrugge, KU Leuven

Citizens Without Robes: On the Deliberative Potential of Everyday Politics
Simone Chambers, University of California, Irvine

Participatory Deliberative Democracy in Complex Mass Societies
Mark E. Warren, University of British Columbia

Another Way for Deepening Democracy Without Shortcuts
Tetsuki Tamura, Nagoya University

Against Anti-Democratic Shortcuts: A Few Replies to Critics
Cristina Lafont, Northwestern University

What Are the Commons? What Could They Be?

What Are the Commons? What Could They Be?

Vangelis Papadimitropoulos in a new open access book just published (The Commons: Economic Alternatives in the Digital Age) surveys theories of the commons: liberal, reformist and anti-capitalist. Discussing these three viewpoints, the book contributes to contemporary debates concerning the future of commons-based peer production (see also UWP’s Peer to Peer) and makes the case in the conclusion for a post-capitalist commons-orientated transition that moves beyond neoliberalism.

This title is the in the University of Westminster Press‘s Critical Digital and Social Media Studies series. All previously published titles are available open access via a variety of channels including OAPEN, JSTOR and DOAB. Other titles discussing the Commons published by UWP include Incorporating the Digital Commons by Benjamin Birkinbine and Communication and Capitalism by Christian Fuchs.

IT professionals – a pervasive lack of control?

IT professionals – a pervasive lack of control?

In an extract from a new book that looks at Marx’s theory of alienation and Information and Communication Technologies, author Mike Healy outlines an agenda for future research on the key occupation of IT professionals and why it would need to consider workers’ alienation, not narrow job satisfaction. Marx and the Digital Machines: Alienation, Technology, Capitalism was published on 16th October, available open access.

Issues such as the application of project methodologies, the control the professional (and indeed the profession as a whole) has over the industry, the rapid commodification of skills such as programming, software maintenance and testing, and business processes, could all benefit from using Marx’s theory of alienation. Research that takes as its focus the role of the ICT professional in promoting the ethical use of ICT could benefit from a shift of perspective that sees the professional as one in command to a view of the professional as someone who is powerless and who cannot determine what they make, nor for whom or how it gets made. Research could also investigate what coping and resistance strategies they employ to deal with their alienated condition. Further research using theories of alienation and PAR [Participatory Action Research] would provide deeper insights into the problems ICT professionals face such as, for example, the contradiction discussed … between what they feel about their occupations and what they would do if given the opportunity to quit their jobs. Research on ICT professionals vigorously embracing Marx’s theory of alienation would enable it to move beyond the straitjacket of, and the inadequate categories associated with, job satisfaction thereby offering a greater explanation for, rather than a description of, the conditions in which ICT professionals work.
(From Chapter 8: Critique and Conclusion p. 126)

Bad Culture, Sick Music: Fairness and Wellbeing in Cultural Work –14 October free online event

Bad Culture, Sick Music: Fairness and Wellbeing in Cultural Work –14 October free online event

Discussing two new books …

Can Music Make You Sick? Measuring the Price of Musical Ambition
Culture is Bad for You: Inequality in the Cultural and Creative Industries

Why does understanding cultural work matter so much?
What does Covid-19 mean for musicians and cultural workers?
What do you think is next for the creative recorded and live arts industries? What themes unite both books?

Sally Anne Gross, George Musgrave, Orian Brook and Mark Taylor discuss their books and issues behind them.

DJ Paulette chairs the panel discussion.

Register at Eventbrite.

‘The best guide to what being a musician, and what “the music industry” actually are that I can remember reading…’

‘The best guide to what being a musician, and what “the music industry” actually are that I can remember reading…’

CAN MUSIC MAKE YOU SICK? Measuring the Price of Music Ambition
Sally Anne Gross and George Musgrave

OUT NOW
“The best guide to what being a musician, and what “the music industry” actually are that I can remember reading… it manages to capture and quantify so much about how we value emotion, creativity, labour, relationships, time, other people, [and] ourselves, in the information economy” Joe Muggs  (DJ, Promoter, Journalist [Guardian, Telegraph, FACT, Mixmag, The Wire])

“Musicians often pay a high price for sharing their art with us. Underneath the glow of success can often lie loneliness and exhaustion, not to mention the basic struggles of paying the rent or buying food. Sally Anne Gross and George Musgrave raise important questions – and we need to listen to what the musicians have to tell us about their working conditions and their mental health.” Emma Warren (Music Journalist and Author)

“Singing is crying for grown-ups. To create great songs or play them with meaning its creators reach far into emotion and fragility seeking the communion we demand of music. The world loves music for bridging those lines. However, music’s toll on musicians can leave deep scars. In this important book, Sally Anne Gross and George Musgrave investigate the relationship between the wellbeing music brings to society and the wellbeing of those who create. It’s a much needed reality check, deglamourising the romantic image of the tortured artist.” Crispin Hunt (Multi-Platinum Songwriter/Record Producer, Chair of the Ivors Academy)

“A critical and timely book which is sure to kick start further conversations around musicians, mental health and the music industry” Adam Ficek (Psychotherapist [Music and Mind]/BabyShambles)

“This book should be mandatory reading for every label, booking agent, manager and tour manager in the business of music and touring so we can all better understand what’s really involved in living the life of a professional musician and the role we all have in making that life as liveable as possible” Grant Hutchison (Frightened Rabbit)

It is often assumed that creative people are prone to psychological instability, and that this explains apparent associations between cultural production and mental health problems. In their detailed study of recording and performing artists in the British music industry, Sally Anne Gross and George Musgrave turn this view on its head.  By listening to how musicians understand and experience their working lives, this book proposes that whilst making music is therapeutic, making a career from music can be traumatic. The authors show how careers based on an all-consuming passion have become more insecure and devalued. Artistic merit and intimate, often painful, self-disclosures are the subject of unremitting scrutiny and data metrics. Personal relationships and social support networks are increasingly bound up with calculative transactions.  Drawing on original empirical research and a wide-ranging survey of scholarship from across the social sciences, their findings should be provocative for future research on mental health, wellbeing and working conditions in the music industries and across the creative economy. Going beyond self-help strategies, they challenge the industry to make transformative structural change. Until then, the book provides an invaluable guide for anyone currently making their career in music, as well as those tasked with training and educating the next generation.

Contents
1. Introduction: Special Objects, Special Subjects
2. Sanity, Madness and Music
3. The Status of Work
4. The Status of Value
5. The Status of Relationships
6. Conclusions: What Do You Believe In?
Appendixes| Notes | Bibliography

AUTHORS
Sally Anne Gross is a Principal Lecturer at the University of Westminster and the course leader of the MA Music Business Management. She is also a music manager and music business affairs consultant, and has worked in the music industry for over three decades.

George Musgrave is an academic based at both the University of Westminster and Goldsmiths, University of London. He is also a musician who has been signed to Sony/EMI/ATV.

Open Access
PDF, ePub and kindle versions available free from https://www.uwestminsterpress.co.uk/site/books/m/10.16997/book43/

Subjects
Popular Music  |  Media Industries  | Cultural Studies  | Communication Studies

Is the Price of Musical Ambition Too High?

Is the Price of Musical Ambition Too High?

It is often assumed that creative people are prone to psychological instability, and that this explains apparent associations between cultural production and mental health problems. Sally Anne Gross and George Musgrave in their book CAN MUSIC MAKE YOU SICK? turn this view on its head. By listening to how musicians understand and experience their working lives, they show that whilst making music is therapeutic, making a career from music can be traumatic.

Listen to Sally Anne Gross discuss the authors’ findings on Robert Elms BBC Radio London, 11.00 Saturday 26th. Jason Solomons stands in.

‘Active Travel Studies’ journal open for submissions.

‘Active Travel Studies’ journal open for submissions.

Active Studies: An Interdisciplinary Journal launched today for submissions a venture based at the University of Westminster’s Active Travel Academy. Editors Tom Cohen and Rachel Aldred here discuss the thinking behind the journal and outline below the range of published material to be expected and context of current debates on active travel in 2020.

Active Travel Studies will provide researchers with a natural home for new findings on all aspects of active travel, including but not limited to walking and cycling. As an open-access journal, charging no fees to either authors or readers, it will reduce barriers between those who are producing knowledge on active travel and those who wish to benefit from it.

‘We’re very excited about the journal,’ explains its editor, Dr Tom Cohen. ‘It marks an opportunity for research on active travel to reach a wider audience and to do so without the delay common in academic publishing. The journal will welcome a range of submissions (debates, reviews and interviews, as well as more familiar research articles) and we plan to allow multi-media output as well as more conventional formats.’

‘Another way in which we hope to differ from many journals is in remaining approachable – we welcome the opportunity to discuss with authors their ideas concerning possible submissions. But this will not be at the expense of academic rigour: all submissions will be subject to peer review.’

The journal is launching at what may be an auspicious time, as COVID-19 has provoked both a sharp increase in active travel and heated debate about whether and how that increase can be made permanent. As Cohen puts it, ‘our hope is that the journal can provide sound evidence to inform both this policy transition and others in the future.’

About the Journal

Active Travel Studies is a new, peer-reviewed, open-access journal intended to provide a source of authoritative research on walking, cycling and other forms of active travel. In the context of a climate emergency, widespread health problems associated with inactivity, and poor air quality caused in large part by fossil-fuel transport, the journal is relevant and timely. It will perform the critical function of providing practitioners and policy makers with access to current and robust findings on all subjects relevant to active travel.

We live in times of climate crisis, with illegal levels of air pollution in many cities worldwide, and what has been called an epidemic of physical inactivity. Technological change alone will not solve such problems: we also need major growth in active travel (primarily walking and cycling, but also other active and semi-active types of travel, such as scooters) to replace many shorter car trips. Active modes could even (e.g. through electric assist trikes) help make urban freight much more sustainable. Journals within many fields cover active travel, but literature remains highly segmented and (despite high levels of policy interest) difficult for practitioners to find. Established, mainstream journals are not open access, another barrier to policy transfer and knowledge exchange. Thus, while many towns, cities, and countries seek to increase active travel, the knowledge base suffers from a lack of high-quality academic evidence that is easy to find and obtain. This reinforces practitioner reliance on often lower-quality grey literature, and a culture of relying on ad hoc case studies in policy and practice. This journal provides a bridge between academia and practice, based on high academic standards and accessibility to practitioners. Its remit is to share knowledge from any academic discipline/s (from bioscience to anthropology) that can help build knowledge to support active travel and help remove barriers to it, such as car dependency. Within this normative orientation, it is rigorously academic and critical, for instance not shying away from analysing examples where interventions do not lead to more active travel. It goes beyond immediate policy imperatives to share knowledge that while not immediately change-oriented can contribute to a deeper understanding of, for instance, why people drive rather than walk. As well as publishing relevant new research, the journal commissions both commentary pieces on such research, and critical reviews of the existing literature. Reflecting the diversity of its audience, its content is varied, including written work of different lengths as well as audio-visual material.

