Category: Media Studies

Leicester University – panel and book launch: CULTURAL CROWDFUNDING

Leicester University – panel and book launch: CULTURAL CROWDFUNDING

CULTURAL CROWDFUNDING: Platform Capitalism, Labour and Globalization (editor Vincent Rouzé) will be discussed at a panel and book launch at Leicester University on the 22nd January 2020.
Speakers: Vincent Rouzé and Jacob Matthews (Paris 8)
Respondents: Alberto Cossu and Athina Karatzogianni (MCS, University of Leicester)
Moderator: Paula Serafini (CAMEO, University of Leicester)

Date and Time
Wed, January 22, 2020
3:00 PM – 6:00 PM GMT

Location
Lecture Theatre
SCHOOL OF MEDIA, COMMUNICATION & SOCIOLOGY
132 NEW WALK
BANKFIELD HOUSE
LEICESTER LE1 7JA

Further details and to register see eventbrite:

Details of the open access book or to view and download visit the book page

Titles in the Critical Digital and Social Media Studies are published by the University of Westminster Press.

Digital … transcends the human scale: The Condition of Digitality published

Digital … transcends the human scale: The Condition of Digitality published

Robert Hassan’s new book The Condition of Digitality is the latest title to be released in the ‘Critical Digital and Social Media Studies‘ series. In this extract from the introduction in which he reflects on changes of outlook since David Harvey first wrote and published The Condition of Postmodernity, Hassan suggests – to use the words of the book’s subtitle – how the digital requires a new perspective from ‘analogue’ humans,that is – ‘A Post-Modern Marxism for the Practice of Digital Life’.

‘Digital machines and their logic are (in the operation of their logic) like nothing we have ever seen before. Everything previously, going back to the dawn of our species and our drift toward technology invention and use, was some kind of analogue technology. From the wheel to the radio signal, and from writing to television, analogue technology fashioned our world and fashioned us, making possible such human-scaled processes as knowledge and communication, cities and institutions, Enlightenment and modernity, conceptions of time and space. Digitality changes all these and more, starting with the total transcending of the human scale. Time and space are now different categories of perception, condensed into immediacy and acceleration at the general level through, for example, the now-ubiquitous smartphone. Such drastic changes in scale and perception rebound back upon the analogue legacies in the realms of knowledge, reason, modernity and so on—and we struggle with the contradictions inherent within their unavoidable interactions across economy, society, culture and politics.

Seen in this way, digital technology and digitality compel us to think hard not just about the digital, but also about that which it supplants—the analogue logic and the relationship with analogue technology that made possible our pre-digital world. We are driven also to think about where the human stands in relation to analogue and digital. Some scattered work was done in this regard in the 1980s and 1990s, but all of it tentative, and none of it from a Marxist perspective that, like Harvey, makes salient social change and the socialist project. The hypothesis I construct here concludes that we are, ontologically speaking, analogue beings from an analogue universe that evolved from out of our species’ drift toward tool-use to become homo sapiens. Some scattered work was done here too, but only suggestive, not systematic, and not with a view to conclusions that had ramifications for the present conjuncture in terms of political economy or techno-capitalism. Meanwhile, digitality spread from a nascent but obvious technological ‘revolution’ around the time of Harvey’s research for Postmodernity, to become a whole way of life—infiltrating the practice of daily life and colonising the consciousness that governs the meanings that constitute practice. It became a central element of culture, in other words; culture that is now networked and global. What this means is that the elements of Postmodernity that Harvey takes as empty ideologies—a globalising neoliberalism and the cultural postmodernity that expresses its superficiality—have become embedded, through digitality, into the practice that constitutes how everyday life is now increasingly lived and understood (or not understood).’

Critical Digital and Social Media Studies: New Call for Book Submissions

Critical Digital and Social Media Studies: New Call for Book Submissions

Critical Digital and Social Media Studies is an established book series edited by Professor Christian Fuchs on behalf of the Westminster Institute for Advanced Studies and published by the University of Westminster Press (UWP). We invite submissions of book proposals that fall within the scope of the series.

CALL DETAILS After the publication of twelve titles in the series (and several others commissioned for 2020) we invite submission of book proposals (adhering to the guidelines set out below) as one document with one full chapter for book titles in the range of 35,000-80,000 words. The books in the series are published online in an open access format available online without payment using a Creative Commons licence (CC-BY-NC-ND) and simultaneously as affordable paperbacks. We are able to publish a number of books in the call without any book processing charges for authors. Potential authors are welcome to contact the series editor outside of the initial time frame of this call for book proposals but should note that priority for funding support for suitable projects will be given to those proposals meeting the deadline. There is a preference for the submission of proposals for books whose writing can be finished and that can be submitted to UWP within the next 6-15 months. In the event of a surplus of strong proposals preference will be given to single-authored book proposals over edited volumes.

