Category: platform capitalism

AI for Everyone? Critical Perspectives

UWP is pleased to announce that it will soon be publishing a new book exploring the role of contemporary AI and issues that need to be addressed concerning it. The volume will be edited by Pieter Verdegem of the University of Westminster. And it will be published open access in the series, Critical Digital and Social Media Studies edited by Christian Fuchs.

Description
We are entering a new era of technological determinism and solutionism in which governments and business actors are seeking data-driven change, assuming that AI is now inevitable and ubiquitous. But we have not even started asking the right questions, let alone developed an understanding of the consequences. Urgently needed is debate that asks and answers fundamental questions about power. This book brings together critical interrogations of what constitutes AI, its impact and its inequalities in order to offer an analysis of what it means for AI to deliver benefits for everyone.

The book is structured in three parts: Part 1, AI: Humans vs. Machines, presents critical perspectives on human-machine dualism. Part 2, Discourses and Myths about AI, excavates metaphors and policies to ask normative questions about what is ‘desirable’ AI and what conditions make this possible. Part 3, AI Power and Inequalities, discusses how the implementation of AI creates important challenges that urgently need to be addressed.

Bringing together scholars from diverse disciplinary backgrounds and regional contexts, this book offers a vital intervention on one of the most hyped concepts of our times.

Contents

  1. 1. Introduction: Why We Need Critical Perspectives on AI
    Pieter Verdegem

Part 1: AI – Humans vs. Machines

2.Artificial Intelligence (AI): When Humans and Machines Might Have to Coexist 
Andreas Kaplan

3. Digital Humanism: Epistemological, Ontological and Praxiological Foundations 
Wolfgang Hofkirchner

4. An Alternative Rationalization of Creative AI by De-Familiarizing Creativity: Towards an Intelligibility of Its Own Terms 
Jenna Ng

5. Post-Humanism, Mutual Aid
Dan McQuillan

Part 2: Discourses and Myths About AI

6. The Language Labyrinth: Constructive Critique on the Terminology Used in the AI Discourse
Rainer Rehak

7. AI Ethics Needs Good Data
Angela Daly, S. Kate Devitt and Monique Mann

8. The Social Reconfiguration of Artificial Intelligence: Utility and Feasibility
James Steinhoff 

9. Creating the Technological Saviour: Discourses on AI in Europe and the Legitimation of Super Capitalism
Benedetta Brevini

10. AI Bugs and Failures: How and Why to Render AI-Algorithms More Human?  Alkim Almila Akdag Salah

Part 3: AI Power and Inequalities 

11. Primed Prediction: A Critical Examination of the Consequences of Exclusion of the Ontological Now in AI Protocol
Carrie O’Connell and Chad Van De Wiele

12. Algorithmic Logic in Digital Capitalism
Jernej A. Prodnik

13. Not Ready for Prime Time: Biometrics and Biopolitics in the (Un)Making of California’s Facial Recognition Ban
Asvatha Babu and Saif Shahin

14. Beyond Mechanical Turk: The Work of Brazilians on Global AI Platforms  Rafael Grohmann and Willian Fernandes Araújo

15. Towards Data Justice Unionism? A Labour Perspective on AI Governance  Lina Dencik

The Authors

Index 

(Paperback): 978-1-914386-16-9 (PDF): 978-1-914386-13-8 (EPUB): 978-1-914386-14-5

ISBN (Kindle): 978-914386-15-2

DOI: 10.16997/book55

Slave to the Algorithm? Changing the Tune

Slave to the Algorithm? Changing the Tune

UWP are pleased to announce a forthcoming title DIGITAL PLATFORMS AND ALGORITHMIC SUBJECTIVITIES* exploring the changing nature of subjectivities produced in an era of changing boundaries between the social and personal and the economic and technological for its Critical Digital and Social Media Studies series edited by Christian Fuchs. The title is edited by Emiliana Armano, Marco Briziarelli and Elisabetta Risi (State University of Milan, University of New Mexico and IULM University of Milan respectively and will be published open access thanks to the support of Knowledge Unlatched.