For more information on submissions see the journal page ‘About’ and drop down menu for information on editorial team, editorial policies and submissions.

Supporting Open Access Monographs: Ingredients for a Prototype?

Supporting Open Access Monographs: Ingredients for a Prototype?

With the UKRI consultation on Open Access deadline imminent UWP’s Press Manager, Andrew Lockett wonders out loud what kind of additional pilot project to further encourage OA monographs might be worth considering. 

Calls to support public publishing infrastructure, ‘new’ ‘business’ models and alternative approaches to monograph publishing are popular. With the work of COPIM progressing well and building on established ventures like the Scholar-Led consortium, OBP and OLH (in journals) here are some thoughts about what a ambitious pilot scheme could look like. Caveats abound. Agreement between parties, governance and practicalities would be difficult in context. But could it be useful to think of values in the sector and consider the merits of a carrot- rather than stick-based approach? 

I have called it COUL after a long search for an upbeat acronym. 

Collective Open University Library – ­UK (Monographs Publishing).

Participating members based in UK universities should agree to match or add to new funding from UKRI/RLUK. The scheme should be based on a mixture of the best elements of the US TOME scheme (see https://www.openmonographs.org) which is a venture organised between the Association of American Universities (AAU), Association of Research Libraries (ARL), and Association of University Presses (AUPresses) and the Lever Press idea: https://www.leverpress.org. The latter is a useful warning of dangers inherent. The premise is a good one but its outcomes in terms of published outputs have been modest in number, considering. For the scheme to work to optimum levels, experienced publishers should be paired with librarian experts and publishing-orientated academics to work towards lean governance and structures, each of whom should already be aware of the standpoint of the others and not just be ‘batting’ for their side. All three expertise groups being fully engaged in the project design would be vital for success. 

The basis of the scheme would be to encourage the following three elements:

I) Non-profit low cost monograph publishing at a local and small scale level that could be undertaken by any participating members.

II) Dissemination of open access monographs and awareness raising within the members.

III) The scheme would financially support publishing at those institutions that produce monographs working with a rubric that rewards activity in several ways:

  • based on the numbers of titles published to a maximum of 10 titles per imprint in the first instance but expand thereafter
  • based on the success in reaching audiences in views and downloads and other relevant metrics that may be developed 
  • recognise publications that go beyond tick-box equality, diversion and inclusion and demonstrate progressive orientation in the research or publication procedures, whether that be student co-creation, commons orientation, ethics aware citation practice, a focus on human well-being, and communications or impact strategy or outcomes that truly serve to educate
  • as the above implies the scheme should include a small element of research-into-teaching titles that focus on the communication of new research to undergraduate and graduate students in this author’s belief that bridges need to be built between research and teaching in scholarly communications that are being lost under current REF orientations

As a result a proportion of funding say 70% would be up-front based on submission. With 30% to follow reflecting delivery so that stronger projects are incentivised. The funding should be competitive (but not too competitive as to be greed-inducing) and be expressed over a period of a minimum of 5 years with the expectation that it could and would be renewed. I would recommend funding in the region of up to a maximum (depending on project scope) of£6000 per monograph to start with;£2500 for retrospective recognition. The idea would not to be to cover entirety of all costs of a publication in form of a ‘pure’ subsidy (though these sums can be sufficient) but to get publishing initiatives off the starting blocks with ‘seed and support funding’ on the basis of lists of titles not individual books. This weighting would bake in a degree of realism and discourage support of too long, ill-considered, very marginal publications that OA should not be considered the answer for – i.e. The ‘vanity’ publication or the ‘impractical’ monograph. Experimental publishing should be approached separately and via separate means: the ‘vanilla monograph’ hugely valuable as it is, poses enough challenges.  

The funding allocations would be agnostic about where it would be directed (to allow for local circumstances but also efficiency of existing providers). It would not include funding elements for research but would permit:

  1. Publication by traditional and new university presses
  2. Spending on publishing services by cost-effective third party private providers 
  3. Spend on in-house resources for the projects 
  4. Use of self-publishing services in conjunction with any of the above
  5. Non-intrusive monitoring of readership patterns of monographs funded for research purposes

The following priorities should be kept in mind:

  1. Encouragement of low-cost monograph production at all suitable sites with UK university libraries and those they work with or via scholarly associations and scholar-led groups. 
  2. High standards made visible, transparent, flexible but consistent. These should not necessarily just be concerned with technical or workflow orientated but also about the practice of wider ethics and community-building and based around ideas of a knowledge commons and aimed at the reduction of existing inequalities in the system across the university sector being considered a priority. 
  3. Raising of awareness of scholarly communications within specific academic communities as a prime objective of the scheme: those benefiting from funding could work with Jisc (perhaps?) on publication and marketing of specific tool kits to libraries and specific academic groups explaining merits to individuals and groups of publishing this way. 
  4. Directed support as a priority to humanities and social sciences and those STEM topics that do not receive grant support from funders. 
  5. Encouragement of publishers or groups who publish well, who use the opportunities afforded by open access and the internet proactively and not just to shore up existing workflows, sunk costs and unexamined overheads; operations that seek to keep costs and prices low with mission based motives and who do not seek to trade on exclusivity, elitism, ring-fencing and prestige; the scheme should look to encourage established operations willing to look at a different future as well as the new kids on the block.

The aim should be to create a vehicle with long term potential that learns from a variety of experiences and adjusts accordingly and build momentum over years. The starting point I would suggest might be 100-200 titles could be supported using collective subscription mechanisms similar to or building on those/working with those established by Open Book Publishers, Knowledge Unlatched (in its early days), Jisc, Open Library of Humanities or in the future by the COPIM project. It is important not to proliferate too many schemes rather focus on a maximum of 2-3 that could seriously and reliably build capacity. Perhaps one has to take the view in the light of the complexity and actors involved there is the risk ‘the perfect could be the enemy of the good’. But a bigger risk is that the ‘timid is the enemy of any improvement’ and might lead to further decades of OA monograph trench warfare, unintended consequences and heightened, even dangerous scholarly communications inequalities and resource concentration. The question for myself reconsidering whether COUL is possible, is at once, it is too ambitious or just not nearly ambitious enough?

ANDREW LOCKETT
Press Manager, University of Westminster Press
The views expressed are those of the author only and not the University of Westminster or agreed policy of the University of Westminster Press.

(Image blue sky, facing London)

Communication and Capitalism: A Critical Theory (2020). An interview with Christian Fuchs …

Communication and Capitalism: A Critical Theory (2020). An interview with Christian Fuchs …

about his new book published by the University of Westminster Press. UWP’s Press Manager and commissioning editor, A. Lockett asks the questions.

UWP: Thanks for sparing a few moments to discuss your new book COMMUNICATION AND CAPITALISM for the UWP blog. I think the first thing that might strike a few of your readers is the unambiguous commitment to Marxist Humanism. A few decades ago a dominant strand in Marxism was anti-Humanist in tone. It is clear here that you are defending and advocating humanism and Marxism within the book and criticising various anti humanist strands of thought such as posthumanism to actor network theory. Is 2020 a moment when this feels especially necessary? Has it been difficult until recently to make the argument that these two traditions are compatible, could indeed be one?

Christian Fuchs: Anti-humanism is a tendency that is immanent in capitalism itself. There are new forms of fascism, racism, nationalism that deny groups of humans such as refugees and migrant workers their humanity and implicitly or explicitly make the false claim that there are more and less important groups of humans. But there is just one humanity. There are also many tech-utopias and tech-dystopias that assume that digital technologies and automation will completely replace the human being by robots. They claim that this either will create a paradise or hell. They disregard that technology can never be completely independent of humans. A better society in which technology makes the lives of humans easier and is not a means of capital accumulation and domination has to be obtained through praxis, through humans’ social struggles. Visions of all of us becoming robots, cyborgs, posthumans, etc. are not just techno-deterministic and naïve, but also overlook that fostering the cyborgization of humans might result in new forms of fascism, eugenics, social Darwinism, etc.

Humanist socialism is a political counter-perspective and alternative vision to the anti-humanist potentials of contemporary capitalism. Marxist humanism is a theoretical approach that stresses human practices, the dialectic, the commonalities of humans, the critique of alienation, ideology critique, social struggles for democratic socialism, and the importance of the entire body of Marx’s works. Starting with [Louis] Althusser, postmodernism and poststructuralism has fetishized structures. In its later versions, it has forgotten that there is an economy and that there is capitalism and class. It is not helpful when various versions of postmodernism claim that there is the death of the human subject and advance a hatred of the human being. Anthropocene theory is one of the latest developments in anti-humanist thought. It often blames the human being and not capitalism for contemporary crises. Postmodernism contributed to the decline of Marxist theory in an age when class contradictions have been exploding. But today postmodernism is itself in decline. And today Marx is as important as ever or even more important. Marxist humanism is a counter-narrative, counter-theory, and counter-politics to practical and theoretical anti-humanism. The book Communication and Capitalism tries to renew Marxist humanism and situates the notion of communication in society and capitalism based on Marxist humanist theory.

UWP: Picking up from that, the book reflects a growing concern over the ways in which invasive and exploitative digital technology is being applied and made to serve the purposes of a very familiar set of capitalist imperatives. Have you in recent years become more techno-sceptic in your writings or is it just the stakes are higher and that alternative means of deploying technology are urgently required for example commons media or a public service internet?

CF: I have never been either a techno-optimist or a techno-pessimist, but have always stressed and continue to stress the dialectical character of technology, including digital technologies, in capitalism and society. In Communication and Capitalism I both analyse the class and dominative character of communication and communication technology in capitalism as well as transcendental aspects having to do with class struggles for alternatives, including alternative media, commons-based culture and communications, public service media/Internet, etc.

UWP: In early chapters of the book significant attention is paid to Aristotle, matter and the dialectic? How much would you say that the foundations of the thinking in the book look over Marx’s shoulders to first Hegel and then Greek philosophy?