Outside these time frames authors are welcome to submit to the publisher a.lockett[at]westminster.ac.uk but will be notified if funding has already been allocated and the prospective date for the next call for publication. Authors who have access to open access fee-funding (e.g. covered by research project funding, universities or other institutions) that can cover the fees for layout and production are welcome to contact the publisher outside of the submission dates, but should note selection is based only on grounds of quality and suitability for the series notwithstanding that the series wishes to welcome as many suitable titles as possible. We welcome submissions to our submissions system with one (exactly one) uploaded sample chapter. We can only accept suggestions for books written in English. For further details see the Proposal Guidance below or if you have questions about the publishing process email a.lockett[at]westminster.ac.uk.

SUBMISSION DEADLINE Monday 20 January 2020 23:59 BST. Submissions should be made via UWP’s book proposal submission system at https://uwp.rua.re

Any prior queries may be sent by e-mail to Andrew Lockett (University of Westminster Press Manager), A.Lockett[at]westminster.ac.uk. Submissions will no longer be accepted by email. Regardless of other contact, all proposals for consideration have to be presented via https://uwp.rua.re.

CRITICAL DIGITAL AND SOCIAL MEDIA STUDIES: AIMS AND SCOPE
The book series “Critical Digital and Social Media Studies” publishes books that critically study the role of the Internet, digital and social media in society and make critical interventions. Its publications analyse how power structures, digital capitalism, ideology, domination, social struggles shape and are shaped by digital and social media. They use and develop critical theories, are profoundly theoretical, and discuss the political relevance and implications of the studied topics. The book series understands itself as a critical theory forum for Internet and social media research that makes critical interventions into contemporary political topics in the context of digital and social media. It is also interested in publishing works that based on critical theory foundations develop and apply critical social media research methods that challenge digital positivism. It furthermore is interested in digital media ethics that are grounded in critical social theories and critical philosophy. The book series’ understanding of critical theory and critique is grounded in approaches such as critical political economy and Frankfurt School critical theory.

TOPICS
Example topics that the book series is interested in include: the political economy of digital and social media; digital and informational capitalism; digital labour; ideology critique in the age of social media; new developments of critical theory in the age of digital and social media; critical studies of advertising and consumer culture online; critical social media research methods; critical digital and social media ethics; working class struggles in the age of social media; the relationship of class, gender and race in the context of digital and social media; the critical analysis of the implications of big data, cloud computing, digital positivism, the Internet of things, predictive online analytics, the sharing economy, location- based data and mobile media, etc.; the role of classical critical theories for studying digital and social media; alternative social media and Internet platforms; the public sphere in the age of digital media; the critical study of the Internet economy; critical perspectives on digital democracy; critical case studies of online prosumption; public service digital and social media; commons-based digital and social media; subjectivity, consciousness, affects, worldviews and moral values in the age of digital and social media; digital art and culture in the context of critical theory; environmental and ecological aspects of digital capitalism and digital consumer culture. Of particular interest is new work in the area of critical media/communication studies in the context of digital media and authoritarianism/populism, feminist political economy, critical perspectives on digital industries and digital labour, Marxism and AI, digital commons/digital public services/public service Internet.

PROPOSAL GUIDANCE
If you would like to know if UWP is interested in a proposal you will receive the swiftest answer if you submit via the RUA system (https://uwp.rua.re). Authors/editors need to register and complete a questionnaire. Authors submitting to this call for the CDSMS series must upload one sample chapter to their submission. The following indicates in general terms what will be requested:

UWP proposals are to be presented in response to a questionnaire

Preview of UWP Book Proposal Questionnaire

Book Title     

Subtitle          

Submitting Author/Editor              

Title and subtitle of book   

Contact email          

Email of submitting author or editor only         

Institution/affiliation of submitting author or editor only

Full author and editor details and short biography (120 words maximum) 

Anticipated Completion Date       

Total wordlength    

Sample chapter        

Sample material is always useful to receive. Please attach to/upload with contents and chapter plan

Case for the book
Relation to wider academic fields and disciplines; this may also include author/editor’s detailing relevant previous publications and history of research underlying the book.

Longer summary
Overview of the book’s aims, maximum 500 words.

