Category: music industry

WPCC – open call for papers

WPCC – open call for papers

Westminster Papers in Communication and Culture (WPCC)  is issuing an open call for papers for its Summer 2021 issue of up to nine papers.  WPCC is an open access peer-reviewed journal, published online established in 2004 and edited from CAMRI (Communication and Media Research Institute) at the University of Westminster by Dr Anthony McNicholas and colleagues.  WPCC is indexed in many services including CrossRef, DOAJ, Clarivate Analytics Emerging Citation Index and others accumulating over 250,000 views and downloads since its relaunch in Autumn 2015 by the University of Westminster Press.
www.westminsterpapers.org

The interdisciplinary nature of the field of Media and Cultural Studies is reflected in the diverse methods, contexts and themes of the papers published. Areas of interest include – but are not limited to – the history and political economy of the media, popular culture, media users and producers, political communication and developments arising from digital technologies in the context of an increasingly globalized and networked world. Contributions from both established scholars and those at the beginning of their academic career are equally welcome.

The open call especially welcomes contributions relating to North African, South Asia and Middle Eastern and East Asian Media, or on such topics as (but not limited to) AI, Big Data, media management, or topics relating to CAMRI’s research and teaching programme. However authors should not be deterred from submitting in areas outside these topic fields in the broad field of communication, cultural and media studies and on emerging topics. In addition to research articles (6,000-8,000 words), commentary (3,000 to 6,000 words), interviews (1500-300o words) and book reviews (1,500-3,000 words) will also be considered and audio and short video submissions, all with abstracts and keywords as standard.

DEADLINE FOR FULL PAPERS
Full papers are expected by 15 March 2021 submitted to the WPCC  submission system. All research and commentary articles will go through double peer-review. 

Submissions from authors new to WPCC are required to register in WPCC ‘s journal system. Those already registered will need to log-in with a new password following a change in the journal’s platform. (There should be a link from which to reset your password [‘Forgotten your password ] that will guide you through the simple process).

Publication dates: end May-July 2021.

WPCC is an open access journal and there are no fees for contributors. Published by the University of Westminster Press in conjunction with CAMRI. All content in this issue and in its archive is available free to read. 


www.westminsterpapers.org

Bad Culture, Sick Music: Fairness and Wellbeing in Cultural Work –14 October free online event

Bad Culture, Sick Music: Fairness and Wellbeing in Cultural Work –14 October free online event

Discussing two new books …

Can Music Make You Sick? Measuring the Price of Musical Ambition
Culture is Bad for You: Inequality in the Cultural and Creative Industries

Why does understanding cultural work matter so much?
What does Covid-19 mean for musicians and cultural workers?
What do you think is next for the creative recorded and live arts industries? What themes unite both books?

Sally Anne Gross, George Musgrave, Orian Brook and Mark Taylor discuss their books and issues behind them.

DJ Paulette chairs the panel discussion.

Register at Eventbrite.

‘The best guide to what being a musician, and what “the music industry” actually are that I can remember reading…’

‘The best guide to what being a musician, and what “the music industry” actually are that I can remember reading…’

CAN MUSIC MAKE YOU SICK? Measuring the Price of Music Ambition
Sally Anne Gross and George Musgrave

OUT NOW
“The best guide to what being a musician, and what “the music industry” actually are that I can remember reading… it manages to capture and quantify so much about how we value emotion, creativity, labour, relationships, time, other people, [and] ourselves, in the information economy” Joe Muggs  (DJ, Promoter, Journalist [Guardian, Telegraph, FACT, Mixmag, The Wire])

“Musicians often pay a high price for sharing their art with us. Underneath the glow of success can often lie loneliness and exhaustion, not to mention the basic struggles of paying the rent or buying food. Sally Anne Gross and George Musgrave raise important questions – and we need to listen to what the musicians have to tell us about their working conditions and their mental health.” Emma Warren (Music Journalist and Author)

“Singing is crying for grown-ups. To create great songs or play them with meaning its creators reach far into emotion and fragility seeking the communion we demand of music. The world loves music for bridging those lines. However, music’s toll on musicians can leave deep scars. In this important book, Sally Anne Gross and George Musgrave investigate the relationship between the wellbeing music brings to society and the wellbeing of those who create. It’s a much needed reality check, deglamourising the romantic image of the tortured artist.” Crispin Hunt (Multi-Platinum Songwriter/Record Producer, Chair of the Ivors Academy)

“A critical and timely book which is sure to kick start further conversations around musicians, mental health and the music industry” Adam Ficek (Psychotherapist [Music and Mind]/BabyShambles)

“This book should be mandatory reading for every label, booking agent, manager and tour manager in the business of music and touring so we can all better understand what’s really involved in living the life of a professional musician and the role we all have in making that life as liveable as possible” Grant Hutchison (Frightened Rabbit)

It is often assumed that creative people are prone to psychological instability, and that this explains apparent associations between cultural production and mental health problems. In their detailed study of recording and performing artists in the British music industry, Sally Anne Gross and George Musgrave turn this view on its head.  By listening to how musicians understand and experience their working lives, this book proposes that whilst making music is therapeutic, making a career from music can be traumatic. The authors show how careers based on an all-consuming passion have become more insecure and devalued. Artistic merit and intimate, often painful, self-disclosures are the subject of unremitting scrutiny and data metrics. Personal relationships and social support networks are increasingly bound up with calculative transactions.  Drawing on original empirical research and a wide-ranging survey of scholarship from across the social sciences, their findings should be provocative for future research on mental health, wellbeing and working conditions in the music industries and across the creative economy. Going beyond self-help strategies, they challenge the industry to make transformative structural change. Until then, the book provides an invaluable guide for anyone currently making their career in music, as well as those tasked with training and educating the next generation.