CF: Marxist humanism is strongly grounded in Hegelian Marxism, it stresses the importance of dialectical philosophy for the analysis of society. Aristotle has had huge influence on Marx’s thinking, but this is often rather implicit and has not been clearly enough stressed in lots of analyses of Marx’s. I am – in this book and in general – interested to explore the connections between Aristotle, Hegel, and Marx. In Communication and Capitalism I for example do this by interpreting work and production as what Georg Lukács in his overlooked and forgotten second opus magnum Die Ontologie des gesellschaftlichen Seins (The Ontology of Societal Being) † as ‘teleological positing’. Aristotle’s notion of telos plays an important role here and has both influenced Marx’s and Lukács’ concepts of work and the economy. Work is the model of action in society, including communicative action. Communication has a purpose. In capitalism, it is a form of instrumental action, it serves the logic of capital and domination. So communication is being instrumentalised. The task is to strengthen the logic of the commons and cooperation where all benefit. That’s what humanist Marxism is all about. What I try to add to Marxist humanist theory, based on thinkers such as Marx, Lukács and others, is that I situation the notion of communication as a dialectical and materialist feature of humanity and society.

UWP: Another striking feature of the book’s contents is a chapter on ‘Death and Love: The Metaphysics of Communication’. It feels strangely unfamiliar but somehow refreshing to read a Marxist thinker talk so openly and directly about love in particular. Are these emotional topics areas the post-Marx Marxist tradition has somewhat ignored? And are you considering working further on these larger existential matters in the future?

CF: I agree that the chapter on ‘Death and Love: The Metaphysics of Communication’ is a particular feature of this book that is worth reading. In a sense, it is maybe unconventional for a critical theory book because topics such as ethics and religion are mostly missing from most such books. I wrote this chapter in the weeks after the death of my father in 2018, which made me think a lot about existential questions of humanity.

In general, lots of Marxist theory deals with the nuts and bolts of the capitalist economy and considers culture, communication, emotions, love, ethics, morality, etc. as unimportant ‘superstructures’. My point is based on Raymond Williams and others that all of these phenomena are material features of humanity and society. Love and communication are part of the nuts and bolts of humanity and society.

Death and fears of death are very existential facets of life that we all are confronted with. The coronavirus crisis for example has broken into humanity suddenly and reminds us all that life is the most existential, the most material if you will, feature of us all and of society. Much of Marxism has not been good at dealing with such existential questions. But to be fair, there are interesting works on Marxism, love and death, for example in the study of Marxism and religion. Erich Fromm’s works are an important example. Reading Fromm has influenced Communication and Capitalism, which is quite evident in the book. The traditional Marxist critique of religion is that it is the ideological opium of the people. Distraction and fetishism are two features of all ideology, including the ideologies that celebrate capital, the market, money, etc. In a way, ideologies such as neoliberalism and consumer capitalism have become the religions of the 21st century.

Fromm stresses that there are socialist and humanist elements in certain religions that deal with existential questions that humanity faces. So religion is not just and not always and not exclusively ideological, which Marx himself stressed in the famous Introduction to the Critique of Hegel’s Philosophy of Right.

I am also interested in the dialectic of love and death in capitalism. In the last instance, humanist socialism is the generalisation of the principle of love to society. This principle exists as the counterpower to instrumental reason in our everyday life. But it does not exist as society’s principle.

I continue to be interested and to work on metaphysical aspects of humanity and society. For example, I am interested in certain humanist versions of religious socialism, such as the works of Paul Tillich and Emil Fuchs. I have recently published an essay on Aristotelian-Marxist ethics and the digital commons. I also have recently worked on Sartre’s existentialism. I am not really interested in the idealist Sartre of Being and Nothingness, but in the Marxist-humanist Sartre of Critique of Dialectical Reason. Most people claim it is an unreadable book. My experience was that it is worth reading it and I am interpreting Sartre as another contributor to Marxist humanist approaches to communication. The issue of how love and death are communicated on social media and what roles the commodification of love and death via social media plays, where corporations make profit from it, is also important.

UWP: Every chapter tackles a big topic, in some course structures almost a module. Can the book be usefully read at all (to use a musical analogy) on a track-by-track basis or would you see the book’s careful structure (dialectical perhaps?) as vital to appreciating what is more to you a totality, a ‘concept album’ for the critical mind?

CF:
The book forms a dialectical totality in itself so it is worth reading it as a whole in order to get the big picture. But I wrote it in such a manner that each chapter forms a moment of a larger whole. And you can also read each chapter independent from the others if you are interested in a particular theme. It is quite evident from each chapter’s title what exactly the focus is. The chapters are also suited for use in the classroom. But the book is not a textbook that outlines a variety of approaches. It is my own critical theory of communication approach that I present in it. I make use and further develop thought that I find helpful. As a starting point, I am especially interested in forgotten, neglected, hidden works in or elements of Marxist theory that focus on communication. These are mostly not full-fledged communication theories, but elements of Marxist theory that can inform a Marxist-humanist theory of communication and capitalism. I take such elements and further develop them.

UWP: The book’s account of accounts of types of communications theory I imagine will be helpful to students as well as researchers. At one level it feels that empirical and material changes have been so rapid since the turn of the century that scholars have struggled to keep pace, adjust models for which new data or information might surface on a daily basis. Are there fields in critical communication theory that are ripe for some fresh philosophy or theoretical perspectives?

CF:
The most well-known and most influential critical theory of communication is Jürgen HabermasTheory of Communicative Action. On the one hand, I find Habermas an inspiration because he is a universalist, a humanist and a public intellectual who has made important interventions into many public debates. In late 2019, the year Habermas celebrated his 90th birthday, he published another opus magnum titled Auch eine Geschichte der Philosophie (Also a History of Philosophy). It’s a two-volume book, in which Habermas over 1,700 pages comments on the history of Western philosophy.

One aim of Communication and Capitalism is to transcend some of the inadequacies of Habermas’ theory of communicative action. Habermas is a Kantian humanist. His theory of communication is not dialectical enough, which results in a dualistic concept of communication. Habermas furthermore tends to ignore the rich history of Marxist theory and engages with all sorts of approaches from outside this tradition. What I try to do is to work out the dialectics of communication. And in doing so, I do not, like Habermas, take the likes of Max Weber, Talcott Parsons, George Herbert Mead, John Searle, etc. as the starting point. Rather, I start with and based on the tradition of Marxist humanism and see myself as contributing to the development of this strand of Marxian theory.

So Habermas is both an influence and my negative starting point in developing a critical theory of communication. We need to go beyond Habermas and at the same time preserve and transform some aspects of his theory such as his concept of the public sphere. Communication and Capitalism operates at a meta-level, the level of society and capitalism in general. It does not discuss and analyse the newest trends in capitalist communications, such as big data, influencers on social media platforms, platform labour such as Uber and Deliveroo drivers, industry 4.0, etc. It rather operates at a level that is more general and operates above specific expressions of digital and communicative capital. I use specific examples and data, but these are intended to outline more aspect of general critical theory. I outline more concrete analyses of specific technologies, platforms, working conditions, etc. on other books such as Social Media: A Critical Introduction, whose third edition I just finished writing and that is now in production.

Given that the world of digital capitalism changes rapidly at the phenomenological and empirical level of appearances, there is a rush of analysts to keep up and always engage with who outline the latest trends. Often such trend-following, reactive research lacks engagement with more fundamental questions such as: What is capitalism? What is the role of communication and technology in capitalism? What’s wrong about capitalism? How can communication and technology strengthen the public sphere? What is alienation in general and in the context of communicative capitalism? What is a good communication society and how can it be achieved? etc. Positivism is the result of the neglect of more fundamental questions. The outcome of neglecting such questions is positivism.

I do not oppose conducting concrete empirical analyses. I conduct such analyses myself. But I make a plea for engaging with both fundamental questions about society and using them as foundation for the analysis of concrete phenomena of everyday life. So one of the aims of Communication and Capitalism is to inspire the engagement with Marxist theory when studying communication and society.

UWP: The book was finished and edited before the onset of COVID-19 so it is unfair to ask but I imagine readers would be interested to know what kind of capitalist crisis this particular moment looks like becoming to you? The phrase the ’new normal’ mentioned ubiquitously in the media suggests a declared imperative to move towards a yet further deepening of existing capitalist logics: surveillance, big tech, widening inequalities, covert authoritarian control. Do you see on the other hand fresh opportunities in the crisis for alternatives and a society of the commons?

CF:
The coronavirus crisis is a crisis of humanity.It includes an economic crisis as its consequence. The crisis shows that those countries that have the purest forms of capitalism, such as the UK and the USA, have the highest death rates because they lack investments into public services, including health care. It is no accident that neoliberalism had one of its practical-political starting points in these two countries in the form of Thatcherism and Reagonomics.

The coronavirus crisis is a critical point, a so-called bifurcation point, where more fundamental change is likely to occur. But how the future will look like is uncertain in such situations and depends on human practice. It has become obvious that neoliberal capitalism and capitalism in general don’t work. So post-capitalism is one alternative in such a crisis. Or some new form of Keynesian capitalism might emerge that gives more weight to state intervention into the economy and the welfare state. Or the situation could escalate, for example if Donald Trump stays in power and starts a war with China. Nuclear annihilation or a Third World War might be the consequence. Right-wing authoritarianism has already (before this crisis) been strengthened in lots of countries. The two ends of the continuum of possibilities are, to quote Rosa Luxemburg, also today socialism or barbarism. The logic of public services and the commons could be strengthened if there are practical movements that strengthen their importance in society. But it could also very well happen that we will face more nationalism, violence, war, and death. The antagonism between instrumental reason and the logic of the commons and cooperation polarises in foundational crises of society.

What I find particularly striking in this crisis is that there are those who as quickly as possible want to open up society because they want to safeguard profits, not taking into account that COVID-19 means a deep public health crisis. The anti-humanists who put profit before human lives are in this crisis constantly talking about consequences for the economy, that we need to open up businesses and schools, etc. They do not care if tens of thousands or hundreds of thousands more will die. In this crisis, it becomes evident who is a humanist and who is an anti-humanist. We need measures such as the introduction of a universal basic income instead of letting workers lose their jobs, starve, etc. In the realm of higher education, it has become evident that a system funded by student debt does not work. It collapses in a crisis such as the COVID-19 crisis. It is silly and short-sighted to now argue that students should pay lower fees or that universities have to make cuts, etc. The only solution is to demand that universities are publicly funded, as is the case in many countries, and not by a student market and the accumulation of debt that destroys young people’s lives. I heard a debate about exactly this issue last night on LBC, where this perspective of transitioning to a system of public funding was simply missing from public discourse. The larger implication is that a crisis such as the COVID-19 crisis reminds us of the importance of public services.