Contents and chapter plan
For each chapter please include the title, and a paragraph of description (at least half of the full the length of a journal abstract) about its content and coverage. If an edited volume please provide contributor affiliations and up to three sentences biography including their most significant and relevant publications. The chapter plan should include a proposed length for each chapter as well as total length inclusive of notes and apparatus and details of any appendices.

Readership and how to reach it
Please detail core readership and subject areas the book would appeal to and cover, and details of any tertiary audiences either in terms of general interest or other academic fields. Please indicate how readers in your field are best reached. What factors do you think are most relevant in terms of ensuring the book makes an impact? Where in particular in terms might specialist reviews or coverage be sought? Lastly identify any other important aspects relating to marketing coverage including conferences, proposed events that might be organised or email or social media channels that could be utilised.

Competing and related books
Offer an account of competing titles and books closest resembling that in your proposal. Where competition is not relevant indicate any books serving as role models (or anti role models) or what in the absence of a competing title is available to read in the field.

Additional requirements
If relevant please indicate any presentation preferences for typesetting or any production requirements for the book including use of illustration, data, specialist typography or colour printing. Any thoughts on presentation/book format that are important and specific to the project including use of copyright material of any kind including imagery or supplementary files.

Series proposals are peer-reviewed in accordance with standard university press practice via the series editor, editorial board members and additional external referees where appropriate.

PUBLISHED and FORTHCOMING IN THE SERIES (to early 2020)
Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet Christian Fuchs

Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive ­Materialism Mariano Zukerfeld

Politicizing Digital Space: Theory, the Internet, and Renewing Democracy Trevor Garrison Smith

Capital, State, Empire: The New American Way of Digital Warfare Scott Timcke

The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano

The Big Data Agenda: Data Ethics and Critical Data Studies Annika Richterich

Social Capital Online: Alienation and Accumulation Kane X. Faucher

The Propaganda Model Today: Filtering Perception and Awareness Edited by Joan Pedro-Carañana, Daniel Broudy and Jeffery Klaehn

Critical Theory and Authoritarian Populism Edited by Jeremiah Morelock

Peer to Peer: The Commons Manifesto Michel Bauwens, Vasilis Kostakis, and Alex Pazaitis

Bubbles and Machines: Gender, Information and Financial Crises Micky Lee

Cultural Crowdfunding: Platform Capitalism, Labour and Globalization Edited by Vincent Rouzé

Forthcoming

The Condition of Digitality: A Post-Modern ­Marxism for the Practice of Digital Life ( Robert Hassan

Incorporating the Digital Commons: Corporate Involvement in Free and Open Source Software Benjamin J. Birkinbine

Communication and Capitalism: A Critical Theory Christian Fuchs

EDITORIAL BOARD:
Dr Thomas Allmer, University of Innsbruck, Austria.
Prof Mark Andrejevic, Pomona College, USA
Dr Miriyam Aouragh, University of Westminster, UK
Charles Brown, University of Westminster, UK
Dr Eran Fisher, Open University of Israel
Dr Peter Goodwin, University of Westminster, UK
Prof Jonathan Hardy, University of East London, UK
Dr Kylie Jarrett, Maynooth University, Ireland
Dr Anastasia Kavada, University of Westminster, UK
Dr Maria Michalis, University of Westminster, UK
Dr Stefania Milan, University of Amsterdam, the Netherlands
Dr Vincent Mosco, Queens University, Canada
Prof Jack L Qiu, Chinese University of Hong Kong
Dr Jernej Amon Prodnik, University of Ljubljana, Slovenia
Dr Marisol Sandoval, City University London, UK
Dr Sebastian Sevignani, Friedrich-Schiller-University of Jena, Germany
Dr Pieter Verdegem, University of Westminster

Critical Digital and Social Media Studies
www.uwestminsterpress.co.uk

Crowdfunding for culture: Origins of a new system or no alternative at all?

Crowdfunding for culture: Origins of a new system or no alternative at all?

What follows from decisions to outsource modes of creation and funding to consumers? This is the question posed by a new open access book –CULTURAL CROWDFUNDING: Platform Capitalism, Labour and Globalization that considers how platforms are used to organize cultural labour following a logic of suggestion rather than overt injunction.

Four key areas are considered: the history of crowdfunding as a system; whose interests crowdfunding may serve; the implications for digital labour and lastly crowdfunding’s interface with globalization and contemporary capitalism. The book concludes with an assessment of claims that crowdfunding can democratize culture.