*Amended 27 July 2021

DESCRIPTION

Algorithms are a form of productive power – so how may we conceptualise the newly merged terrains of social life, economy and self in a world of digital platforms? How do multiple self-quantifying practices interact with questions of class, race and gender? This book considers algorithms at work – for what purposes encoded data about behaviour, attitudes, dispositions, relationships and preferences are deployed – and black box control, platform society theory and the formation of subjectivities. It details technological structures and lived experience of algorithms and the operation of platforms in areas such as crypto-finance, production, surveillance, welfare, activism in pandemic times. Finally, it asks if platform cooperativism, collaborative design and neomutualism offer new visions. Even as problems with labour and in society mount, subjectivities and counter subjectivities here produced appear as conscious participants of change and not so much the servants of algorithmic control and dominant platforms.

CONTENTS

Introduction. Platforms, Algorithms and Subjectivities.– Emiliana Armano, Marco Briziarelli, Joseph Flores, Elisabetta Risi

Part I: Conceptualizing an algorithmic society

  1. The Californian Ideology Revisited – Lawrence Quill & Hasmet Uluorta
  2. Platform Politics and a World Beyond Catastrophe – Ned Rossiter & Soenke Zehle
  3. Platforms in Time of Pandemic– Niccolò Cuppini, Mattia Frapporti & Maurilio Pirone
  4. Domus Capitalismi. Domesticated Subjectivities in Times of Covid-19 – Marco Briziarelli & Emiliana Armano  
  5. Black Box Power Zones of Uncertainty in Algorithmic Management – Heiner Heiland 
  6. Algorithmic Management in Food Delivery Platforms, between Digital Neo-Taylorism and Enhanced Subjectivity – Emiliana Armano, Daniela Leonardi & Annalisa Murgia
  7. Extracting Free Labour– Patrick Cingolani  
  8. On Value And Labor In The Age Of Platforms– Andrea Miconi

Part II: Phenomenology and experiences. 

9. The Digital Traces of Crypto-Finance– Alberto Cossu  
10. The Social Costs of the Gig Economy and Institutional Responses. Forms of Institutional Bricolage in Italy, France, and the Netherland – Maurizio Franzini & Silvia Lucciarini
11. Plat-Firming Welfare. Examining Digital Transformation in Local Care Services – Davide Arcidiacono, Ivana Pais & Flaviano Zandonai
12.Algorithmic Prosumers – Elisabetta Risi & Riccardo Pronzato
13. Performed Subjectivities in Ranking and Recommendation Systems – Tatiana Mazali & Nicoletta Gay
14. Labour Control and Commodification Strategies Within A Food Delivery Platform in Belgium – Milena  Franke  & Valeria Pulignano
15. Emerging Forms of Sociotechnical Organisation the Case of the Fediverse – Jacopo Anderlini & Carlo Milani
16. A Workers’ Inquiry into Canvas and Zoom Disrupting the Algorithmic University – Robert Ovetz

ABOUT THE EDITORS

Emiliana Armano, PhD in Labour Studies at the Department of Social and Political Sciences at the State University of Milan. She collaborates in research into informational capitalism, knowledge work, flexibility and precariousness, with a social inquiry and coresearch methodological approach.

Marco Briziarelli is professor of Department of Communication and Journalism of the University of New Mexico. He studies critical approaches to media and communication theory, especially as these fields intersect with broader issues in political and social theory, intellectual and cultural history. Dr. Briziarelli is also interested in media and social movements and critical conceptualization of digital labor. His work has appeared in triple C: Communication, Capitalism & Critique, CommunIcation and Critical/Cultural Studies and many other journals.

Elisabetta Risi, PhD in Information Society, is Research Fellow of the Department of Communication, Arts and Media of IULM University (Milan). She teaches disciplines related to digital methods and her research interests include critical study of society and media, platform society the relationship between communication practices, identity and social change.

RELATED PUBLISHING

UWP has previously published The Spectacle 2.0 by two of the book’s editors Marco Briziarelli and Emiliana Armano in the CDSMS series, the CAMRI Policy Brief Artificial Intelligence and the Internet of Things with AI FOR EVERYONE edited by Pieter Verdegem of the University of Westminster also scheduled for 2021.

A Taste of Power? Making Sense of Workers’ Struggle at Deliveroo

A Taste of Power? Making Sense of Workers’ Struggle at Deliveroo

Author Jamie Woodcock (The Fight Against Platform Capitalism, UWP 2021) guest blogs offering his view of recent developments in workers’ struggle in the food delivery sector in the wake of Deliveroo’s IPO last month.