I am interested in how the coronavirus has changed everyday life and everyday communication. As all of us know, the importance of communication technologies such as video chat, e-learning systems, online collaboration systems, etc. has because of the nature of the virus massively increased. I wrote an article titled ‘Everyday Life and Everyday Communication in Coronavirus Capitalism’ about this issue. It applies, so to speak, the analysis of Communication and Capitalism to the COVID-19 crisis.

UWP: As this is not a zoom recorded interview we can’t see your bookshelves but would you like to highlight 2-3 publications that have really interested you recently and supported in interesting ways some of the conclusions and theories of some of the work in the book?

CF:
A recent book I highly recommend reading is the collection For Humanism: Explorations in Theory and Politics, edited by David Alderson and Robert Spencer. It outlines the foundations of Marxist humanism and why a renewal of this approach is need today. The four books that have most influenced the thinking of Communication and Capitalism are Hegel’s Encyclopaedia Logic, Marx’s Economic and Philosophic Manuscripts of 1844, Herbert Marcuse’s Reason and Revolution: Hegel and the Rise of Social Theory, Georg Lukács’ Ontologie des gesellschaftlichen Seins (The Ontology of Societal Being; in English excerpts are available in the form of three short volumes titled Ontology of Social Being: Volume 1: Hegel, Volume 2: Marx, Volume 3: Labour). These books are always worth reading, so I recommend them.

UWP: Lastly most authors have a chapter they might have liked to include in addition to the final line-up of a book. If as I expect there may be a second edition one day, what might you like to consider including in several years’ time, if anything?

CF: For me, a book is an open-ended concept and process. I always find it silly that the majority of book reviews discusses not what is in a book but what is not in a book, as if a book is a closed universe and not part of a larger oeuvre that is open, complex, evolving, etc. I am sure you’ll sometime in the future find one or another book review of Commmunication and Capitalism discussing what the book is not about. Writing such book reviews is a waste of time and indicative of a mechanical and closed understanding of the book.

Capitalism and society change dynamically. As long as there is a class society, there is a need for critical theory. Society evolves. Thought evolves. Critical thought evolves. In my own work, one book often leads to or is the starting point for the next book. So I am not so much thinking about revising books but more about what is important to focus on next.

At the moment, I am interested in the concept of everyday life and how to make use of Henri Lefebvre’s thought to critically theorise the critique of everyday life in digital capitalism. It has become evident to me that Lefebvre is the French Georg Lukács. There is much in his thought that is relevant today, including for a critical theory of communication.

French theory has been so much dominated by anti-humanism and postmodernism, which is a shame. Althusser was one of the root causes of this tragedy called postmodern thought. I am interested in thinkers such as Lefebvre, Lucien Goldmann, Sartre’s late phase in which he wrote Critique of Dialectical Reason Volume 1 and 2. These approaches are counter-narratives to French structuralism and poststructuralism. They focus on Marxist humanism, alienation, praxis, dialectical reason, etc.

UWP: Thank you. 

† Discussed in Chapter 2 ‘Georg Lukács as a Communications Scholar: Cultural and Digital Labour in the Context of Lukács’ Ontology of Social Being‘ in the author’s Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet.

New theory of Communciation and Capitalism from Christian Fuchs

New theory of Communciation and Capitalism from Christian Fuchs

UWP‘s latest open access book title in the CDSMS series, Communication and Capitalism: A Critical Theory by Christian Fuchs has just been released. Below a short extract from the introduction where the author explains’s his approach in the book.

I have become convinced that an update of Marx’s theory and Hegelian philosophy in the 21st century is a viable approach for critical theory and that this approach does not need to borrow from complexity theory in order to be consistent and offer convincing explanations. Hegelian Marxism has a rich and diverse tradition and history that is today often forgotten, but possesses an immense intellectual and political wealth that 21st century critical theory can build on. There is a rich tradition of Marxist theory that can inform the critical study of society, communication, and culture. Because of the neoliberal turn and the postmodern turn, many Marxist approaches to the study of society, communication, and culture have been forgotten. I build on Marx and theories inspired by Marx in order to ground a Marxist theory of communication. […]

By working through a multitude of analyses of concrete societal and communication phenomena I have over the years developed a range of theoretical insights. These insights, concepts, and analyses have never been static, but have developed. Critical theory is itself dialectical. By working through various critical and bourgeois theories and working out analyses of a range of social phenomena (including privacy, surveillance, digital labour, social media, the Internet, authoritarianism, nationalism, protest, advertising, globalisation, imperialism, nature, sustainability, participation, democracy, the public sphere, culture, communities, etc.), I have established in different places and my mind some elements of a critical, dialectical theory of capitalism and communication.’ 

PUBLISHING, CULTURAL STUDIES AND THE EARLY CAREER RESEARCHER

PUBLISHING, CULTURAL STUDIES AND THE EARLY CAREER RESEARCHER

Inspired by panel discussions at the Cultural Studies Association of 2019 in New Orleans regarding publishing experiences of early career researchers, Andrew Lockett, Press Manager of the University of Westminster Press asked CSA President Toby Miller for his thoughts on the topic.

Toby Miller is Stuart Hall Professor of Cultural Studies, Universidad Autónoma Metropolitana—Cuajimalpa and Research Professor of the Graduate Division, University of California, Riverside. Prior to Riverside, he was a Professor at New York University for eleven years. The author and editor of over forty books, his work has been translated into Spanish, Chinese, Portuguese, Japanese, Turkish, German, Italian, Farsi, French, Urdu, and Swedish. His most recent volumes are How Green is Your Smartphone? (co-authored, 2020), El Trabajo Cultural (2018), Greenwashing Culture (2018), Greenwashing Sport (2018), The Routledge Companion to Global Cultural Policy (co-edited, 2018), Global Media Studies (co-authored, 2015), The Routledge Companion to Global Popular Culture (edited, 2015), Greening the Media (co-authored, 2012) and Blow Up the Humanities (2012). The Persistence of Violence: Colombian Popular Culture (2020) is in press. He is President of the Cultural Studies Association (US). Toby can be contacted at tobym69@icloud.com and his adventures scrutinized at www.tobymiller.org. Andrew Lockett prior to working at University of Westminster Press, has worked at BFI Publishing, Oxford University Press and Routledge and in trade publishing in a variety of editorial and management roles. 

AL: A great pleasure to talk in New Orleans and now digitally. Can I ask whether you think (and lets predate this to before COVID-19 to simplify) whether you feel the current publishing environment is uniquely difficult for early career researchers in Cultural Studies. Why might that be so?

TM: I think it is complicated because of several factors. First, in the English language Cultural Studies never succeeded—rarely tried to succeed—as an undergraduate major, the critical pathway to parthenogenesis and recognition. Its publishing salad days derived from its uptake by US literary studies and British media studies, both of which had solid undergraduate channels—at one time! So the exciting early days of self-publishing, followed by an uptake by for-profit houses and university presses, and so on did not lead to a welter of impact beyond grad school. Second, in other major sites, where Cultural Studies existed before it did in that Anglo world, such as Latin America, people did not publish in English and were rarely translated. Nowadays, everyone there is under pressure to publish in English, which is weakening the field and sliding the outcome into the world of mindless grant-getting and evaluation that scars UK higher education, for example. So if you’re a really radical Cultural Studies person, publishing in or beyond English, the prospects are not as they once were.

AL: One senior scholar made the argument that Cultural Studies has always felt embattled and that it was tough back in the day to find secure employment and will continue to be so within a university system that has yet to really institutionalise Cultural Studies in its structures: in many disciplines its presence is felt but with no power base as such in many universities. But it feels the casualisation of academic labour is of a different order taking us beyond that. Publishing in this context can feel like an additional chore on top of everything else, notably teaching. What encouragement do you find to counter these gloomy views?

TM: People who elude the granting world of obeisance to state and capital still do great work; Cultural Studies continues to appeal to those traditionally excluded from academic circles and who wish to become subjects as well as objects of knowledge; there are still interesting pockets in the Anglo countries, though diminishingly so; and loads of interesting material emanates from Hong Kong, India, Mexico, Singapore, and Colombia. The tired struggle between political economy, ethnography, and textual analysis has largely been resolved—do all three or you’re not doing interesting things; but few actually manage that.

AL: Hierarchies and league tables are everywhere in Higher Education and journals are ‘ranked’ often by systems and managers who are not familiar with every discipline. Many journals pride themselves on rejection rates, yet the economics of publishing favour journals who publish a lot. These are some issues I see but what advice would you offer ECRs in considering which journals to publish in? And if the top journals seem out of reach for whatever reason, how important is to publish per se, and how important to hold back and not rush ahead for the speediest solution?

TM: I think it is ill-advised to follow the logics of states, which dominate these things, because they are creatures of fashion and illogic. The best guide is this: (1) do at least the minimum to satisfy your immediate bosses (2) do at least the minimum to satisfy the state (3) understanding that what both those hegemons announce as essential may be irrelevant in their or their successors’ eyes two minutes or years later (4) do what the discipline where you are likely to find or continue employment and your favourite writers do; and (5) never allow any of the first two points in particular to overdetermine things, most importantly, your passion and what made you become an academic in the first place.

AL: Cultural Studies generally prides itself on inclusiveness, diversity and anti-elitism, yet many ECR’s feel they have not choice for career reasons to play the prestige game when it comes to publishing. Would you advise looking at working with major university presses and nimbler commercial outfits to spread the risk and reach different audiences? Or is it best to go for the bigger fish and (in some cases) their greater capacity to reach readers and impress on CVs?  What about textbooks, that seem not to get in the UK system any official recognition via funding or normal promotional criteria; should an ECR without a permanent post allow any time for writing a teaching text (short or long) with time at such a premium? 

TM: See my answer above, really. Challenge the idea that textbooks and research monographs are entirely separate (think of and cite the old ‘Critical Accents’ series from Methuen) but if forced to write things with essay questions etc included, don’t bother to include original research. Regarding journals, get your senior faculty to challenge lists and rankings, form solidarity groupings across your country against that, and cite instances where such rankings nonsense has flopped and been dropped (such as Cultural Studies in the Research Excellence Framework of the UK and Australia’s Research Council).

AL: A thesis remains a prime manifestation of intellectual labour for any young scholar but the steps to publishing a book based on one can seem for some as tortuous as the thesis completion itself. Is it sometimes best to move on would you say?