CONTENTS
1. Introduction Vincent Rouzé 2. Crowdsourcing and Crowdfunding: The Origins of a New System? Vincent Rouzé 3. Far from an Alternative: New Cultural Intermediaries Vincent Rouzé 4. Participatory Cultural Platforms and Labour Jacob Matthews and Vincent Rouzé 5. Globalization and the Logics of Capitalism Jacob Matthews, Stéphane Costantini and Alix Bénistant 6. General Conclusion  Vincent Rouzé   Index

EDITOR
Vincent Rouzé is Associate Professor of Information and Communication Sciences at the University of Paris 8 and a member of the Centre for Media, Technology and Internationalization Studies (Cemti). Contributors: Jacob Matthews, Stéphane Costantini, Alix Bénistant.

Published open access by the University of Westminster Press. Published 29 November 2019

This book is published in the Critical Digital and Social Media Studies Series

FORMAT
128 pages paperback 229 x 152mm
978-1-912656-38-7    £19.99

OPEN ACCESS 
PDF, EPub and kindle versions available Free From uwestminsterpress.co.uk/site books: PDF 978-1-912656-39-4; ePub 978-1-912656-40-0 Kindle 978-1-912656-41-7: DOI:10.16997/book34

Media and Communications Study Skills – new title

Media and Communications Study Skills – new title

The University of Westminster Press launched its first title for MA students on study skills in media and communications courses. Author Doug Specht, Director of Teaching and Learning School of Media and Communications at the University of Westminster explained the origins of The Media and Communications Study Skills Guide at a-well attended event at Westminster’s Harrow Campus. The book highlights all sorts of study advice from listening to referencing, seminars to writing essays and to conjuring up a research question for the dreaded MA dissertation.

It includes numerous hacks and tips, graphics, tasks, planners, tasks and guides to such matters as notetaking.

Here – to get a sense of a sense of the flavour of the book – is the author’s advice on where to work:

Think about where you are working; try not to work in bed, so you have a separate space to rest. Consider whether you prefer working in the library, the kitchen table, your desk or in a café. Once you know your best working space (this might be different for different types of work), stick to this – I like to do emails and admin work in public spaces, but I need music to write and silence to edit, so I ensure I move around when working on different parts of a project. Also, think about the light and temperature in the room you are working in. Consider spending a little money on a good lamp – Michel Foucault, the French philosopher and social theorist, used to take his own to libraries and lectures. You should also break tasks down into smaller chunks or sub-tasks – there are some pages to help you do this at the end of this book. You can also use technology to help you with this, there are loads of task management apps available, although trying them all out can become a form of productive procrastination, so be careful!” 

Read the book, purchase in print or download from the University of Westminster Press.

Anthropocenes – Human, Inhuman, Posthuman

Anthropocenes – Human, Inhuman, Posthuman

UWP launched a brand new journal today, now open for submissions.

Editors David Chandler, Andreas Philippopoulos-Mihalopoulos and Jane Lewis of the University of Westminster explain the background and their thinking that led to its creation:

Anthropocenes – Human, Inhuman, Posthuman’ seeks to explore the implications of the Anthropocene from the perspectives of the social and life sciences, arts and humanities. We see the Anthropocene as an invitation to think differently about ways of being in the world and how we operate within, across and beyond our disciplinary framings. We take inspiration from Val Plumwood’s view that the Anthropocene poses the question: ‘Is it to be a posture of openness, of welcoming, of invitation, toward earth others, or is it to be a stance of prejudged superiority, of deafness, of closure?’ At present we feel that there is too little invitation: work on the Anthropocene often seems divided between climate scientists working along technical and managerial lines and, what can come across as, fairly aloof and abstract philosophical approaches. We seek to work to expand the area of Anthropocene work which can often be obscured by this divide; working out from the middle as it were.

For us, the Anthropocene poses questions that go far beyond narrow technical or governmental concerns of how to address issues such as climate change and global warming. While some contributors may, no doubt, be concerned with preventing, slowing or opposing the Anthropocene as a future to come, we hope that others will provide a critical, constructive and exploratory focus upon what it means to live within the Anthropocene as a time in which the certainties of the modernist world are becoming undone. Our desire is that this journal will pursue the open-ended and future-oriented invitations of the Anthropocene through building new cross-disciplinary research communities, facilitated through publishing in an open access format available to all.

We feel that the time is right to establish a world-leading interdisciplinary journal placing the University of Westminster at the centre of contemporary conceptual debates and practices. Drawing upon our unique strengths across diverse fields from the arts and media to the human sciences, via law, architecture and politics, Anthropocenes will engage and work with leading and upcoming international academics and practitioners looking for an interdisciplinary outlet and keen to develop and initiate debate through traditional and non-traditional forms of publication including visual and audio links.’