On the 7th of April, Deliveroo riders took strike action across the UK as part of the Independent Workers’ Union of Great Britain (IWGB). In London, riders in green and silver jackets assembled outside Shoreditch High Street station, a local hub of restaurants. Workers, mopeds, bicycles, a mobile sound system, and press quickly filled the street. Then, as fits with their working day, the strikers set off for a ride around the city, ending with a protest outside Deliveroo’s headquarters in Cannon Street.

It has been almost five years since the first strike of Deliveroo workers in the summer of 2016. When I visited the picket line on the first day of the strike, we were not sure what to expect. The IWGB had come to support the strike, but it had been organised my workers on WhatsApp. What we found was a connected workforce of riders who were organising for basic rights and fair pay. As Callum Cant has demonstrated, the strike in London triggered a wave of worker resistance in European food platforms.

Much has changed with Deliveroo since 2016. It has grown rapidly, both across the UK and in an increasing number of countries. There are now an estimated 50,000 Deliveroo riders in the UK. However, at the start of the Covid-19 pandemic, Deliveroo warned it faced an imminent financial crash. Although it has previously blocked the move, Competition and Markets Authority gave Amazon the greenlight to invest in Deliveroo, spurring investment in so-called “Dark Kitchens.” As the lockdown shut restaurants, these separate facilities for churning out takeaway food helped to create massive growth for the platform.

Throughout the pandemic, essential workers like those at Deliveroo have continued to work. For many isolating, takeaway food – and increasingly other offerings like groceries – have allowed those working from home to shield from the risks of the virus. Due to the bogus self-employment status used by Deliveroo, many riders fell between either furlough or the self-employed support scheme. The IWGB launched the #ClappedAndScrapped campaign to highlight how little support workers have received during the lockdown.

Buoyed by the surge in business during the lockdown, Deliveroo went from almost failing to an Initial Public Offering (IPO) in March of 2021. The coordination of the strike of riders makes this a good moment to stake stock of what has changed since the first open sign of workers struggle on the platform. The strikes in 2016 were against a change in payment scheme from an hourly rate with payment to drop, to only being paid for deliveries made. During the strike, a manager from Deliveroo came out to address the crowd – although he was quickly ushered away after strikers rejected his argument that the they “need to understand how the payment scheme was better for them.”

In my recent book, I have argued that there are three dynamics we can see unfolding with platform work – and each of these can be seen with Deliveroo. First, there is an increasing connection between platform workers, both on WhatsApp and social media, as well as in the streets. Second, despite that early attempt at interaction from a Deliveroo manager, there is a lack of communication from platforms, which leads to escalating worker action. Third, due to the growth of these platforms internationally, there is a new basis for transnational solidarity emerging.

Fast forward to 2021 and pay for deliveries is now the standard model, with hourly rates a distant memory. As part of a worker-led study of their own invoice data, The Bureau of Investigative Journalism found that some riders today are paid as little as £2 per hour. Workers have formed networks and joined unions, with WhatsApp chats remaining a key organising tool. Deliveroo refuse to recognise or negotiate with unions.

Over the past five years, Deliveroo has now achieved status as the most protested platform in the world. The recent IWGB strike was over familiar issues: fair pay, safety protections, and basic worker rights. It received support from unions internationally, including in Australia, France, the Netherlands, Ireland, and Spain. In the UK, the action around the IPO led to 12 institutional investors pulling out, with over £3 billion wiped off Deliveroo’s valuation. The Financial Times called it the ‘worst IPO in London’s history.’

With the recent Uber case in London, as well as the recent workers’ rights claim at the delivery company Stuart, the use of self-employment to deny rights is starting to crumble. There is still a lot that Deliveroo workers are fighting to change, but the recent strike felt like a taste of what workers power could look like with food platform deliveries.

JAMIE WOODCOCK is a senior lecturer at the Open University and a researcher based in London. He is the author of The Gig Economy (2019), Marx at the Arcade (2019) and Working the Phones (2017), also serving on the editorial boards of Notes from Below and Historical Materialism.

The Fight Against Platform Capitalism: An Inquiry in the Global Struggles of the Gig Economy (2021) is published in the Critical Digital and Social Media Studies series edited by Christian Fuchs. The book is available open access from the University of Westminster Press.

What Are the Commons? What Could They Be?

What Are the Commons? What Could They Be?