Contents
1. Introduction: Special Objects, Special Subjects
2. Sanity, Madness and Music
3. The Status of Work
4. The Status of Value
5. The Status of Relationships
6. Conclusions: What Do You Believe In?
Appendixes| Notes | Bibliography

AUTHORS
Sally Anne Gross is a Principal Lecturer at the University of Westminster and the course leader of the MA Music Business Management. She is also a music manager and music business affairs consultant, and has worked in the music industry for over three decades.

George Musgrave is an academic based at both the University of Westminster and Goldsmiths, University of London. He is also a musician who has been signed to Sony/EMI/ATV.

Open Access
PDF, ePub and kindle versions available free from https://www.uwestminsterpress.co.uk/site/books/m/10.16997/book43/

Subjects
Popular Music  |  Media Industries  | Cultural Studies  | Communication Studies

Is the Price of Musical Ambition Too High?

Is the Price of Musical Ambition Too High?

It is often assumed that creative people are prone to psychological instability, and that this explains apparent associations between cultural production and mental health problems. Sally Anne Gross and George Musgrave in their book CAN MUSIC MAKE YOU SICK? turn this view on its head. By listening to how musicians understand and experience their working lives, they show that whilst making music is therapeutic, making a career from music can be traumatic.

Listen to Sally Anne Gross discuss the authors’ findings on Robert Elms BBC Radio London, 11.00 Saturday 26th. Jason Solomons stands in.

Leicester University – panel and book launch: CULTURAL CROWDFUNDING

Leicester University – panel and book launch: CULTURAL CROWDFUNDING

CULTURAL CROWDFUNDING: Platform Capitalism, Labour and Globalization (editor Vincent Rouzé) will be discussed at a panel and book launch at Leicester University on the 22nd January 2020.
Speakers: Vincent Rouzé and Jacob Matthews (Paris 8)
Respondents: Alberto Cossu and Athina Karatzogianni (MCS, University of Leicester)
Moderator: Paula Serafini (CAMEO, University of Leicester)

Date and Time
Wed, January 22, 2020
3:00 PM – 6:00 PM GMT

Location
Lecture Theatre
SCHOOL OF MEDIA, COMMUNICATION & SOCIOLOGY
132 NEW WALK
BANKFIELD HOUSE
LEICESTER LE1 7JA

Further details and to register see eventbrite:

Details of the open access book or to view and download visit the book page

Titles in the Critical Digital and Social Media Studies are published by the University of Westminster Press.

Crowdfunding for culture: Origins of a new system or no alternative at all?

Crowdfunding for culture: Origins of a new system or no alternative at all?

What follows from decisions to outsource modes of creation and funding to consumers? This is the question posed by a new open access book –CULTURAL CROWDFUNDING: Platform Capitalism, Labour and Globalization that considers how platforms are used to organize cultural labour following a logic of suggestion rather than overt injunction.

Four key areas are considered: the history of crowdfunding as a system; whose interests crowdfunding may serve; the implications for digital labour and lastly crowdfunding’s interface with globalization and contemporary capitalism. The book concludes with an assessment of claims that crowdfunding can democratize culture.

CONTENTS
1. Introduction Vincent Rouzé 2. Crowdsourcing and Crowdfunding: The Origins of a New System? Vincent Rouzé 3. Far from an Alternative: New Cultural Intermediaries Vincent Rouzé 4. Participatory Cultural Platforms and Labour Jacob Matthews and Vincent Rouzé 5. Globalization and the Logics of Capitalism Jacob Matthews, Stéphane Costantini and Alix Bénistant 6. General Conclusion  Vincent Rouzé   Index

EDITOR
Vincent Rouzé is Associate Professor of Information and Communication Sciences at the University of Paris 8 and a member of the Centre for Media, Technology and Internationalization Studies (Cemti). Contributors: Jacob Matthews, Stéphane Costantini, Alix Bénistant.

Published open access by the University of Westminster Press. Published 29 November 2019

This book is published in the Critical Digital and Social Media Studies Series

FORMAT
128 pages paperback 229 x 152mm
978-1-912656-38-7    £19.99

OPEN ACCESS 
PDF, EPub and kindle versions available Free From uwestminsterpress.co.uk/site books: PDF 978-1-912656-39-4; ePub 978-1-912656-40-0 Kindle 978-1-912656-41-7: DOI:10.16997/book34