TM: This depends a lot on two factors—the first is tenure, and in the US humanities, a Research One school generally still requires the publication of a monograph; the second is the market. Too many books on too many trivial topics are produced, for which publishers have my sympathy. That will end.

AL: I was struck in New Orleans by the power some in the discussions felt was wielded by publishers with little alternative to waiting very long intervals for decisions sometimes rather arbitrary seeming. Do you think multiple submission of a book title is a reasonable thing for an ECR to do? And to chase editors if delays seem too long even though the fear is that this will rile or discourage editors from accepting a title when so many other submissions are under consideration?

TM: Yes, I do. Multiple submission of mss was once essentially banned, but now that only really applies with journal articles.

AL: In certain contexts I have argued for the inevitability of some self publishing options being needed in the humanities (Lockett 2018 ‘Monographs on the Move’) in part to come to terms with a perceived declining library market and in part to open out the work of Cultural studies to wider audiences from other disciplines and the wider public. Do you have any hopes for DIY initiatives, self-publishing or wider structures that could support a public commons for publishing in the progressive humanities?

TM: Yes, and people need start-up packages from schools to assist with that, from printing enough copies for your loved ones and tenure committees to providing proper editing and distribution on line on a not-for-profit basis.

AL: Is the CSA able to look at initiatives of its own in advising ECR’s on publishing or offering support for other key elements in early career stages beyond that excellent panel in New Orleans 2019?

TM: We are a relatively small, artisanal body. We often have workshops for job seekers at our conferences and also have ongoing working groups covering particular fields of endeavor plus lots of people ask for and give advice, but this is not done at the level of larger entities.

AL: What does interdisciplinarity mean in 2020? And in publishing specifically?

TM: It means doing more than drawing on other humanities people to make your point—it means welding science, the social sciences, and the humanities together, through auto-didacticism and collaboration. It means looking to publish in three venues: one’s disciplinary housing; social-movement spheres; and the bourgeois media.

AL: One last question. Over the time we’ve known each other you have added Spanish to your intellectual armoury. This I imagine has been the work of many years: would you outline some of the benefits for you as a scholar in terms of collaboration and enlarging your understanding of key research fields such as television studies or the media and the environment? 

TM: I went to language school for a week many years ago and had the benefit of many hours of people patiently speaking to me while I floundered, but most of my learning was done in the street or by the hearth rather than in the classroom or language laboratory. I have been fortunate to meet numerous open-hearted and brilliant researchers across the Americas whose example has taken me beyond many assumptions that come from my time in the Anglo world. Because it’s hard to survive on a salary here, people often hold multiple jobs, run not-for-profits, write for money, and so on; they blend things in forms that traditional norms eschew; and they keep mixing the social sciences and humanities in ways that the Global North claims to do, but fails to do very fully.

AL: Speaking of Latin America I can’t forgo mentioning that many of us in the Global North only recently became fully aware that the continent has led the way in Open Access for many years with open, simple but effective public infrastructures such as SciELO, CLASCO, Redalyc and AmeliCA(1) . And that I’ve seen some signs in our longstanding media journal Westminster Papers in Communication and Culture from contributors in the region citing interesting theory that should probably be better known in the North. It might be nice for you to sign off by suggesting a few writers or publications from Latin America you think today’s ECR’s and older scholars in Cultural Studies should be paying attention to but maybe aren’t yet. What or who do you recommend first? 

TM: Akuavi Adonon, Enrique Uribe Jongbloed, Jorge Saavedra Utman, Rosalía Winocur, Daniel Mato, Nancy Regina Gomez Arrieta, Bianca Freire-Medeiros …

AL: Thank you Toby.

  1. See Sam Moore’s and Janneke Adema’s recent discussion of open access governance infrastructures.
CDSMS series board expands

CDSMS series board expands

University of Westminster Press flagship series Critical Digital and Social Media Studies today announces new editorial board members Melanie Dulong de Rosnay, Arwid Lund, Safiya Noble , Sarah Roberts, Bingqing Xia and Mariano Zukerfeld joining the established board as the series grows with its fourteenth title The Internet Myth: From the Internet Imaginary to Network Ideologies  by Paolo Bory published on 29 April 2020 and the fifteenth title Communication and Capitalism; A Critical Theory by series editor Christian Fuchs published on 20 May 2020.

The CDSMS series board now comprises: Thomas Allmer, Mark Andrejevic, Miriyam Aouragh, Charles Brown, Melanie Dulong de Rosnay, Eran Fisher, Peter Goodwin, Jonathan Hardy, Kylie Jarrett, Anastasia Kavada, Arwid Lund, Maria Michalis, Stefania Milan, Vincent Mosco, Safiya Noble, Jernej Amon Prodnik, Jack Qiu, Sarah Roberts, Marisol Sandoval, Sebastian Sevignani, Pieter Verdegem, Bingqing Xia, Mariano Zukerfeld. Series Editor: Christian Fuchs. Titles (all published open access) already available in order of publication in the CDSMS series are:

Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet
Christian Fuchs 
https://doi.org/10.16997/book1

Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive Materialism
Mariano Zukerfeld
https://doi.org/10.16997/book3

Politicizing Digital Space: Theory, the Internet, and Renewing Democracy
Trevor Garrison Smith
https://doi.org/10.16997/book5

Capital, State, Empire: The New American Way of Digital Warfare
Scott Timcke
https://doi.org/10.16997/book6

The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism
Edited by Marco Briziarelli and Emiliana Armano
https://doi.org/10.16997/book11

The Big Data Agenda: Data Ethics and Critical Data Studies
Annika Richterich
https://doi.org/10.16997/book14

Social Capital Online: Alienation and Accumulation
Kane X. Faucher
https://doi.org/10.16997/book16

The Propaganda Model Today: Filtering Perception and Awareness
Edited by Joan Pedro-Carañana, Daniel Broudy and Jeffery Klaehn
https://doi.org/10.16997/book27

Critical Theory and Authoritarian Populism
Edited by Jeremiah Morelock
https://doi.org/10.16997/book30

Peer to Peer: The Commons Manifesto
Michel Bauwens, Vasilis Kostakis, and Alex Pazaitis
https://doi.org/10.16997/book33

Bubbles and Machines: Gender, Information and Financial Crises
Micky Lee 
https://doi.org/10.16997/book34

Cultural Crowdfunding: Platform Capitalism, Labour, and Globalization 
Edited by Vincent Rouzé 
https://doi.org/10.16997/book38

The Condition of Digitality: A Post-Modern Marxism for the Practice of Digital Life
Robert Hassan
https://doi.org/10.16997/book44

Incorporating the Digital Commons: Corporate Involvement in Free and Open Source Software
Benjamin J. Birkinbine
https://doi.org/10.16997/book39

 

Journal of Deliberative Democracy relaunched

Journal of Deliberative Democracy relaunched

UWP is delighted to announce a new open access journal within its roster, the Journal of Deliberative Democracy. In the journal’s own words:

‘This journal was previously published as the International Journal for Public Participation (2007-2010) and, in November 2010, merged with the Journal for Public Deliberation as a joint venture between the Deliberative Democracy Consortium and IAP2. This initiative aimed to extend the discourse in the field benefiting from firsthand experience of public participation practitioners. In 2020, the journal was relaunched as the Journal of Deliberative Democracy. Funding for the migration of back content was provided by Åbo Akademi and Centre for Deliberative Democracy and Global Governance.

The journal has a truly global team of editorials and editorial board including scholars from Brazil, Japan, Lebanon, Ghana as well as leading universities in Europe, USA, New Zealand and other countries. The lead editors are Nicole Curato, University of Canberra, Kim Strandberg, Åbo Akademi University, Finland, Graham Smith of the Centre for the Study of Democracy, University of Westminster and André Bächtiger of the University of Stuttgart.

THE DIGITAL COMMONS MEETS BIG TECH

THE DIGITAL COMMONS MEETS BIG TECH

Just out from UWP is Benjamin Birkinbine’s compelling book account (Incorporating the Digital Commons) of how corporate actors first tried to close down then started to work with the community of open source software producers. As interest and debate in the knowledge commons grows the book is a timely reminder of the history of the internet and tech sector and the need for a political economy analysis of such developments.

The fourteenth title in our CDSMS series book is now out open access in three digital formats and in paperback.

Critical Digital and Social Media Studies: New Call for Book Submissions

Critical Digital and Social Media Studies: New Call for Book Submissions

Critical Digital and Social Media Studies is an established book series edited by Professor Christian Fuchs on behalf of the Westminster Institute for Advanced Studies and published by the University of Westminster Press (UWP). We invite submissions of book proposals that fall within the scope of the series.

CALL DETAILS After the publication of twelve titles in the series (and several others commissioned for 2020) we invite submission of book proposals (adhering to the guidelines set out below) as one document with one full chapter for book titles in the range of 35,000-80,000 words. The books in the series are published online in an open access format available online without payment using a Creative Commons licence (CC-BY-NC-ND) and simultaneously as affordable paperbacks. We are able to publish a number of books in the call without any book processing charges for authors. Potential authors are welcome to contact the series editor outside of the initial time frame of this call for book proposals but should note that priority for funding support for suitable projects will be given to those proposals meeting the deadline. There is a preference for the submission of proposals for books whose writing can be finished and that can be submitted to UWP within the next 6-15 months. In the event of a surplus of strong proposals preference will be given to single-authored book proposals over edited volumes.

Outside these time frames authors are welcome to submit to the publisher a.lockett[at]westminster.ac.uk but will be notified if funding has already been allocated and the prospective date for the next call for publication. Authors who have access to open access fee-funding (e.g. covered by research project funding, universities or other institutions) that can cover the fees for layout and production are welcome to contact the publisher outside of the submission dates, but should note selection is based only on grounds of quality and suitability for the series notwithstanding that the series wishes to welcome as many suitable titles as possible. We welcome submissions to our submissions system with one (exactly one) uploaded sample chapter. We can only accept suggestions for books written in English. For further details see the Proposal Guidance below or if you have questions about the publishing process email a.lockett[at]westminster.ac.uk.

SUBMISSION DEADLINE Monday 20 January 2020 23:59 BST. Submissions should be made via UWP’s book proposal submission system at https://uwp.rua.re

Any prior queries may be sent by e-mail to Andrew Lockett (University of Westminster Press Manager), A.Lockett[at]westminster.ac.uk. Submissions will no longer be accepted by email. Regardless of other contact, all proposals for consideration have to be presented via https://uwp.rua.re.