Vangelis Papadimitropoulos in a new open access book just published (The Commons: Economic Alternatives in the Digital Age) surveys theories of the commons: liberal, reformist and anti-capitalist. Discussing these three viewpoints, the book contributes to contemporary debates concerning the future of commons-based peer production (see also UWP’s Peer to Peer) and makes the case in the conclusion for a post-capitalist commons-orientated transition that moves beyond neoliberalism.

This title is the in the University of Westminster Press‘s Critical Digital and Social Media Studies series. All previously published titles are available open access via a variety of channels including OAPEN, JSTOR and DOAB. Other titles discussing the Commons published by UWP include Incorporating the Digital Commons by Benjamin Birkinbine and Communication and Capitalism by Christian Fuchs.

‘The best guide to what being a musician, and what “the music industry” actually are that I can remember reading…’

‘The best guide to what being a musician, and what “the music industry” actually are that I can remember reading…’

CAN MUSIC MAKE YOU SICK? Measuring the Price of Music Ambition
Sally Anne Gross and George Musgrave

OUT NOW
“The best guide to what being a musician, and what “the music industry” actually are that I can remember reading… it manages to capture and quantify so much about how we value emotion, creativity, labour, relationships, time, other people, [and] ourselves, in the information economy” Joe Muggs  (DJ, Promoter, Journalist [Guardian, Telegraph, FACT, Mixmag, The Wire])

“Musicians often pay a high price for sharing their art with us. Underneath the glow of success can often lie loneliness and exhaustion, not to mention the basic struggles of paying the rent or buying food. Sally Anne Gross and George Musgrave raise important questions – and we need to listen to what the musicians have to tell us about their working conditions and their mental health.” Emma Warren (Music Journalist and Author)

“Singing is crying for grown-ups. To create great songs or play them with meaning its creators reach far into emotion and fragility seeking the communion we demand of music. The world loves music for bridging those lines. However, music’s toll on musicians can leave deep scars. In this important book, Sally Anne Gross and George Musgrave investigate the relationship between the wellbeing music brings to society and the wellbeing of those who create. It’s a much needed reality check, deglamourising the romantic image of the tortured artist.” Crispin Hunt (Multi-Platinum Songwriter/Record Producer, Chair of the Ivors Academy)

“A critical and timely book which is sure to kick start further conversations around musicians, mental health and the music industry” Adam Ficek (Psychotherapist [Music and Mind]/BabyShambles)

“This book should be mandatory reading for every label, booking agent, manager and tour manager in the business of music and touring so we can all better understand what’s really involved in living the life of a professional musician and the role we all have in making that life as liveable as possible” Grant Hutchison (Frightened Rabbit)

It is often assumed that creative people are prone to psychological instability, and that this explains apparent associations between cultural production and mental health problems. In their detailed study of recording and performing artists in the British music industry, Sally Anne Gross and George Musgrave turn this view on its head.  By listening to how musicians understand and experience their working lives, this book proposes that whilst making music is therapeutic, making a career from music can be traumatic. The authors show how careers based on an all-consuming passion have become more insecure and devalued. Artistic merit and intimate, often painful, self-disclosures are the subject of unremitting scrutiny and data metrics. Personal relationships and social support networks are increasingly bound up with calculative transactions.  Drawing on original empirical research and a wide-ranging survey of scholarship from across the social sciences, their findings should be provocative for future research on mental health, wellbeing and working conditions in the music industries and across the creative economy. Going beyond self-help strategies, they challenge the industry to make transformative structural change. Until then, the book provides an invaluable guide for anyone currently making their career in music, as well as those tasked with training and educating the next generation.

Contents
1. Introduction: Special Objects, Special Subjects
2. Sanity, Madness and Music
3. The Status of Work
4. The Status of Value
5. The Status of Relationships
6. Conclusions: What Do You Believe In?
Appendixes| Notes | Bibliography

AUTHORS
Sally Anne Gross is a Principal Lecturer at the University of Westminster and the course leader of the MA Music Business Management. She is also a music manager and music business affairs consultant, and has worked in the music industry for over three decades.

George Musgrave is an academic based at both the University of Westminster and Goldsmiths, University of London. He is also a musician who has been signed to Sony/EMI/ATV.

Open Access
PDF, ePub and kindle versions available free from https://www.uwestminsterpress.co.uk/site/books/m/10.16997/book43/

Subjects
Popular Music  |  Media Industries  | Cultural Studies  | Communication Studies