Category: Social studies of science and technology

Critical Digital and Social Media Studies: New Call for Book Submissions

Critical Digital and Social Media Studies: New Call for Book Submissions

Critical Digital and Social Media Studies is an established book series edited by Professor Christian Fuchs on behalf of the Westminster Institute for Advanced Studies and published by the University of Westminster Press (UWP). We invite submissions of book proposals that fall within the scope of the series.

CALL DETAILS After the publication of twelve titles in the series (and several others commissioned for 2020) we invite submission of book proposals (adhering to the guidelines set out below) as one document with one full chapter for book titles in the range of 35,000-80,000 words. The books in the series are published online in an open access format available online without payment using a Creative Commons licence (CC-BY-NC-ND) and simultaneously as affordable paperbacks. We are able to publish a number of books in the call without any book processing charges for authors. Potential authors are welcome to contact the series editor outside of the initial time frame of this call for book proposals but should note that priority for funding support for suitable projects will be given to those proposals meeting the deadline. There is a preference for the submission of proposals for books whose writing can be finished and that can be submitted to UWP within the next 6-15 months. In the event of a surplus of strong proposals preference will be given to single-authored book proposals over edited volumes.

Outside these time frames authors are welcome to submit to the publisher a.lockett[at]westminster.ac.uk but will be notified if funding has already been allocated and the prospective date for the next call for publication. Authors who have access to open access fee-funding (e.g. covered by research project funding, universities or other institutions) that can cover the fees for layout and production are welcome to contact the publisher outside of the submission dates, but should note selection is based only on grounds of quality and suitability for the series notwithstanding that the series wishes to welcome as many suitable titles as possible. We welcome submissions to our submissions system with one (exactly one) uploaded sample chapter. We can only accept suggestions for books written in English. For further details see the Proposal Guidance below or if you have questions about the publishing process email a.lockett[at]westminster.ac.uk.

SUBMISSION DEADLINE Monday 20 January 2020 23:59 BST. Submissions should be made via UWP’s book proposal submission system at https://uwp.rua.re

Any prior queries may be sent by e-mail to Andrew Lockett (University of Westminster Press Manager), A.Lockett[at]westminster.ac.uk. Submissions will no longer be accepted by email. Regardless of other contact, all proposals for consideration have to be presented via https://uwp.rua.re.

CRITICAL DIGITAL AND SOCIAL MEDIA STUDIES: AIMS AND SCOPE
The book series “Critical Digital and Social Media Studies” publishes books that critically study the role of the Internet, digital and social media in society and make critical interventions. Its publications analyse how power structures, digital capitalism, ideology, domination, social struggles shape and are shaped by digital and social media. They use and develop critical theories, are profoundly theoretical, and discuss the political relevance and implications of the studied topics. The book series understands itself as a critical theory forum for Internet and social media research that makes critical interventions into contemporary political topics in the context of digital and social media. It is also interested in publishing works that based on critical theory foundations develop and apply critical social media research methods that challenge digital positivism. It furthermore is interested in digital media ethics that are grounded in critical social theories and critical philosophy. The book series’ understanding of critical theory and critique is grounded in approaches such as critical political economy and Frankfurt School critical theory.

TOPICS
Example topics that the book series is interested in include: the political economy of digital and social media; digital and informational capitalism; digital labour; ideology critique in the age of social media; new developments of critical theory in the age of digital and social media; critical studies of advertising and consumer culture online; critical social media research methods; critical digital and social media ethics; working class struggles in the age of social media; the relationship of class, gender and race in the context of digital and social media; the critical analysis of the implications of big data, cloud computing, digital positivism, the Internet of things, predictive online analytics, the sharing economy, location- based data and mobile media, etc.; the role of classical critical theories for studying digital and social media; alternative social media and Internet platforms; the public sphere in the age of digital media; the critical study of the Internet economy; critical perspectives on digital democracy; critical case studies of online prosumption; public service digital and social media; commons-based digital and social media; subjectivity, consciousness, affects, worldviews and moral values in the age of digital and social media; digital art and culture in the context of critical theory; environmental and ecological aspects of digital capitalism and digital consumer culture. Of particular interest is new work in the area of critical media/communication studies in the context of digital media and authoritarianism/populism, feminist political economy, critical perspectives on digital industries and digital labour, Marxism and AI, digital commons/digital public services/public service Internet.

PROPOSAL GUIDANCE
If you would like to know if UWP is interested in a proposal you will receive the swiftest answer if you submit via the RUA system (https://uwp.rua.re). Authors/editors need to register and complete a questionnaire. Authors submitting to this call for the CDSMS series must upload one sample chapter to their submission. The following indicates in general terms what will be requested:

UWP proposals are to be presented in response to a questionnaire

Preview of UWP Book Proposal Questionnaire

Book Title     

Subtitle          

Submitting Author/Editor              

Title and subtitle of book   

Contact email          

Email of submitting author or editor only         

Institution/affiliation of submitting author or editor only

Full author and editor details and short biography (120 words maximum) 

Anticipated Completion Date       

Total wordlength    

Sample chapter        

Sample material is always useful to receive. Please attach to/upload with contents and chapter plan

Case for the book
Relation to wider academic fields and disciplines; this may also include author/editor’s detailing relevant previous publications and history of research underlying the book.