CRITICAL DIGITAL AND SOCIAL MEDIA STUDIES: AIMS AND SCOPE
The book series “Critical Digital and Social Media Studies” publishes books that critically study the role of the Internet, digital and social media in society and make critical interventions. Its publications analyse how power structures, digital capitalism, ideology, domination, social struggles shape and are shaped by digital and social media. They use and develop critical theories, are profoundly theoretical, and discuss the political relevance and implications of the studied topics. The book series understands itself as a critical theory forum for Internet and social media research that makes critical interventions into contemporary political topics in the context of digital and social media. It is also interested in publishing works that based on critical theory foundations develop and apply critical social media research methods that challenge digital positivism. It furthermore is interested in digital media ethics that are grounded in critical social theories and critical philosophy. The book series’ understanding of critical theory and critique is grounded in approaches such as critical political economy and Frankfurt School critical theory.

TOPICS
Example topics that the book series is interested in include: the political economy of digital and social media; digital and informational capitalism; digital labour; ideology critique in the age of social media; new developments of critical theory in the age of digital and social media; critical studies of advertising and consumer culture online; critical social media research methods; critical digital and social media ethics; working class struggles in the age of social media; the relationship of class, gender and race in the context of digital and social media; the critical analysis of the implications of big data, cloud computing, digital positivism, the Internet of things, predictive online analytics, the sharing economy, location- based data and mobile media, etc.; the role of classical critical theories for studying digital and social media; alternative social media and Internet platforms; the public sphere in the age of digital media; the critical study of the Internet economy; critical perspectives on digital democracy; critical case studies of online prosumption; public service digital and social media; commons-based digital and social media; subjectivity, consciousness, affects, worldviews and moral values in the age of digital and social media; digital art and culture in the context of critical theory; environmental and ecological aspects of digital capitalism and digital consumer culture. Of particular interest is new work in the area of critical media/communication studies in the context of digital media and authoritarianism/populism, feminist political economy, critical perspectives on digital industries and digital labour, Marxism and AI, digital commons/digital public services/public service Internet.

PROPOSAL GUIDANCE
If you would like to know if UWP is interested in a proposal you will receive the swiftest answer if you submit via the RUA system (https://uwp.rua.re). Authors/editors need to register and complete a questionnaire. Authors submitting to this call for the CDSMS series must upload one sample chapter to their submission. The following indicates in general terms what will be requested:

UWP proposals are to be presented in response to a questionnaire

Preview of UWP Book Proposal Questionnaire

Book Title     

Subtitle          

Submitting Author/Editor              

Title and subtitle of book   

Contact email          

Email of submitting author or editor only         

Institution/affiliation of submitting author or editor only

Full author and editor details and short biography (120 words maximum) 

Anticipated Completion Date       

Total wordlength    

Sample chapter        

Sample material is always useful to receive. Please attach to/upload with contents and chapter plan

Case for the book
Relation to wider academic fields and disciplines; this may also include author/editor’s detailing relevant previous publications and history of research underlying the book.

Longer summary
Overview of the book’s aims, maximum 500 words.

Contents and chapter plan
For each chapter please include the title, and a paragraph of description (at least half of the full the length of a journal abstract) about its content and coverage. If an edited volume please provide contributor affiliations and up to three sentences biography including their most significant and relevant publications. The chapter plan should include a proposed length for each chapter as well as total length inclusive of notes and apparatus and details of any appendices.

Readership and how to reach it
Please detail core readership and subject areas the book would appeal to and cover, and details of any tertiary audiences either in terms of general interest or other academic fields. Please indicate how readers in your field are best reached. What factors do you think are most relevant in terms of ensuring the book makes an impact? Where in particular in terms might specialist reviews or coverage be sought? Lastly identify any other important aspects relating to marketing coverage including conferences, proposed events that might be organised or email or social media channels that could be utilised.

Competing and related books
Offer an account of competing titles and books closest resembling that in your proposal. Where competition is not relevant indicate any books serving as role models (or anti role models) or what in the absence of a competing title is available to read in the field.

Additional requirements
If relevant please indicate any presentation preferences for typesetting or any production requirements for the book including use of illustration, data, specialist typography or colour printing. Any thoughts on presentation/book format that are important and specific to the project including use of copyright material of any kind including imagery or supplementary files.

Series proposals are peer-reviewed in accordance with standard university press practice via the series editor, editorial board members and additional external referees where appropriate.

PUBLISHED and FORTHCOMING IN THE SERIES (to early 2020)
Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet Christian Fuchs

Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive ­Materialism Mariano Zukerfeld

Politicizing Digital Space: Theory, the Internet, and Renewing Democracy Trevor Garrison Smith

Capital, State, Empire: The New American Way of Digital Warfare Scott Timcke

The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano

The Big Data Agenda: Data Ethics and Critical Data Studies Annika Richterich

Social Capital Online: Alienation and Accumulation Kane X. Faucher

The Propaganda Model Today: Filtering Perception and Awareness Edited by Joan Pedro-Carañana, Daniel Broudy and Jeffery Klaehn

Critical Theory and Authoritarian Populism Edited by Jeremiah Morelock

Peer to Peer: The Commons Manifesto Michel Bauwens, Vasilis Kostakis, and Alex Pazaitis

Bubbles and Machines: Gender, Information and Financial Crises Micky Lee

Cultural Crowdfunding: Platform Capitalism, Labour and Globalization Edited by Vincent Rouzé

Forthcoming

The Condition of Digitality: A Post-Modern ­Marxism for the Practice of Digital Life ( Robert Hassan

Incorporating the Digital Commons: Corporate Involvement in Free and Open Source Software Benjamin J. Birkinbine

Communication and Capitalism: A Critical Theory Christian Fuchs

EDITORIAL BOARD:
Dr Thomas Allmer, University of Innsbruck, Austria.
Prof Mark Andrejevic, Pomona College, USA
Dr Miriyam Aouragh, University of Westminster, UK
Charles Brown, University of Westminster, UK
Dr Eran Fisher, Open University of Israel
Dr Peter Goodwin, University of Westminster, UK
Prof Jonathan Hardy, University of East London, UK
Dr Kylie Jarrett, Maynooth University, Ireland
Dr Anastasia Kavada, University of Westminster, UK
Dr Maria Michalis, University of Westminster, UK
Dr Stefania Milan, University of Amsterdam, the Netherlands
Dr Vincent Mosco, Queens University, Canada
Prof Jack L Qiu, Chinese University of Hong Kong
Dr Jernej Amon Prodnik, University of Ljubljana, Slovenia
Dr Marisol Sandoval, City University London, UK
Dr Sebastian Sevignani, Friedrich-Schiller-University of Jena, Germany
Dr Pieter Verdegem, University of Westminster

Critical Digital and Social Media Studies
www.uwestminsterpress.co.uk

Evacuation from Regent Street: All in it Together?

Evacuation from Regent Street: All in it Together?

In an extract from Mark Clapson’s new book The Blitz Companion: Aerial Warfare, Civilians and the City Since 1911 the experience of Regent Street Polytechnic (now the University of Westminster) students leaving London for the countryside are described. The book is available open access in all digital formats.

The illustration marks another theme of the book – the belated recognition of the sacrifice of women within the UK’s war effort; the monument in Whitehall to ‘Women of World War Two’ unveiled in 2005.

“The declaration of war on Germany by Chamberlain on 3 ­September 1939 was preceded by a mass evacuation of children from London and other large cities. Over four thousand children went overseas, but most were moved elsewhere in Britain to so-called ‘reception towns’ in safe areas away from bombing routes. In all over 3.5 million people, most of them children, were dispersed from the largest cities. From 1–2 September already rehearsed plans for evacuation were put into place across the country. Local authorities were responsible for organising this mass movement, coordinated from schools and other places of education.

The experiences of young men and women at the Regent Street Polytechnic (now the University of Westminster) in the heart of London provide a fascinating case study of evacuation, and glimpses into the everyday perceptions of evacuees. The auxiliary Secondary School and Craft Schools at the Poly, located in other sites close to the base at Regent Street, provided occupational training and apprenticeships for children and teenagers. A breezy report in the Polytechnic Magazine for September 1940 on the evacuation of the Craft Schools was both proud and relieved at the safe removal of children, but it was clear the process was not as straightforward as it could have been:

From various sources, chiefly the wireless, the staff and pupils of the Craft Schools heard that at last it had happened, and that the once hypothetical evacuation was to be carried out. We duly assembled at the Great Portland Street Extension on Friday, September 1st, completely equipped with luggage and gas masks, the boys having been previously well informed as to the amount of luggage, etc., required. The boys were very cheerful and there were obvious signs of disappointment when we learnt from the LCC Evacuation Officer that it would be impossible to move us on that day. We were therefore told to go back home and return on the morrow at the same hour—8.30 a.m. The next day, Saturday, the numbers in our ranks had increased, and we moved off in earnest by bus from Oxford Circus to the Holborn Underground entrance. There were a few mothers to see the boys off, but the partings seemed quite cheerful, and in spite of the serious international situation quite a holiday spirit prevailed. At Holborn we were compelled to wait for some time, and in order to avoid congestion at the railway station we spent this time at the Central School of Arts and Crafts in Southampton Row. We eventually entrained for Ealing Broadway, and on arrival, were speedily transferred to the train for ‘somewhere in England.’ We had a comfortable journey with plenty of room and you can imagine our delight when we learned that we were going in the vicinity of the famous Cheddar Gorge and right into the ‘Heart of Mendip’. We got out of the train at Cheddar Station, and after waiting some considerable time were conveyed by buses to our destination—Winscombe, a beautiful village nestling at the foot of the Mendip Hills.5

A later report on the experiences of the boys and girls coming to terms with life a long way from London, while generally upbeat, admitted that some schooling time was being lost. Young people in country towns or urban areas had more to stimulate them in common with the types of lives they had led in London, while those in small villages or hamlets had to make their own fun, and become more self-reliant, something viewed as a positive consequence of evacuation. The report then made a claim about social class mixing that became a key theme in the so-called ‘myth of the Blitz’:

Some of the boys are billeted in palatial homes, whilst others may be living in homes not quite up to the standard of their own, but all are fortunate in having comfortable dwellings with fairly modern conveniences. This will have the effect of showing how different classes of people live, and should be invaluable to them in later life, whether or not they become leaders in industry, professional men, or members of the working classes.5

Denied a normal full-time education, this was a kind of ‘Polytechnic of Life’ experience, increasing sensitivities across class divisions, while preparing the young for their future occupational roles in the British class system.