Longer summary
Overview of the book’s aims, maximum 500 words.

Contents and chapter plan
For each chapter please include the title, and a paragraph of description (at least half of the full the length of a journal abstract) about its content and coverage. If an edited volume please provide contributor affiliations and up to three sentences biography including their most significant and relevant publications. The chapter plan should include a proposed length for each chapter as well as total length inclusive of notes and apparatus and details of any appendices.

Readership and how to reach it
Please detail core readership and subject areas the book would appeal to and cover, and details of any tertiary audiences either in terms of general interest or other academic fields. Please indicate how readers in your field are best reached. What factors do you think are most relevant in terms of ensuring the book makes an impact? Where in particular in terms might specialist reviews or coverage be sought? Lastly identify any other important aspects relating to marketing coverage including conferences, proposed events that might be organised or email or social media channels that could be utilised.

Competing and related books
Offer an account of competing titles and books closest resembling that in your proposal. Where competition is not relevant indicate any books serving as role models (or anti role models) or what in the absence of a competing title is available to read in the field.

Additional requirements
If relevant please indicate any presentation preferences for typesetting or any production requirements for the book including use of illustration, data, specialist typography or colour printing. Any thoughts on presentation/book format that are important and specific to the project including use of copyright material of any kind including imagery or supplementary files.

Series proposals are peer-reviewed in accordance with standard university press practice via the series editor, editorial board members and additional external referees where appropriate.

PUBLISHED and FORTHCOMING IN THE SERIES (to early 2020)
Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet Christian Fuchs

Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive ­Materialism Mariano Zukerfeld

Politicizing Digital Space: Theory, the Internet, and Renewing Democracy Trevor Garrison Smith

Capital, State, Empire: The New American Way of Digital Warfare Scott Timcke

The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano

The Big Data Agenda: Data Ethics and Critical Data Studies Annika Richterich

Social Capital Online: Alienation and Accumulation Kane X. Faucher

The Propaganda Model Today: Filtering Perception and Awareness Edited by Joan Pedro-Carañana, Daniel Broudy and Jeffery Klaehn

Critical Theory and Authoritarian Populism Edited by Jeremiah Morelock

Peer to Peer: The Commons Manifesto Michel Bauwens, Vasilis Kostakis, and Alex Pazaitis

Bubbles and Machines: Gender, Information and Financial Crises Micky Lee

Cultural Crowdfunding: Platform Capitalism, Labour and Globalization Edited by Vincent Rouzé

Forthcoming

The Condition of Digitality: A Post-Modern ­Marxism for the Practice of Digital Life ( Robert Hassan

Incorporating the Digital Commons: Corporate Involvement in Free and Open Source Software Benjamin J. Birkinbine

Communication and Capitalism: A Critical Theory Christian Fuchs

EDITORIAL BOARD:
Dr Thomas Allmer, University of Innsbruck, Austria.
Prof Mark Andrejevic, Pomona College, USA
Dr Miriyam Aouragh, University of Westminster, UK
Charles Brown, University of Westminster, UK
Dr Eran Fisher, Open University of Israel
Dr Peter Goodwin, University of Westminster, UK
Prof Jonathan Hardy, University of East London, UK
Dr Kylie Jarrett, Maynooth University, Ireland
Dr Anastasia Kavada, University of Westminster, UK
Dr Maria Michalis, University of Westminster, UK
Dr Stefania Milan, University of Amsterdam, the Netherlands
Dr Vincent Mosco, Queens University, Canada
Prof Jack L Qiu, Chinese University of Hong Kong
Dr Jernej Amon Prodnik, University of Ljubljana, Slovenia
Dr Marisol Sandoval, City University London, UK
Dr Sebastian Sevignani, Friedrich-Schiller-University of Jena, Germany
Dr Pieter Verdegem, University of Westminster

Critical Digital and Social Media Studies
www.uwestminsterpress.co.uk

Anthropocenes – Human, Inhuman, Posthuman

Anthropocenes – Human, Inhuman, Posthuman

UWP launched a brand new journal today, now open for submissions.

Editors David Chandler, Andreas Philippopoulos-Mihalopoulos and Jane Lewis of the University of Westminster explain the background and their thinking that led to its creation:

Anthropocenes – Human, Inhuman, Posthuman’ seeks to explore the implications of the Anthropocene from the perspectives of the social and life sciences, arts and humanities. We see the Anthropocene as an invitation to think differently about ways of being in the world and how we operate within, across and beyond our disciplinary framings. We take inspiration from Val Plumwood’s view that the Anthropocene poses the question: ‘Is it to be a posture of openness, of welcoming, of invitation, toward earth others, or is it to be a stance of prejudged superiority, of deafness, of closure?’ At present we feel that there is too little invitation: work on the Anthropocene often seems divided between climate scientists working along technical and managerial lines and, what can come across as, fairly aloof and abstract philosophical approaches. We seek to work to expand the area of Anthropocene work which can often be obscured by this divide; working out from the middle as it were.