The nationwide evacuation scheme was voluntary, and ­working-class parents such as those of the young students at the Poly took advantage of the local authority educational schemes and the arrangements offered by the Poly itself. Middle-class parents, by contrast, sent their offspring to live with friends and relatives elsewhere in the country. The lack of compulsion in the evacuation process was symptomatic of the strength of democracy but also an internal weakness. By December 1939 many young people from all across Britain, not only from the Poly, had returned home for Christmas, often to the annoyance and frustration of the authorities who wished to keep them in the relative safety of the reception areas. The so-called ‘Phoney War’, a distinct lack of military action on the Home Front, explained why many people wanted to go back home. So too, of course, did homesickness and a longing to be with family and friends in the old neighbourhood. During the early months of 1940 many evacuees trickled back home. It would take the sea-borne heroics at Dunkirk in May, and the Battle of Britain in the spring and summer of 1940, to shake them out of their complacency”.

The Blitz Companion – here 3rd April

The Blitz Companion – here 3rd April

A new title by Mark Clapson is to be published on Wednesday the 3rd of April. We are welcoming its arrival at the University, 309 Regent Street, Boardroom from 18.00. The work of a number of years teaching and research, the book is uniquely comparative in looking at the experience of civilians in a number of countries. A fuller description is below.

The Blitz Companion offers a unique overview of a century of aerial warfare, its impact on cities and the people who lived in them. It tells the story of aerial warfare from the earliest bombing raids and in World War 1 through to the London Blitz and Allied bombings of Europe and Japan. These are compared with more recent American air campaigns over Cambodia and Vietnam in the 1960s and 1970s, the NATO bombings during the Balkan Wars of the 1990s and subsequent bombings in the aftermath of 9/11. 

Beginning with the premonitions and predictions of air warfare and its terrible consequences, the book focuses on air raids precautions, evacuation and preparations for total war, and resilience, both of citizens and of cities. The legacies of air raids, from reconstruction to commemoration, are also discussed. While a key theme of the book is the futility of many air campaigns, care is taken to situate them in their historical context. The Blitz Companion also includes a guide to documentary and visual resources for students and general readers. 

Uniquely accessible, comparative and broad in scope this book draws key conclusions about civilian experience in the twentieth century and what these might mean for military engagement and civil reconstruction processes once conflicts have been resolved. 

Mark Clapson was Professor of Social and Urban History, at the University of Westminster and is the author of Working-Class Suburb: Social Change on an English Council Estate, 1930–2010 (2012) and An Education in Sport: Competition, Communities and Identities at the University of Westminster since 1864 (2012). 

Event March 21st – Peer to Peer: A Commons Manifesto, book launch seminar

Event March 21st – Peer to Peer: A Commons Manifesto, book launch seminar

There is another way. Peer to peer and the commons …

A forthcoming CAMRI Research event this Thursday, for Peer to Peer: A Commons Manifesto by Michel Bauwens, Vasilis Kostakis and Alex Pazaitis researchers and activists in the world of P2P (Peer to Peer). Participants will discuss what is needed to create the transition to a commons economy and society and how it relates to the past and present as the book’s description outlines:

Not since Marx identified the manufacturing plants of Manchester as the blueprint for the new capitalist society has there been a more profound transformation of the fundamentals of our social life. As capitalism faces a series of structural crises, a new social, political and economic dynamic is emerging: peer to peer. What is peer to peer? Why is it essential for building a commons-centric future? How could this happen? These are the questions this book tries to answer. Peer to peer is a type of social relations in human networks, as well as a technological infrastructure that makes the generalization and scaling up of such relations possible. Thus, peer to peer enables a new mode of production and creates the potential for a transition to a commons-oriented economy.  

Peer to Peer will be available open access from the 21st of March on the University of Westminster Press website – DOI: 10.16997/book25. It is the latest title in the Critical Digital and Social Media Studies series from UWP.

To register for the event and view details see eventbrite.

Social Media Counters and Metrics: Measurement at all Costs?

Social Media Counters and Metrics: Measurement at all Costs?

‘The one question I keep returning to is whether we can dispense
with social media counters entirely’.

 Kane X. Faucher’s new book Social Capital Online (available open access in the CDSMS series from UWP) considers the dominant role of quantification in social media environments and how we end up competing for dubious forms of digital ‘social capital’. He explains:

An obsession with metrics pervades much of the private and public sector, and is paralleled on popular social media. It is the promise of metrics that see so many place an inviolable faith in their ability to increase efficiency, effectiveness offer ready tools for benchmarks and box-ticking. Worse still is the promise that metrics will facilitate better prediction and can be used as a directional planning tool. There is no doubt that measurement is indispensable in the sciences and engineering. There measurement is essential. The problem arises when metrics are applied widely to domains such as social media. When it comes to metrics, what we measure, how we measure, and why we measure it are equally essential questions. With social media, we have an abundance of metrics – some visible, others requiring some digging, and still others entirely invisible to the public.

A quick rundown makes this clear:

  1. Visible Metrics: On Facebook or other networks, it may seem easy to assign a value to any user by the number of friends or likes accumulated. It can be an easy way of determining popularity or relevance in a socially competitive field – a process not dissimilar from casting ballots regularly. Motives for why users assign a ‘like’ will vary widely as the reasons why people support a politician in elections. And yet, because of the presence of these visible metrics there are notable behavioural changes in the way some people operate on social media, being conspicuous in their online production, reputation management, and effectively campaigning for the most ‘votes’ on their content. But, unlike an election, there is no end date to the campaign; any sense of victory is fleeting. Users’ behaviour may adopt more risky behaviour in order to garner more attention, a higher ‘score.’  Businesses, try to increase their social media score believing that this will convert to customers, then sales. As a metric, this may be flawed or merely correlation.
  2. Less Visible Metrics: Services (some free, others paid) will provide loads of metrics on number of impressions, clickthroughs, etc. Google Analytics provides a welter of data on the demographics of visitors to a site, what operating systems they use, the flow-through of the pages users visit, and for how long. This quasi-cybernetic affordance can provide a website operator guidance by which to reconfigure parts of the website to optimize visits, longer stays, and improve the ‘experience.’ YouTube provides similar metrics notably CPM (clicks per thousand).Other metrics can also be calculated such as providing a dollar value on a social media account. Klout and other companies may tell us how much a person’s tweet is ‘worth’ and the overall value of the account itself. These are potential values, but it is unclear what they mean. Assigning a dollar value to a collectible item is usually a reflection of the market and what others are willing to pay; on social media, there is no sense of true exchange value whereby a user can sell their account or tweet. Sure, there are plenty of celebrities like Kim Kardashian who will charge a set fee for promoting a product or service on their social media accounts, and so perhaps that lip service endorsement can result in sales. But this is little different from traditional forms of celebrity endorsement in other media venues apart from it being digital and potentially reaching a wider audience.
  3. ‘Invisible’ Metrics: Facebook is able to automate the process of counting interactions and drill down into data that compares what you mention to your demographic information. These result in the creation of ‘buckets’ that businesses can access for money to better refine their target marketing. Algorithms simplify this process, but it is not an exceptionally sophisticated one despite the conspiratorial chatter about how we are being ‘controlled’ by social media. Obviously there are behaviour-shaping elements on social media that strongly resemble conditioning. There is also a strong availability heuristic at play in how these social media sites decide on our behalf what content we will see in the newsfeed, which may keep us sequestered in our filter bubbles. It was not long ago when Facebook conducted its own behavioural experiment in selecting a number of users (without their knowledge or explicit consent) and showing them positive or negative posts while observing the behaviour of those users.

Figures – Donald Trump to name one – may have tens of millions of followers on Twitter, but it would be a mistake to believe every one of them endorses his views or supports him. A good number may follow his tweets out of public interest, for comedy, to troll him, or because their job (such as being in the media) requires it. Sentiment analysis on engagement may help to understand if those followers are supporters or not. Despite all of this assigning a value on the basis of a raw score is flawed because there is no consensus on what we mean by value. It is as rough and ready as saying another human being can be given a value on the basis of how much money they have in her or his bank account.

Algorithms: Mystery but no magic

As a predictive tool, social media counters are far from perfect. What is popular now will not necessarily remain so. At one point #Kony2012 was the top trending hashtag on Twitter, but the fortunes of that organization changed quickly. And yet metrics are considered an essential ingredient in recommender systems to get us to purchase similar products based on the purchasing habits of those who have been placed in a similar data bucket. When the term social media algorithm is mentioned there is a kind of magical understanding, that it occurs in a black box heavily guarded by complex streams of code.

Worse, it isn’t even scientific, but a kind of pseudoscience. The sorcery involved is really covering the fuzziness of the operation. It also completely disregards the old GIGO principle (garbage in/garbage out) as it does not measure or produce anything all that meaningful. There is absolutely nothing mysterious or magical about algorithms. Running your finances through a spreadsheet would quality as an algorithm. A simple Turing Test is an algorithm. A good algorithm is a feedback loop that does not require human intervention. It would be an exercise in futility to task a human being to calculate on the fly the trajectory of a missile in order to shoot it down. GPS operates as a feedback system, whereas the ABS on your car is a feed-forward system using actuators.

The algorithms in use by those like Facebook are not feedback loops, but feed-forward. They will assume some models of human behaviour, but they cannot fully calculate the variance between groups. What they sell in terms of data is limited and not a feedback tool for making useful predictions. As such, it is unstable and its results hit and miss. The dream of predicting the behaviour of crowds is an old one, and it continues to thrive in excitable statements such as Google’s that human beings are programmable. Our behaviour can be shaped through persuasive techniques, but the outcomes are not foolproof.

At best, these algorithms aim to recognize patterns, and then take action on the basis of those patterns. This is little different than actuarial tables to determining insurance premiums on the basis of past data where someone who is of a certain age, gender, location, etc., is matched against comparative mortality statistics. Such tables require frequent adjustment, but they assume in advance a set of conditions in order to calculate the premium. In the case of social media assumptions are applied to groups who share some characteristics but the process is akin to throwing something at the wall to see if it will stick. If, say, the algorithm detects a pattern where 20 year old females are more likely to purchase a Mac as opposed to a Microsoft computer, the ads in the sidebar will aim to reflect that pattern in order to produce that result by increasing its probability. It is a little like adjusting the controls of an experiment to arrive at the result one desires.