For us, the Anthropocene poses questions that go far beyond narrow technical or governmental concerns of how to address issues such as climate change and global warming. While some contributors may, no doubt, be concerned with preventing, slowing or opposing the Anthropocene as a future to come, we hope that others will provide a critical, constructive and exploratory focus upon what it means to live within the Anthropocene as a time in which the certainties of the modernist world are becoming undone. Our desire is that this journal will pursue the open-ended and future-oriented invitations of the Anthropocene through building new cross-disciplinary research communities, facilitated through publishing in an open access format available to all.

We feel that the time is right to establish a world-leading interdisciplinary journal placing the University of Westminster at the centre of contemporary conceptual debates and practices. Drawing upon our unique strengths across diverse fields from the arts and media to the human sciences, via law, architecture and politics, Anthropocenes will engage and work with leading and upcoming international academics and practitioners looking for an interdisciplinary outlet and keen to develop and initiate debate through traditional and non-traditional forms of publication including visual and audio links.’

Digital and Social Media Studies Series reaches 10 titles with Bubbles and Machines.

Digital and Social Media Studies Series reaches 10 titles with Bubbles and Machines.

UWP’s Critical Digital and Social Media Studies series edited by Christian Fuchs is proud to record the publication of its tenth title since its first in October 2016 with Bubbles and Machines: Gender, Information and Financial Crises by Micky Lee.

The author asks ‘Are financial crises embedded in IT? Can gender studies offer insights into financial reporting? Working with case histories of tulipmania, microcredit, Wall Street reporting and the role of ‘screens’, Bubbles and Machines argues that rather than calling financial crises human-made or inevitable they should be recognized as technological. The author asks ‘Are financial crises embedded in IT? Can gender studies offer insights into financial reporting? 

All titles in the CDSMS series are published open access and are free to read in digital form, available to purchase in print online.

UWP 2019 catalogue out

UWP 2019 catalogue out

Delighted to announce the arrival of UWP 2019 catalogue. Forty-six pages of books and journals. All UWP published titles are open access.

Following our first book title published in October 2016 Critical Theory of Communication by Christian Fuchs, we are now listing 44 with over 13 titles published or firmly scheduled in our flagship Critical and Digital Media Studies series.

There are books in Media Studies, Politics/Theory, our Law and the Senses series, Geography, History and Education. And some details of our published two journals Westminster Papers in Communication and Culture and Entertainment and Sports Law Journal.

You can download, then view the catalogue here.

uwestminsterpress.co.uk

Event March 21st – Peer to Peer: A Commons Manifesto, book launch seminar

Event March 21st – Peer to Peer: A Commons Manifesto, book launch seminar

There is another way. Peer to peer and the commons …

A forthcoming CAMRI Research event this Thursday, for Peer to Peer: A Commons Manifesto by Michel Bauwens, Vasilis Kostakis and Alex Pazaitis researchers and activists in the world of P2P (Peer to Peer). Participants will discuss what is needed to create the transition to a commons economy and society and how it relates to the past and present as the book’s description outlines:

Not since Marx identified the manufacturing plants of Manchester as the blueprint for the new capitalist society has there been a more profound transformation of the fundamentals of our social life. As capitalism faces a series of structural crises, a new social, political and economic dynamic is emerging: peer to peer. What is peer to peer? Why is it essential for building a commons-centric future? How could this happen? These are the questions this book tries to answer. Peer to peer is a type of social relations in human networks, as well as a technological infrastructure that makes the generalization and scaling up of such relations possible. Thus, peer to peer enables a new mode of production and creates the potential for a transition to a commons-oriented economy.  

Peer to Peer will be available open access from the 21st of March on the University of Westminster Press website – DOI: 10.16997/book25. It is the latest title in the Critical Digital and Social Media Studies series from UWP.

To register for the event and view details see eventbrite.

Politics, Labour, Capitalism Considered in the Age of Big Date

Politics, Labour, Capitalism Considered in the Age of Big Date

UWP’s latest title Digital Objects, Digital Subjects is now available to read digitally, download or to purchase as a paperback.

Toni Negri, Jodi Dean, Kylie Jarrett, Phoebe Moore, Paolo Gerbaudo,and Jack Linchuan Qiu are just some of the contributors debating Big Data, Labour, Politics, Capitalism, posthumanism, the anthropocence, the quantified self and current directions in political workplace organisation shaped by Big Data.

Professors David Chandler and Christian Fuchs from the University of Westminster edited the collection which includes debate in its structure via responses to keynote chapters. It is the University of Westminster Press’s 18th new published book since it launched its first in October 2016, Critical Theory of Communication by Christian Fuchs.