One analogy that may serve to illustrate this operation would be an assembly line where, for example, every 10th widget is inspected for quality control. There is a ‘model widget’ that is applied, and if a defective one is found the assembly line is shut down and then the cause of the defect is investigated. Applied to social media, if the ad is not resonating with the targeted group, the algorithm is reconfigured. This process can be better refined by getting user input, such as with Google Ad choices where we have the opportunity to say whether the ad was relevant to us. The algorithms at play on social media assume we conform to the model widget, pending which bucket we’ve been placed in. There is nothing sinister or spooky about this kind of machine learning. What is objectionable is how all our interactions are logged, tabulated, and then syndicated across our networks behind a gamified environment where our labour is obfuscated as leisure activity in a high trust milieu. Rather than a McLuhan ‘global village,’ the glowingly optimistic pronouncements about social media in its shining ubiquity is more aptly viewed as a Potemkin Village where so much social activity and connectedness obscures the very real power dynamics of capitalism, data capture, and cutthroat competition for attention and value determined by sheer numbers alone.

Only a Numbers Game

The one question I keep returning to is whether we can dispense with social media counters entirely. As much as it may provide a temporary ego-boost, jockeying for more ‘points’ seems to undercut the true value of generating online social capital: the ability to organize, mobilize, share, and connect with others in a social venue.  To run up our scores is really to do the work of social media sites, with these scores as the token payment for our labour. Can we not appreciate the intrinsic value of sharing our content without judging it by the number of people who clicked or tapped their approval? Can we make use of social media without so quickly rushing to commodify and brand ourselves? The answer to those questions is certainly yes, but it is something we would have to elect to do while putting pressure on popular social media platforms to simply remove these counting features.

Whenever we engage in the games of online social capital on a purely numerical basis, we may be feeding egos with token scores, but we are also feeding the machines to better refine its pattern recognition to restrict our choices and persuade us to support particular viewpoints or purchase a product or service. It becomes clear that the incentive for including these counters serves the purpose of increasing the time we engage in social media, while masking the labour we perform behind a kind of competitive game.

Dr Kane X. Faucher teaches at the Faculty of Information and Media Studies, Western University, Ontario, Canada

 

UWP JOINS THE OPEN BOOK COLLECTIVE

University of Westminster Press is delighted to have been accepted as a member of the Open Book Collective (OBC) – a new charity set up to help non-profit, community-led open access publishers like UWP attract funding for book publishing activities from libraries across the globe. This provides an alternate route to funding OA books that isn’t reliant on the dominant Book Processing Charge (BPC), the funding mechanism favoured by commercial publishers. The BPC has come under much criticism in recent years and OBC’s approach will help create a more sustainable and equitable ecosystem for OA book publications.

UWP’s membership of OBC comes at a crucial time: as the Press has grown beyond expectations since its founding in 2015, having published our 56th book in February this year alongside 6 journals, our business model has come under increasing pressure. Our home institution’s commitment to providing wide access to education, and to equity and inclusivity, means that at UWP we too are committed to ensuring not only that our publications are free to access by readers but also that opportunities to publish with us are available to as wide a constituency of academic authors as possible and are not limited by the need to charge author facing fees. Imposing fees for publishing via a BPC unfairly impacts researchers who don’t have access to funding, or who are based in the global South, as well as those working in non-STEM disciplines.

For us, membership of OBC means being able to continue to provide a fee-free publishing venue for researchers in the arts, humanities and social science disciplines, which is central to our mission and our values.

But membership of OBC is not only a matter of finances for UWP. It is significant because it is another step in building the infrastructure needed for a new type of scholarly communications ecosystem, one that is, according to Janneke Adema and Samuel Moore, forging new relationalities, developing mutual reliances and shaping new kinds of collaboration. New networks and infrastructures, based on new approaches to co-operation within the system, are vital in challenging the for-profit status quo in academic publishing and realising a vision of a more equitable and ethical future.

UWP is one of the first university presses to have joined OBC, alongside University of London Press and Leuven University Press. Libraries can support us as part of a ‘University Press Package’ or as individual initiatives. We hope this is just the start and that we see many more likeminded institutionally based open publishers joining us as members. 

Q&A with Avis Whyte on why the law is still the most powerful weapon in the fight against racial discrimination

The Long Walk to Equality: Perspectives on Racial Inequality, Injustice and the Law, edited by
Avis Whyte, Patricia Tuitt and Judith Bourne, is an open access UWP title that draws attention to the need to reflect on the persistence of racial inequalities and injustices despite law’s intervention and arguably because of its ‘unconscious’ role in their promotion. It does so from a multiplicity of perspectives, ranging from the doctrinal, socio-legal, critical and theoretical, thereby generating different kinds of knowledge about race and law. By exploring contemporary issues in racial justice and equality, contributors examine the role of law — whether domestic or international, hard or soft — in advancing racial equality and justice and consider whether it can effect substantive change. 

Here editor Avis Whyte, Senior Research Fellow, Senior Lecturer and Academic Professional Development Fellow at the University of Westminster, gives an insight into her hopes for the emancipatory potential of the law.

Q:  What led you to write the book with your co-editors?

Throughout my academic career I have tried to make contributions that can transform the university into a space where academics and students of colour can thrive. In this, I found natural allies in Judith and Patricia – especially in their roles as heads of law departments. We were all very excited at the opportunity to work together on a sustained piece of research – which commenced with a conference that Judith and I convened in 2018 at which Patricia gave a paper.

Q: Are you hopeful that the role of law can advance racial equality and justice and effect substantive change?

I do not have an idealistic view of the law. We know how the law is used to build and uphold racially discriminatory systems and structures. At the same time, we see countless examples throughout the years of how effectively the law can be put to use to challenge and dismantle these structures. We must never lose faith in the potential of law to achieve racial justice, but we must also acknowledge its limitations. Alone, legal tools are insufficient. Those who use law in the pursuit of racial justice must be open to collaboration with others who may use different emancipatory tools.

Q: How important is publishing open access to you and why?

In general, I support open access publishing because it is in tune with the idea – which I hold – that academic knowledge is produced for the public good, and, as far as feasible, should be freely available. In terms of the edited collection, it was important for us to work with an open access publisher. Given the emphasis we place on themes such as equality and access, it would have been uncomfortable to produce a publication that was inaccessible because of its pricing.

Q: What is next for you in terms of your research in this area?

I am delighted to say that I am working with Judith and Patricia again. This time I will be co-editor with Judith on a special edition of The Women’s History Review, with Patricia writing the introduction. The special edition explores contributions to the law/legal practice of early ethnically diverse women lawyers who received their legal education and training in England and Wales. Watch this space!

Q&A with Guy Osborn on the importance of parks as plural spaces in urban areas

Festivals & The City, edited by Andrew Smith, Guy Osborn and Bernadette Quinn, is an open access UWP title that explores how festivals and events affect urban places and public spaces, and focuses particularly on their role in fostering inclusion. Its 15 chapters are drawn from a range of different European cities, including Venice, Edinburgh, London, Manchester, Rotterdam and Barcelona. They explore a variety of events and festivals, including those focused on heritage, music and craft beer.

Here editor Guy Osborn, Professor in the Westminster Law School, Co-Director of the Centre for Law, Society and Popular Culture and editor of the Entertainment and Sports Law Journal, gives an insight into his research interest and where it’s taking him next.

Q: How did you first become interested in the subject of urban festival spaces? 

I guess my interest in law and popular culture, and particularly music and sport, was my way in. Also I had worked with Andrew Smith on a project relating to how the Olympics had used parks as fan zones, particularly Hyde Park, so how public spaces were used for private events was an issue of interest to me. 

Q: Do you have a favourite urban festival? Where and why is it special to you?

The Great Escape in Brighton. I have been going to this as a fan/punter for many years. It’s special for all sorts of reasons, not least because it’s an annual event where I meet up with pals who I first met at university many moons ago. But it also allows me to see lots of up and coming bands. 

Q: Does your research indicate an increase in the use of festivilised urban spaces post-pandemic compared with pre-pandemic?

That’s an interesting question – I’m not sure we know enough yet to say for certain. Our research was very much centred on a year in the life of one park, Finsbury Park, and it just so happened that the pandemic interrupted our field work! Certainly Finsbury Park has continued to have events, Pulp and Arctic Monkeys, for example recently, and local groups have ben divided on this as before. What is also apparent is that local authorities are strapped for cash and are trying to monetise their assets where they can.

Q: Do you think public urban areas can be genuinely plural spaces in the global north?

Yes, that’s what they are essentially for, or what they should be for. Parks are really important.

Q: What is next for you in terms of your research in this area?

One of my next big projects that is somewhat related is examining event tickets – the means via which access is granted to events such as a festival. More closely related to the book project, Andrew and I have talked of doing a sort of social and cultural history of music festivals in London – we just need some funding or someone to commission us!  

You can download and read Festivals & The City for free here

It’s all action at Active Travel Studies!

Trans experience in urban Brighton, new data from Low Traffic Neighbourhoods and the joys and struggles of Black male cyclists in London are just some of the latest active travel reports from the University of Westminster’s Active Travel Academy. For links to the podcasts, datasets and more, see below… You can read the ATS Journal here


Listen to Matt C. Smith discuss their research into trans and non-binary experiences in Brighton and Hove

ATA’s Rachel Aldred sat down with University of Brighton PhD researcher Matt C. Smith to discuss their investigation into trans and non-binary experiences in the urban spaces of Brighton and Hove. They have two specific research areas – analysing how trans features within planning policy in the city of Brighton and Hove and the experiences of trans and non-binary residents using creative mapping sessions.

Listen to the podcast or download the transcript here.

Rachel came across Matt’s work while listening to them present at the RGS-IBG research conference.

Matt’s first academic paper based on this research is now available!


Latest data on London’s Low Traffic neighbourhoods

Since the introduction of emergency Low Traffic Neighbourhoods (LTNs) from March 2020, the Active Travel Academy (ATA) has been gathering data on LTNs in London. ATA is now making the latest version of the dataset available – it runs to November 2022 and includes both modal filters and LTN area maps. Read the blog to find out more and download the datasets.


New podcast episode on the joys and struggles of Black men cycling in London

Akwesi Osei, Transport Planner at Possible, discusses his recently published research into barriers to Black men cycling in London with Dulce Pedroso, long-distance cyclist and PhD researcher at the University of Westminster’s Active Travel Academy.

Link to the podcast and show notes/links here.

Read Akwesi’s journal article co-authored with Active Travel Academy’s Rachel Aldred here.